{"id":3549,"date":"2008-09-29T02:49:56","date_gmt":"2008-09-29T01:49:56","guid":{"rendered":"http:\/\/www.johncoulthart.com\/feuilleton\/2008\/09\/29\/the-art-of-angelo-filomeno\/"},"modified":"2008-09-29T02:49:56","modified_gmt":"2008-09-29T01:49:56","slug":"the-art-of-angelo-filomeno","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2008\/09\/29\/the-art-of-angelo-filomeno\/","title":{"rendered":"The art of Angelo Filomeno"},"content":{"rendered":"<p><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2008\/09\/filomeno1.jpg\" alt=\"filomeno1.jpg\" \/><\/p>\n<p><em>Venom (2003). <\/em><\/p>\n<p>The work of Angelo Filomeno, an Italian artist based in New York, is just the kind of thing I like to see: insects, skulls and bones in a luscious presentation. The sculpture below is made of glass while the flat works are silk embroidery with crystals as part of the decoration. There&#8217;s a selection of the latter works <a href=\"http:\/\/www.marianneboeskygallery.com\/exhibitions\/2006_2_angelo-filomeno\/#\" target=\"_blank\">here<\/a>.<\/p>\n<p><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2008\/09\/filomeno2.jpg\" alt=\"filomeno2.jpg\" \/><\/p>\n<p><em>Cold (detail) (2007). <\/em><\/p>\n<p><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2008\/09\/filomeno3.jpg\" alt=\"filomeno3.jpg\" \/><\/p>\n<p><em>Incendiary Lovers (2005). <\/em><\/p>\n<p>Previously on { feuilleton }<br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2008\/04\/08\/the-skull-beneath-the-skin\/\">The skull beneath the skin<\/a><br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2007\/04\/24\/vanitas-paintings\/\">Vanitas paintings<\/a><br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2007\/03\/31\/giant-skeleton-and-the-chocolate-jesus\/\">Giant Skeleton and the Chocolate Jesus<\/a><br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2007\/02\/18\/very-hungry-god\/\">Very Hungry God<\/a><br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2006\/02\/15\/history-of-the-skull-as-symbol\/\">History of the skull as symbol<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Venom (2003). The work of Angelo Filomeno, an Italian artist based in New York, is just the kind of thing I like to see: insects, skulls and bones in a luscious presentation. The sculpture below is made of glass while the flat works are silk embroidery with crystals as part of the decoration. There&#8217;s a &hellip; <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2008\/09\/29\/the-art-of-angelo-filomeno\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;The art of Angelo Filomeno&#8221;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[2,41],"tags":[141,445],"class_list":["post-3549","post","type-post","status-publish","format-standard","hentry","category-art","category-sculpture","tag-insects","tag-skulls"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-Vf","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/3549","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=3549"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/3549\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=3549"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=3549"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=3549"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}