{"id":3477,"date":"2008-09-07T01:23:52","date_gmt":"2008-09-07T00:23:52","guid":{"rendered":"http:\/\/www.johncoulthart.com\/feuilleton\/2008\/09\/07\/the-faces-of-parsifal\/"},"modified":"2011-01-24T11:43:46","modified_gmt":"2011-01-24T11:43:46","slug":"the-faces-of-parsifal","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2008\/09\/07\/the-faces-of-parsifal\/","title":{"rendered":"The faces of Parsifal"},"content":{"rendered":"<p><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2008\/09\/parsifal.jpg\" alt=\"parsifal.jpg\" \/><\/p>\n<p><em>Parsifal by Jean Delville (1890).<\/em><\/p>\n<p>Continuing the occasional series of posts examining the evolution of a particular design or image, this one begins with a mystical charcoal drawing by Belgian Symbolist, <a href=\"http:\/\/www.JeanDelville.com\/\" target=\"_blank\">Jean Delville<\/a> (1867\u20131953), our object of concern being that entranced or dreaming face.<\/p>\n<p><a href=\"http:\/\/www.blackstoneaudio.com\/audiobook.cfm?id=1136\" target=\"_blank\"><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2008\/09\/lamb.jpg\" alt=\"lamb.jpg\" align=\"left\" \/><\/a>My first encounter with Delville&#8217;s image wasn&#8217;t via the original but came with this Seventies&#8217; version produced for a <a href=\"http:\/\/homepages.pavilion.co.uk\/users\/tartarus\/williams.html\" target=\"_blank\">Charles Williams<\/a> paperback cover by illustrator Jim Lamb. (And this copy is the only one I can find, reused on <a href=\"http:\/\/www.blackstoneaudio.com\/audiobook.cfm?id=1136\" target=\"_blank\">a recent audiobook<\/a> of Williams&#8217; novel. If anyone has a link to a larger copy of the paperback cover then please post it in the comments.) Yes, this is tenuous but when I eventually got to see Delville&#8217;s picture it made me think immediately of Lamb&#8217;s illustration. <em>Many Dimensions<\/em> is one of my favourite books by Williams and unusually for him it deals with Islamic rather than Christian mysticism; in that case if Lamb <em>was<\/em> borrowing from <em>Parsifal<\/em> then it&#8217;s a case of the right image for the wrong book.<\/p>\n<p>Jim Lamb is another illustrator from this period who now works mainly as <a href=\"http:\/\/www.jimlambstudio.com\/\" target=\"_blank\">a landscape artist<\/a>.<\/p>\n<p><!--more--><\/p>\n<p><a href=\"http:\/\/www.johncoulthart.com\/haunter\/index.html\" target=\"_blank\"><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2008\/09\/coc.jpg\" alt=\"coc.jpg\" \/><\/a><\/p>\n<p><em>The Call of Cthulhu (1988). <\/em><\/p>\n<p>In 1987 I plundered Delville myself for <a href=\"http:\/\/www.johncoulthart.com\/haunter\/index.html\" target=\"_blank\"><em>The Call of Cthulhu<\/em><\/a> as a means of showing dreaming artist Henry Wilcox whose visions of R&#8217;lyeh are one of the key events in the story. The Symbolist reference also connects him to that school of art although the sole example I showed of his painting owed more to Max Ernst. This is just one of many examples of intertextuality (or outright thievery) in my <em>Cthulhu<\/em> adaptation. I suppose one day I ought to list the others.<\/p>\n<p><a href=\"http:\/\/www.mousestudios.com\/\" target=\"_blank\"><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2008\/09\/be-in.jpg\" alt=\"be-in.jpg\" \/><\/a><\/p>\n<p><em>25th Human Be-In by Stanley Mouse (1991).<\/em><\/p>\n<p>The inevitable psychedelic appropriation comes rather late with this poster by <a href=\"http:\/\/www.mousestudios.com\/\" target=\"_blank\">Stanley Mouse<\/a> which not only lifts the face but reworks the whole drawing. I <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2008\/07\/12\/san-francisco-angels\/\">noted earlier<\/a> Mouse&#8217;s fondness for <em>fin de si\u00e8cle<\/em> imagery so the use of Delville comes as no surprise; the psychedelic artists enjoyed borrowing Symbolist and Art Nouveau motifs. And I&#8217;m sure this isn&#8217;t the last word on the use of Delville&#8217;s <em>Parsifal<\/em>. If there are other examples out there, post a comment.<\/p>\n<p><strong>Update:<\/strong> Mike suggests the <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2007\/01\/20\/barney-bubbles-artist-and-designer\/\" target=\"_blank\">Barney Bubbles<\/a> painting of Miss Stacia on the sleeve of <em>Space Ritual<\/em> by Hawkwind. Barney&#8217;s Hawkwind art of this period owed a great deal to Alphonse Mucha but, given his considerable knowledge of art history, there could well be some Delville in there as well. So here it is.<\/p>\n<p><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2008\/09\/space_ritual.jpg\" alt=\"space_ritual.jpg\" \/><\/p>\n<p><em>Space Ritual (detail) by Barney Bubbles (1973). <\/em><\/p>\n<p>Elsewhere on { feuilleton }<br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/the-book-covers-archive\/\">The book covers archive<\/a><br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/the-illustrators-archive\/\">The illustrators archive<\/a><\/p>\n<p>Previously on { feuilleton }<br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2008\/08\/26\/willy-poganys-parsifal\/\">Willy Pog\u00e1ny\u2019s Parsifal<\/a><br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2008\/07\/19\/william-rimmers-evening-swan-song\/\">William Rimmer\u2019s Evening Swan Song<\/a><br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2008\/07\/12\/san-francisco-angels\/\">San Francisco angels<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Parsifal by Jean Delville (1890). Continuing the occasional series of posts examining the evolution of a particular design or image, this one begins with a mystical charcoal drawing by Belgian Symbolist, Jean Delville (1867\u20131953), our object of concern being that entranced or dreaming face. My first encounter with Delville&#8217;s image wasn&#8217;t via the original but &hellip; <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2008\/09\/07\/the-faces-of-parsifal\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;The faces of Parsifal&#8221;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[2,42,9,21,22,48,26,44,17,45],"tags":[905,86,2413,104,136,222,644,112,1698,442,2198],"class_list":["post-3477","post","type-post","status-publish","format-standard","hentry","category-art","category-books","category-comics","category-fantasy","category-horror","category-illustrators","category-lovecraft","category-painting","category-psychedelia","category-symbolists","tag-alphonse-mucha","tag-barney-bubbles","tag-charles-williams","tag-cthulhu","tag-fin-de-siecle","tag-hawkwind","tag-jean-delville","tag-max-ernst","tag-rlyeh","tag-stanley-mouse","tag-willy-pogany"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-U5","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/3477","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=3477"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/3477\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=3477"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=3477"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=3477"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}