{"id":3472,"date":"2008-09-05T01:12:49","date_gmt":"2008-09-05T00:12:49","guid":{"rendered":"http:\/\/www.johncoulthart.com\/feuilleton\/2008\/09\/05\/roger-hiorns-crystal-world\/"},"modified":"2008-09-05T04:53:28","modified_gmt":"2008-09-05T03:53:28","slug":"roger-hiorns-crystal-world","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2008\/09\/05\/roger-hiorns-crystal-world\/","title":{"rendered":"Roger Hiorns&#8217; crystal world"},"content":{"rendered":"<p><a href=\"http:\/\/www.guardian.co.uk\/artanddesign\/2008\/sep\/04\/art\" target=\"_blank\"><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2008\/09\/hiorns.jpg\" alt=\"hiorns.jpg\" \/><\/a><\/p>\n<p><em>A visitor examining Seizure. Photograph by Sarah Lee.<\/em><\/p>\n<p>I&#8217;d love to see this installation work which opened on Wednesday at 157 Harper Road, Southwark, London. British artist Roger Hiorns has transformed a flat awaiting demolition by growing thick mats of copper sulphate crystals on all the interior surfaces, a work he calls <em>Seizure<\/em>. Copper sulphate always brings back memories of chemistry lessons at school and childhood chemistry sets. I recall growing the crystals in a test tube but such meagre attempts at efflorescence give little indication of how beautiful these things are at a larger scale. Happily <a href=\"http:\/\/www.flickr.com\/search\/?q=seizure%20Roger%20Hiorns&amp;w=all\" target=\"_blank\">Flickr has further documentation<\/a> of Hiorns&#8217; work while Adrian Searle <a href=\"http:\/\/www.guardian.co.uk\/artanddesign\/2008\/sep\/04\/art\" target=\"_blank\">reviews it for <em>The Guardian<\/em><\/a>, fittingly referencing JG Ballard&#8217;s <a href=\"http:\/\/www.ballardian.com\/biblio-the-crystal-world\" target=\"_blank\"><em>The Crystal World<\/em><\/a>. &#8220;Seizure is a sort of sci-fi nightmare in Southwark, and that this happens in a council flat makes it all the more uncanny and disturbing,&#8221; he says. A shame, then, that it wasn&#8217;t situated in an empty high-rise block for maximum Ballard overload.<\/p>\n<p><em>Seizure<\/em> runs until 2 November, 2008. <a href=\"http:\/\/www.artangel.org.uk\/pages\/present\/present0808_seizure.htm\" target=\"_blank\">Artangel<\/a> has location details and opening times.<\/p>\n<p>Previously on { feuilleton }<br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2006\/08\/15\/jg-ballard-book-covers\/\">JG Ballard book covers<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>A visitor examining Seizure. Photograph by Sarah Lee. I&#8217;d love to see this installation work which opened on Wednesday at 157 Harper Road, Southwark, London. British artist Roger Hiorns has transformed a flat awaiting demolition by growing thick mats of copper sulphate crystals on all the interior surfaces, a work he calls Seizure. Copper sulphate &hellip; <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2008\/09\/05\/roger-hiorns-crystal-world\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;Roger Hiorns&#8217; crystal world&#8221;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[8,2,13,41],"tags":[8636,792,137,8634],"class_list":["post-3472","post","type-post","status-publish","format-standard","hentry","category-architecture","category-art","category-science","category-sculpture","tag-adrian-searle","tag-ballardian","tag-jg-ballard","tag-roger-hiorns"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-U0","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/3472","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=3472"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/3472\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=3472"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=3472"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=3472"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}