{"id":3404,"date":"2008-08-09T01:04:55","date_gmt":"2008-08-09T00:04:55","guid":{"rendered":"http:\/\/www.johncoulthart.com\/feuilleton\/2008\/08\/09\/the-art-of-thayaht-1893-1959\/"},"modified":"2008-08-09T01:04:55","modified_gmt":"2008-08-09T00:04:55","slug":"the-art-of-thayaht-1893-1959","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2008\/08\/09\/the-art-of-thayaht-1893-1959\/","title":{"rendered":"The art of Thayaht, 1893\u20131959"},"content":{"rendered":"<p><a href=\"http:\/\/www.artophile.com\/dynamic\/Artwork\/PublicDisplay_20_13_DELAFUMEE.htm\" target=\"_blank\"><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2008\/08\/thayaht.jpg\" alt=\"thayaht.jpg\" \/><\/a><\/p>\n<p><em>De la Fum\u00e9e (1922). <\/em><\/p>\n<p>Artophile has <a href=\"http:\/\/www.artophile.com\/dynamic\/Artists\/Thayaht_public.htm\" target=\"_blank\">a page of prints<\/a> by Thayaht, a palindromic pseudonym concealing the identity of Italian artist Ernesto Michahelles whose fashion illustration differs from many of his contemporaries in its Futurist influence. I really like the stylisation of some of these, the way they&#8217;re caught midway between representation and abstraction. As well as illustrating, painting and sculpting, Thayaht worked as a designer and in 1919 created a one-piece &#8220;futurist garment&#8221; which he called the <a href=\"http:\/\/flickr.com\/photos\/finnb\/2068624598\/in\/photostream\/\" target=\"_blank\">TuTa<\/a>; you can see him wearing it <a href=\"http:\/\/flickr.com\/photos\/finnb\/2068624650\/\" target=\"_blank\">here<\/a>.<\/p>\n<p>\u2022 <a href=\"http:\/\/www.thayaht-ram.com\/\" target=\"_blank\">THAYAHT \u2013 RAM<\/a><br \/>\n\u2022 <a href=\"http:\/\/www.micaelles.com\/Sito%20Francese\/frgalleriaTHT.htm\" target=\"_blank\">A gallery of Thayaht art<\/a><\/p>\n<p>Elsewhere on { feuilleton }<br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/the-illustrators-archive\/\">The illustrators archive<\/a><\/p>\n<p>Previously on { feuilleton }<br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2008\/06\/18\/the-mentor\/\">The Mentor<\/a><br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2008\/02\/23\/the-art-of-cassandre-1901\u20131968\/\">The art of Cassandre, 1901\u20131968<\/a><br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2007\/07\/03\/smoke\/\">Smoke<\/a><br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2007\/01\/29\/the-decorative-age\/\">The Decorative Age<\/a><br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2007\/01\/25\/the-world-in-2030\/\">The World in 2030<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>De la Fum\u00e9e (1922). Artophile has a page of prints by Thayaht, a palindromic pseudonym concealing the identity of Italian artist Ernesto Michahelles whose fashion illustration differs from many of his contemporaries in its Futurist influence. I really like the stylisation of some of these, the way they&#8217;re caught midway between representation and abstraction. As &hellip; <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2008\/08\/09\/the-art-of-thayaht-1893-1959\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;The art of Thayaht, 1893\u20131959&#8221;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[2,4,57,48],"tags":[],"class_list":["post-3404","post","type-post","status-publish","format-standard","hentry","category-art","category-design","category-fashion","category-illustrators"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-SU","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/3404","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=3404"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/3404\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=3404"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=3404"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=3404"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}