{"id":3351,"date":"2008-07-23T01:20:25","date_gmt":"2008-07-23T00:20:25","guid":{"rendered":"http:\/\/www.johncoulthart.com\/feuilleton\/2008\/07\/23\/berenice-abbott\/"},"modified":"2008-07-23T03:56:26","modified_gmt":"2008-07-23T02:56:26","slug":"berenice-abbott","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2008\/07\/23\/berenice-abbott\/","title":{"rendered":"Berenice Abbott"},"content":{"rendered":"

\"abbott.jpg\"<\/a><\/p>\n

Manhattan Skyline: I. South Street and Jones Lane, Manhattan. March 26, 1936.<\/em><\/p>\n

I love Berenice Abbott’s photographs of New York in the 1930s which capture the city in transition from a world of 19th century brownstones to the more familiar high-rise skyline. Dover Publications produced their own collection<\/a> of her photos which I used as one of my key references when drawing Reverbstorm<\/em><\/a>. The NYPL Digital Gallery has a huge selection online<\/a>, including many which didn’t make the Dover book.<\/p>\n

Previously on { feuilleton }
\n\u2022 Eugene de Salignac<\/a>
\n\u2022 Luther Gerlach\u2019s Los Angeles<\/a>
\n\u2022 The Bradbury Building: Looking Backward from the Future<\/a>
\n\u2022 Edward Steichen<\/a>
\n\u2022 Karel Plicka\u2019s views of Prague<\/a>
\n\u2022 Atget\u2019s Paris<\/a>
\n\u2022 Downtown LA by Ansel Adams<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

Manhattan Skyline: I. South Street and Jones Lane, Manhattan. March 26, 1936. I love Berenice Abbott’s photographs of New York in the 1930s which capture the city in transition from a world of 19th century brownstones to the more familiar high-rise skyline. Dover Publications produced their own collection of her photos which I used as … Continue reading “Berenice Abbott”<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[8,12],"tags":[6779,276,146,728],"class_list":["post-3351","post","type-post","status-publish","format-standard","hentry","category-architecture","category-photography","tag-ansel-adams","tag-nypl-digital-gallery","tag-prague","tag-reverbstorm"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-S3","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/3351","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=3351"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/3351\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=3351"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=3351"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=3351"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}