{"id":3317,"date":"2008-07-13T01:32:43","date_gmt":"2008-07-13T00:32:43","guid":{"rendered":"http:\/\/www.johncoulthart.com\/feuilleton\/2008\/07\/13\/wyndham-lewis-portraits\/"},"modified":"2008-07-13T01:32:43","modified_gmt":"2008-07-13T00:32:43","slug":"wyndham-lewis-portraits","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2008\/07\/13\/wyndham-lewis-portraits\/","title":{"rendered":"Wyndham Lewis: Portraits"},"content":{"rendered":"

\"joyce_lewis.jpg\"<\/a><\/p>\n

James Joyce by Wyndham Lewis (1921). <\/em><\/p>\n

Wyndham Lewis: Portraits<\/em><\/a> is an exhibition running at the National Portrait Gallery, London, until October 19, 2008. I’m still slowly reading my way through Ulysses<\/em> so here’s Lewis’s sketch of Joyce, a drawing I’ve always liked for its curving lines. The exhibition notes mention Joyce as one of the subjects on display so visitors may be able to see the original there.<\/p>\n

\u2022 Library of the lost<\/a> | Iain Sinclair on Lewis’s portraiture.
\n\u2022 Banned TS Eliot portrait goes on show<\/a><\/p>\n

Previously on { feuilleton }
\n\u2022 Picasso-esque<\/a>
\n\u2022 Books for Bloomsday<\/a>
\n\u2022 Finnegan begin again<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

James Joyce by Wyndham Lewis (1921). Wyndham Lewis: Portraits is an exhibition running at the National Portrait Gallery, London, until October 19, 2008. I’m still slowly reading my way through Ulysses so here’s Lewis’s sketch of Joyce, a drawing I’ve always liked for its curving lines. The exhibition notes mention Joyce as one of the … Continue reading “Wyndham Lewis: Portraits”<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[2,42],"tags":[218,135,165,468,428,748],"class_list":["post-3317","post","type-post","status-publish","format-standard","hentry","category-art","category-books","tag-iain-sinclair","tag-james-joyce","tag-picasso","tag-ts-eliot","tag-ulysses","tag-wyndham-lewis"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-Rv","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/3317","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=3317"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/3317\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=3317"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=3317"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=3317"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}