{"id":330,"date":"2006-04-10T00:32:57","date_gmt":"2006-04-10T00:32:57","guid":{"rendered":"http:\/\/www.johncoulthart.com\/feuilleton\/?p=330"},"modified":"2008-07-19T14:47:30","modified_gmt":"2008-07-19T13:47:30","slug":"the-art-of-peter-milton","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2006\/04\/10\/the-art-of-peter-milton\/","title":{"rendered":"The art of Peter Milton"},"content":{"rendered":"<p>From his <em>Hidden Cities<\/em> series.<\/p>\n<p><a href=\"http:\/\/petermilton.com\/catalog_dtl.asp?id=123\" target=\"_blank\"><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2006\/04\/peter_milton1.jpg\" alt=\"peter_milton1.jpg\" id=\"image327\" \/><\/a><\/p>\n<p><em>Hidden Cities I: The Ministry (2003).<\/em><\/p>\n<p><a href=\"http:\/\/petermilton.com\/catalog_dtl.asp?id=124\" target=\"_blank\"><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2006\/04\/peter_milton2.jpg\" alt=\"peter_milton2.jpg\" id=\"image328\" \/><\/a><\/p>\n<p><em>Hidden Cities II: Embarkation for Cythera (2004).<\/em><\/p>\n<p><a href=\"http:\/\/petermilton.com\/catalog_dtl.asp?id=129\" target=\"_blank\"><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2006\/04\/peter_milton3.jpg\" alt=\"peter_milton3.jpg\" id=\"image329\" \/><\/a><\/p>\n<p><em>Hidden Cities III: Continuum (work in progress) (2005).<\/em><\/p>\n<p>Elsewhere on { feuilleton }<br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/the-etching-and-engraving-archive\/\">The etching and engraving archive<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>From his Hidden Cities series. Hidden Cities I: The Ministry (2003). Hidden Cities II: Embarkation for Cythera (2004). Hidden Cities III: Continuum (work in progress) (2005). Elsewhere on { feuilleton } \u2022 The etching and engraving archive<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[2,30],"tags":[],"class_list":["post-330","post","type-post","status-publish","format-standard","hentry","category-art","category-black-white"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-5k","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/330","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=330"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/330\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=330"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=330"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=330"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}