{"id":31901,"date":"2026-11-14T19:00:06","date_gmt":"2026-11-14T19:00:06","guid":{"rendered":"https:\/\/www.johncoulthart.com\/feuilleton\/?p=31901"},"modified":"2026-11-14T19:14:21","modified_gmt":"2026-11-14T19:14:21","slug":"weekend-links-856","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2026\/11\/14\/weekend-links-856\/","title":{"rendered":"Weekend links 856"},"content":{"rendered":"

\"trouvelot.jpg\"<\/a><\/p>\n

The November Meteors (1882) by \u00c9tienne L\u00e9opold Trouvelot.<\/em><\/p>\n

\u2022 At Wormwoodiana: Mark Valentine on Claude Houghton<\/a> (1889\u20131961), “an enigmatic figure in the field of fantastic literature and the metaphysical thriller”.<\/p>\n

\u2022 Free (or name your price) music: Nocturne (Soundtrack For An Invisible Film)<\/em><\/a> by Avi Engel; Surface Tension<\/em><\/a> by Pietro Zollo.<\/p>\n

\u2022 At Colossal: Bats, Spiders, and Slime Molds Make the Close-Up Photographer of the Year Shortlist<\/a>.<\/p>\n

\u2022 At Literary Review: DJ Taylor<\/a> reviews Super-Beast: The Mysterious Life of Saki<\/em> by Oliver Soden.<\/p>\n

\u2022 At Public Domain Review: Soldiers of Misfortune: The Drawings of Urs Graf the Elder<\/a>.<\/p>\n

\u2022 At the BFI: Miriam Balansecu<\/a> chooses 10 great films based on unfinished books.<\/p>\n

\u2022 New music: Capstone<\/em><\/a> by Ian Boddy, Field Lines Cartographer & Sulk Rooms.<\/p>\n

\u2022 Steven Heller’s font of the month is Brunnen<\/a>.<\/p>\n

\u2022 At Dennis Cooper’s it’s A Jonas Mekas Day<\/a>.<\/p>\n

\u2022 The Strange World of…Suzanne Ciani<\/a>.<\/p>\n

\u2022 XPRMTS: Art prints by Tetra<\/a>.<\/p>\n

\u2022 Harmonic Automata<\/a><\/p>\n

\u2022 Late November<\/em><\/a> (1971) by Sandy Denny | November<\/em><\/a> (2002) by Max Richter | November Sequence<\/em><\/a> (2011) by Pye Corner Audio With The Advisory Circle<\/p>\n","protected":false},"excerpt":{"rendered":"

The November Meteors (1882) by \u00c9tienne L\u00e9opold Trouvelot. \u2022 At Wormwoodiana: Mark Valentine on Claude Houghton (1889\u20131961), “an enigmatic figure in the field of fantastic literature and the metaphysical thriller”. \u2022 Free (or name your price) music: Nocturne (Soundtrack For An Invisible Film) by Avi Engel; Surface Tension by Pietro Zollo. \u2022 At Colossal: Bats, … Continue reading “Weekend links 856”<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_hide_featured_image":false,"_jetpack_featured_image_duplicate_dismissed":0,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"New blog post: Weekend links 856","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2},"jetpack_post_was_ever_published":false},"categories":[2,42,29,21,7,3,12,10],"tags":[14737,14935,14936,8824,6724,5030,2903,12244,14939,14937,14360,4222,133,2155,14940,3593,14942,1253,14938],"class_list":["post-31901","post","type-post","status-publish","format-standard","hentry","category-art","category-books","category-electronica","category-fantasy","category-film","category-music","category-photography","category-typography","tag-avi-engel","tag-claude-houghton","tag-dj-taylor","tag-field-lines-cartographer","tag-ian-boddy","tag-jonas-mekas","tag-mark-valentine","tag-max-richter","tag-miriam-balansecu","tag-oliver-soden","tag-pietro-zollo","tag-pye-corner-audio","tag-saki","tag-sandy-denny","tag-sulk-rooms","tag-suzanne-ciani","tag-tetra","tag-the-advisory-circle","tag-urs-graf-the-elder"],"jetpack_publicize_connections":[],"jetpack_shortlink":"https:\/\/wp.me\/pq7rV-8ix","jetpack_sharing_enabled":true,"jetpack_featured_media_url":"","_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/31901","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=31901"}],"version-history":[{"count":7,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/31901\/revisions"}],"predecessor-version":[{"id":31908,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/31901\/revisions\/31908"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=31901"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=31901"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=31901"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}