{"id":31864,"date":"2026-11-07T19:00:05","date_gmt":"2026-11-07T19:00:05","guid":{"rendered":"https:\/\/www.johncoulthart.com\/feuilleton\/?p=31864"},"modified":"2026-11-07T14:11:35","modified_gmt":"2026-11-07T14:11:35","slug":"weekend-links-855","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2026\/11\/07\/weekend-links-855\/","title":{"rendered":"Weekend links 855"},"content":{"rendered":"<p><a href=\"https:\/\/archive.org\/details\/bub_gal_ark_12148_bpt6k10455988\/page\/n87\/mode\/2up\" target=\"_blank\" rel=\"noopener\"><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2026\/11\/sand.jpg\" alt=\"sand.jpg\" \/><\/a><\/p>\n<p><em>Les Lupins (1858) by Maurice Sand. From L\u00e9gendes Rustiques by Georges Sand.<\/em><\/p>\n<p>\u2022 &#8220;Was one of the great novels of the Enlightenment written by a man who thought he was a werewolf?&#8221; <a href=\" https:\/\/www.theguardian.com\/books\/2026\/nov\/05\/the-manuscript-found-in-saragossa-jan-potocki-exhibition-switzerland\" target=\"_blank\" rel=\"noopener\">Tobias Grey<\/a> on the complicated history of a complicated novel, <em>The Manuscript Found in Saragossa<\/em> by Jan Potocki. The restored print of the 1965 film adaptation by Wojciech Has was recently released on blu-ray\/UHD by <a href=\"https:\/\/www.radiancefilms.co.uk\/products\/the-saragossa-manuscript-uhd-bd-le\" target=\"_blank\" rel=\"noopener\">Radiance<\/a>.<\/p>\n<p>\u2022 &#8220;He has managed to move beyond the greyish, crushing density of his drone-doom background towards something considerably more Kosmische without really relinquishing its physical force.&#8221; <a href=\"https:\/\/thequietus.com\/quietus-reviews\/album-of-the-week\/randall-dunn-manifold-of-partially-actualized-realities-review\/\" target=\"_blank\" rel=\"noopener\">Robert Berry<\/a> on Randall Dunn&#8217;s latest solo album via Jorge Luis Borges and Philip K. Dick.<\/p>\n<p>\u2022 New music: <a href=\"https:\/\/randalldunn.bandcamp.com\/album\/manifold-of-partially-actualized-realities\" target=\"_blank\" rel=\"noopener\"><em>Manifold of Partially Actualized Realities<\/em><\/a> by Randall Dunn; <a href=\"https:\/\/darkentriesrecords.bandcamp.com\/album\/v-a-deep-entries-volume-2-gay-electronic-excursions-1981-1993\" target=\"_blank\" rel=\"noopener\"><em>Deep Entries Volume 2: Gay Electronic Excursions 1981\u2013993<\/em><\/a> by Various Artists; <a href=\"https:\/\/onomaresearch.bandcamp.com\/album\/earthscapes\" target=\"_blank\" rel=\"noopener\"><em>Earthscapes<\/em><\/a> by Terry Burrows &amp; Steve Xerri.<\/p>\n<p>\u2022 This week I&#8217;ve been immersed in <a href=\"https:\/\/burningshed.com\/artists\/soft-machine_artists\/soft-machine_slightly-all-the-time_boxset\" target=\"_blank\" rel=\"noopener\"><em>Slightly All The Time<\/em><\/a>, a collection of live and studio recordings made by Soft Machine from 1970 to 1974. <a href=\"https:\/\/www.jazztimes.com\/features\/special-feature\/a-hard-look-at-soft-machine-on-the-new-audio-video-box-set-slightly-all-the-time\/\" target=\"_blank\" rel=\"noopener\">Jim Farber<\/a> at Jazz Times reviewed the set.<\/p>\n<p>\u2022 At Public Domain Review: Slavdom Unearthed: <a href=\"https:\/\/publicdomainreview.org\/collection\/marian-wawrzeniecki\" target=\"_blank\" rel=\"noopener\">Marian Wawrzeniecki\u2019s Neopagan Paintings (1891\u20131923)<\/a>.<\/p>\n<p>\u2022 At the BFI: <a href=\"https:\/\/www.bfi.org.uk\/lists\/10-great-south-korean-films-2020s\" target=\"_blank\" rel=\"noopener\">Hayley Scanlon<\/a> chooses 10 great South Korean films of the 2020s.<\/p>\n<p>\u2022 Mix of the week: <a href=\"https:\/\/www.ambientblog.net\/dreamscenes-nov2026\/\" target=\"_blank\" rel=\"noopener\">DreamScenes \u2013 November 2026<\/a> at Ambientblog.<\/p>\n<p>\u2022 At Dennis Cooper&#8217;s it&#8217;s <a href=\"https:\/\/denniscooperblog.com\/germaine-dulacs-day\/\" target=\"_blank\" rel=\"noopener\">Germaine Dulac<\/a>\u2019s Day.<\/p>\n<p>\u2022 <a href=\"https:\/\/www.anothermag.com\/another-man\/17624\/obsessions-index-with-max-richter-another-man-winter-spring-27\" target=\"_blank\" rel=\"noopener\">Max Richter&#8217;s favourite things<\/a>.<\/p>\n<p>\u2022 RIP <a href=\"https:\/\/www.theguardian.com\/music\/2026\/nov\/01\/juan-atkins-pioneer-of-detroit-techno-sound-dies-aged-64\" target=\"_blank\" rel=\"noopener\">Juan Atkins<\/a>.<\/p>\n<p>\u2022 <a href=\"https:\/\/www.youtube.com\/watch?v=nIyu_75Hr6o\" target=\"_blank\" rel=\"noopener\"><em>Werewolf<\/em><\/a> (1963) by The Kac-Ties | <a href=\"https:\/\/www.youtube.com\/watch?v=bQ3_gvJND0U\" target=\"_blank\" rel=\"noopener\"><em>The Werewolf<\/em><\/a> (1972) by Barry Dransfield | <a href=\"https:\/\/www.youtube.com\/watch?v=LgxeesA9V3w\" target=\"_blank\" rel=\"noopener\"><em>Werewolves At The Gates<\/em><\/a> (1985) by Peter Principle<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Les Lupins (1858) by Maurice Sand. From L\u00e9gendes Rustiques by Georges Sand. \u2022 &#8220;Was one of the great novels of the Enlightenment written by a man who thought he was a werewolf?&#8221; Tobias Grey on the complicated history of a complicated novel, The Manuscript Found in Saragossa by Jan Potocki. The restored print of the &hellip; <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2026\/11\/07\/weekend-links-855\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;Weekend links 855&#8221;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_hide_featured_image":false,"_jetpack_featured_image_duplicate_dismissed":0,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"New blog post: Weekend links 855","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2},"jetpack_post_was_ever_published":false},"categories":[2,42,29,7,3,44],"tags":[13383,13191,10687,3584,14931,1483,5646,14932,12244,714,667,7888,6117,3633,14930,9126,14933,14929,219],"class_list":["post-31864","post","type-post","status-publish","format-standard","hentry","category-art","category-books","category-electronica","category-film","category-music","category-painting","tag-barry-dransfield","tag-germaine-dulac","tag-hayley-scanlon","tag-jan-potocki","tag-jim-farber","tag-jorge-luis-borges","tag-juan-atkins","tag-marian-wawrzeniecki","tag-max-richter","tag-peter-principle","tag-philip-k-dick","tag-randall-dunn","tag-robert-berry","tag-soft-machine","tag-steve-xerri","tag-terry-burrows","tag-the-kac-ties","tag-tobias-grey","tag-wojciech-has"],"jetpack_publicize_connections":[],"jetpack_shortlink":"https:\/\/wp.me\/pq7rV-8hW","jetpack_sharing_enabled":true,"jetpack_featured_media_url":"","_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/31864","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=31864"}],"version-history":[{"count":5,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/31864\/revisions"}],"predecessor-version":[{"id":31871,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/31864\/revisions\/31871"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=31864"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=31864"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=31864"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}