{"id":31796,"date":"2026-10-17T19:00:13","date_gmt":"2026-10-17T18:00:13","guid":{"rendered":"https:\/\/www.johncoulthart.com\/feuilleton\/?p=31796"},"modified":"2026-10-17T18:38:14","modified_gmt":"2026-10-17T17:38:14","slug":"weekend-links-852","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2026\/10\/17\/weekend-links-852\/","title":{"rendered":"Weekend links 852"},"content":{"rendered":"<p><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2026\/10\/armstrong.jpg\" alt=\"armstrong.jpg\" \/><\/p>\n<p><em>Heaviness of Sleep (1938) by <a href=\"https:\/\/artuk.org\/discover\/artists\/armstrong-john-18931973\" target=\"_blank\" rel=\"noopener\">John Armstrong<\/a>.<\/em><\/p>\n<p>\u2022 Suntup Editions are reprinting two stories by Arthur Machen: <a href=\"https:\/\/suntup.press\/the-great-god-pan-the-white-people\/\" target=\"_blank\" rel=\"noopener\"><em>The Great God Pan<\/em> and <em>The White People<\/em><\/a> will be presented together in a single volume, with corrected texts printed in letterpress. The book will also feature eight tipped-in lithographs by <a href=\"https:\/\/www.floramclachlan.co.uk\/\" target=\"_blank\" rel=\"noopener\">Flora McLachlan<\/a>, and an afterword by <a href=\"https:\/\/endlessbookshelf.net\/\" target=\"_blank\" rel=\"noopener\">Henry Wessells<\/a>.<\/p>\n<p>\u2022 &#8220;While it mines much of the same material found throughout the horror genre, <em>The Shout<\/em> belongs to a parallel cinematic lineage\u2014more art-house than grindhouse.&#8221; <a href=\"https:\/\/www.criterion.com\/current\/posts\/9306-the-shout-sound-and-fury\" target=\"_blank\" rel=\"noopener\">Leo Goldsmith<\/a> on Jerzy Skolimowski&#8217;s film adaptation of the short story by Robert Graves.<\/p>\n<p>\u2022 The week in Borges: &#8220;I seeded my dreams and this story emerged&#8221;: Poet <a href=\"https:\/\/nautil.us\/i-seeded-my-dreams-and-this-story-emerged-1285719\/\" target=\"_blank\" rel=\"noopener\">Will Dowd<\/a> let Jorge Luis Borges speak to him in his sleep. And <a href=\"https:\/\/www.bfi.org.uk\/sight-and-sound\/reviews\/life-jorge-luis-borges-labyrinthian-voyage-through-work-argentinas-best-known-writer\" target=\"_blank\" rel=\"noopener\">Nick James<\/a> reviews <em>Life of Jorge Luis Borges<\/em>, a 323-minute documentary directed by Mariano Ll\u00ednas.<\/p>\n<p>\u2022 At Smithsonian Magazine: &#8220;Venetian artist <a href=\"https:\/\/www.smithsonianmag.com\/smart-news\/venetian-artist-canaletto-merged-fantasy-and-architectural-detail-in-this-previously-unseen-sketch-heading-to-auction-this-month-180989692\/\" target=\"_blank\" rel=\"noopener\">Canaletto<\/a> merged fantasy and architectural detail in this previously unseen sketch&#8221;.<\/p>\n<p>\u2022 Devil in the detail: 100 years on, <a href=\"https:\/\/www.theguardian.com\/film\/2026\/oct\/13\/how-fw-murnau-made-faust-bible-silent-film\" target=\"_blank\" rel=\"noopener\">FW Murnau\u2019s <em>Faust<\/em> scrapbook<\/a> reveals the secrets of his silent masterpiece.<\/p>\n<p>\u2022 At Public Domain Review: <a href=\"https:\/\/publicdomainreview.org\/collection\/kalvach-postcards\" target=\"_blank\" rel=\"noopener\">Rudolf Kalvach\u2019s Wiener Werkst\u00e4tte postcards<\/a> (1907).<\/p>\n<p>\u2022 At the BFI: <a href=\"https:\/\/www.bfi.org.uk\/lists\/10-great-black-white-films-2020s\" target=\"_blank\" rel=\"noopener\">Alex Ramon<\/a> chooses 10 great black-and-white films of the 2020s.<\/p>\n<p>\u2022 At Colossal: <a href=\"https:\/\/www.thisiscolossal.com\/2026\/10\/wildlife-photographer-of-the-year-2026-winners\/\" target=\"_blank\" rel=\"noopener\">Winners of the Wildlife Photographer of the Year 2026<\/a>.<\/p>\n<p>\u2022 Mix of the week: A <a href=\"https:\/\/www.thewire.co.uk\/audio\/tracks\/the-invisible-college-halloween-mix\" target=\"_blank\" rel=\"noopener\">Samhain Mixtape<\/a> at The Invisible College.<\/p>\n<p>\u2022 New music: <a href=\"https:\/\/oyukiconjugate.bandcamp.com\/album\/sleep-machines\" target=\"_blank\" rel=\"noopener\"><em>Sleep Machines<\/em><\/a> by O Yuki Conjugate.<\/p>\n<p>\u2022 <a href=\"https:\/\/thequietus.com\/interviews\/bakers-dozen\/kali-malone-favourite-albums-interview-burning-song\/\" target=\"_blank\" rel=\"noopener\">Kali Malone\u2019s favourite albums<\/a>.<\/p>\n<p>\u2022 <a href=\"https:\/\/mo.town\/jungle\/index.html\" target=\"_blank\" rel=\"noopener\">\u221e Infinite Jungle<\/a><\/p>\n<p>\u2022 <a href=\"https:\/\/jessamine.bandcamp.com\/track\/ordinary-sleep\" target=\"_blank\" rel=\"noopener\"><em>Ordinary Sleep<\/em><\/a> (1994) by Jessamine | <a href=\"https:\/\/www.youtube.com\/watch?v=V5i53jKr2L8\" target=\"_blank\" rel=\"noopener\"><em>First Sleep<\/em><\/a> (2002) by Cliff Martinez | <a href=\"https:\/\/jaspertx.bandcamp.com\/track\/black-sleep-part-i\" target=\"_blank\" rel=\"noopener\"><em>Black Sleep Part I<\/em><\/a> (2008) by Jasper TX<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Heaviness of Sleep (1938) by John Armstrong. \u2022 Suntup Editions are reprinting two stories by Arthur Machen: The Great God Pan and The White People will be presented together in a single volume, with corrected texts printed in letterpress. The book will also feature eight tipped-in lithographs by Flora McLachlan, and an afterword by Henry &hellip; <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2026\/10\/17\/weekend-links-852\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;Weekend links 852&#8221;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"New blog post: Weekend links 852","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2},"jetpack_post_was_ever_published":false},"categories":[8,2,42,27,29,7,22,3,44,12],"tags":[13901,197,14842,2975,14837,5269,14838,14845,1673,14844,14836,1483,11858,14839,14841,14784,9512,5694,14843,14779,14840],"class_list":["post-31796","post","type-post","status-publish","format-standard","hentry","category-architecture","category-art","category-books","category-borges","category-electronica","category-film","category-horror","category-music","category-painting","category-photography","tag-alex-ramon","tag-arthur-machen","tag-canaletto","tag-cliff-martinez","tag-flora-mclachlan","tag-fw-murnau","tag-henry-wessells","tag-jasper-tx","tag-jerzy-skolimowski","tag-jessamine","tag-john-armstrong","tag-jorge-luis-borges","tag-kali-malone","tag-leo-goldsmith","tag-mariano-llinas","tag-nick-james","tag-o-yuki-conjugate","tag-robert-graves","tag-rudolf-kalvach","tag-the-invisible-college","tag-will-dowd"],"jetpack_publicize_connections":[],"jetpack_shortlink":"https:\/\/wp.me\/pq7rV-8gQ","jetpack_sharing_enabled":true,"jetpack_featured_media_url":"","_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/31796","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=31796"}],"version-history":[{"count":4,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/31796\/revisions"}],"predecessor-version":[{"id":31800,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/31796\/revisions\/31800"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=31796"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=31796"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=31796"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}