{"id":31768,"date":"2026-10-10T19:00:27","date_gmt":"2026-10-10T18:00:27","guid":{"rendered":"https:\/\/www.johncoulthart.com\/feuilleton\/?p=31768"},"modified":"2026-10-10T19:21:19","modified_gmt":"2026-10-10T18:21:19","slug":"weekend-links-851","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2026\/10\/10\/weekend-links-851\/","title":{"rendered":"Weekend links 851"},"content":{"rendered":"

\"greenwood.jpg\"<\/a><\/p>\n

Amber Light, a print by Phil Greenwood<\/a>.<\/em><\/p>\n

\u2022 “When I heard the term industrial music<\/em>, I mistook it for techno and soon learned it was not.” Steven Heller talks to Chris Grimley and Alan Rapp<\/a> about Industrial Music\/Graphics: A Visual History of a Movement<\/em><\/a>.<\/p>\n

\u2022 Halloween approaches, as does Ghosts on the Cam<\/em>. Editor Robert Lloyd Parry<\/a> talks to Swan River Press about his latest story collection.<\/p>\n

\u2022 “There we were, and we could be naked\u201d: Stanley Stellar<\/a>\u2019s photographs are a record of gay life in New York from the 1970s onwards.<\/p>\n

She researched cultures in which dreams delivered prophetic truth-telling messages from a higher plane. Like splashes and blots, dreams emanated from hidden forces, perhaps of the human mind, perhaps not. She had a metaphysical belief in their potential to put her in touch with supernatural beings, not angels or demons in any religious sense, nor the fairies or phantoms of popular belief, but spirits posited by mystical systems such as astrology and alchemy, otherworldly manifestations raised by enchanters and magi who had developed means of contacting them.<\/p>\n

Marina Warner<\/a> in a lengthy appraisal of the occult and Surrealist obsessions of Ithell Colquhoun<\/em><\/p><\/blockquote>\n

\u2022 The October catalogue<\/a> of lots for the After Dark: Gay Art and Culture online auction. Homoerotic art, photos, historic porn, etc.<\/p>\n

\u2022 At Wormwoodiana: Mark Valentine<\/a> on the house that vanished, a literal ghost house.<\/p>\n

\u2022 At Colossal: \u201cAmok Island\u2019s geometric murals teem with vibrant local flora and fauna<\/a>\u201d.<\/p>\n

\u2022 At Public Domain Review: The Alchemical Transformations of the Mutus Liber<\/em><\/a> (1677).<\/p>\n

\u2022 New music: Trinitatis<\/em><\/a> by Deaf Center; Ancient Future<\/em><\/a> by Bana Haffar.<\/p>\n

\u2022 Old music: Metal & Flesh<\/em><\/a> by Hard Corps receives another reissue.<\/p>\n

\u2022 Mix of the week: DreamScenes \u2013 October 2026<\/a> at Ambientblog.<\/p>\n

\u2022 \u201cMy one political film\u201d: Ken Russell<\/a> on The Devils<\/em>.<\/p>\n

\u2022 RIP Matt Howarth<\/a> and Eva Marie Saint<\/a>.<\/p>\n

\u2022 Amber<\/em><\/a> (1980) by The Residents | Amber<\/em><\/a> (1996) by Little Axe | Amber<\/em><\/a> (1996) by Zoviet France<\/p>\n","protected":false},"excerpt":{"rendered":"

Amber Light, a print by Phil Greenwood. \u2022 “When I heard the term industrial music, I mistook it for techno and soon learned it was not.” Steven Heller talks to Chris Grimley and Alan Rapp about Industrial Music\/Graphics: A Visual History of a Movement. \u2022 Halloween approaches, as does Ghosts on the Cam. Editor Robert … Continue reading “Weekend links 851”<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"New blog post: Weekend links 851","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2},"jetpack_post_was_ever_published":false},"categories":[2,42,29,7,5,22,3,16,12,18],"tags":[14830,14831,12858,14829,527,14832,2625,764,595,14833,532,2903,9898,14828,11000,10778,1536,8228,879,13417],"class_list":["post-31768","post","type-post","status-publish","format-standard","hentry","category-art","category-books","category-electronica","category-film","category-gay","category-horror","category-music","category-occult","category-photography","category-surrealism","tag-alan-rapp","tag-amok-island","tag-bana-haffar","tag-chris-grimley","tag-deaf-center","tag-eva-marie-saint","tag-hard-corps","tag-ithell-colquhoun","tag-ken-russell","tag-little-axe","tag-marina-warner","tag-mark-valentine","tag-matt-howarth","tag-phil-greenwood","tag-robert-lloyd-parry","tag-stanley-stellar","tag-steven-heller","tag-swan-river-press","tag-the-residents","tag-zoviet-france"],"jetpack_publicize_connections":[],"jetpack_shortlink":"https:\/\/wp.me\/pq7rV-8go","jetpack_sharing_enabled":true,"jetpack_featured_media_url":"","_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/31768","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=31768"}],"version-history":[{"count":5,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/31768\/revisions"}],"predecessor-version":[{"id":31773,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/31768\/revisions\/31773"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=31768"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=31768"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=31768"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}