{"id":3163,"date":"2008-05-29T01:53:18","date_gmt":"2008-05-29T00:53:18","guid":{"rendered":"http:\/\/www.johncoulthart.com\/feuilleton\/2008\/05\/29\/the-tell-tale-heart-from-upa\/"},"modified":"2008-05-29T04:37:21","modified_gmt":"2008-05-29T03:37:21","slug":"the-tell-tale-heart-from-upa","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2008\/05\/29\/the-tell-tale-heart-from-upa\/","title":{"rendered":"The Tell-Tale Heart from UPA"},"content":{"rendered":"<p><a href=\"http:\/\/youtube.com\/watch?v=AJb150JRqpQ\" target=\"_blank\"><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2008\/05\/poe.jpg\" alt=\"poe.jpg\" \/><\/a><\/p>\n<p>Among the legions of Poe adaptations for film and television, IMDB lists 21 versions of <em>The Tell-Tale Heart<\/em>. The <a href=\"http:\/\/youtube.com\/watch?v=AJb150JRqpQ\" target=\"_blank\">UPA version<\/a> from 1953 is a rare moment of seriousness from a company more well-known for its Mr Magoo and Gerald McBoing-Boing cartoons. This has long been one of my favourite Poe adaptations, not least for James Mason&#8217;s pitch-perfect narration. (A quote from this was later sampled by Scorn on the track <em>Night Tide<\/em> from their <a href=\"http:\/\/www.discogs.com\/release\/51746\" target=\"_blank\"><em>Evanescence<\/em><\/a> album.) The animation avoids being too cartoony by adopting an allusive blend of Hollywood-style Surrealism and Expressionist design of the kind more usually seen in live action dream sequences of the period. Paul Julian was the designer, Pat Matthews the animator and Ted Parmelee the director.<\/p>\n<p>Animator Michael Sporn has <a href=\"http:\/\/www.michaelspornanimation.com\/splog\/?p=1316\" target=\"_blank\">two<\/a> <a href=\"http:\/\/www.michaelspornanimation.com\/splog\/?p=1317\" target=\"_blank\">pages<\/a> of frame grabs, including some composites which show the full extent of scenes panned over during the film.<\/p>\n<p>Previously on { feuilleton }<br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2008\/05\/24\/harpya-by-raoul-servais\/\">Harpya by Raoul Servais<\/a><br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2008\/02\/15\/william-heath-robinsons-illustrated-poe\/\">William Heath Robinson\u2019s illustrated Poe<\/a><br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2006\/10\/29\/the-art-of-harry-clarke-1889\u20131931\/\">The art of Harry Clarke, 1889\u20131931<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Among the legions of Poe adaptations for film and television, IMDB lists 21 versions of The Tell-Tale Heart. The UPA version from 1953 is a rare moment of seriousness from a company more well-known for its Mr Magoo and Gerald McBoing-Boing cartoons. This has long been one of my favourite Poe adaptations, not least for &hellip; <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2008\/05\/29\/the-tell-tale-heart-from-upa\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;The Tell-Tale Heart from UPA&#8221;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[52,7,22],"tags":[99,1663,499],"class_list":["post-3163","post","type-post","status-publish","format-standard","hentry","category-animation","category-film","category-horror","tag-harry-clarke","tag-raoul-servais","tag-william-heath-robinson"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-P1","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/3163","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=3163"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/3163\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=3163"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=3163"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=3163"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}