{"id":3148,"date":"2008-05-23T01:06:04","date_gmt":"2008-05-23T00:06:04","guid":{"rendered":"http:\/\/www.johncoulthart.com\/feuilleton\/2008\/05\/23\/dutch-psychedelia\/"},"modified":"2008-05-23T01:06:04","modified_gmt":"2008-05-23T00:06:04","slug":"dutch-psychedelia","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2008\/05\/23\/dutch-psychedelia\/","title":{"rendered":"Dutch psychedelia"},"content":{"rendered":"

\"psych.jpg\"<\/p>\n

left: Absolutely Free<\/a> by Theo van den Boogaard (1967).<\/em>
\nright: Blowin’ Your Mind<\/a> by Willem de Ridder (1967). <\/em><\/p>\n

A couple of samples from similar work scattered around a Dutch auction site<\/a>, along with more familiar designs from the San Francisco and London artists. All the Dutch examples are new to me; the dominance of the American and British designers of the period tends to marginalise the work of artists from Continental Europe even though Dutch design group The Fool<\/a> was very prominent for a while due to The Beatles’ patronage.<\/p>\n

Previously on { feuilleton }
\n\u2022 Family Dog postcards<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

left: Absolutely Free by Theo van den Boogaard (1967). right: Blowin’ Your Mind by Willem de Ridder (1967). A couple of samples from similar work scattered around a Dutch auction site, along with more familiar designs from the San Francisco and London artists. All the Dutch examples are new to me; the dominance of the … Continue reading “Dutch psychedelia”<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[4,3,17],"tags":[178,761],"class_list":["post-3148","post","type-post","status-publish","format-standard","hentry","category-design","category-music","category-psychedelia","tag-the-beatles","tag-the-fool"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-OM","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/3148","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=3148"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/3148\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=3148"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=3148"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=3148"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}