![\"hugo.jpg\"](\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2026\/07\/hugo.jpg\")
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The Toad of Maldoror (1932) by Valentine Hugo.<\/em><\/p>\n \u2022 Old music: Thank You America (John Robie Dub Mix)<\/em><\/a> by Cabaret Voltaire. Code<\/em>, the group’s 1987 debut for the Parlophone label, receives an overdue reissue later this year<\/a> with a substantial collection of remixes.<\/p>\n \u2022 At Lesser-Known Writers: Douglas A. Anderson examines the career of Hal Garrott<\/a>, a writer whose novels for children feature fine illustrations by Dugald Stewart Walker and Mary-Ponton Gardner.<\/p>\n \u2022 The August catalogue<\/a> of lots for the After Dark: Gay Art and Culture online auction. Homoerotic art, photos, historic porn, etc.<\/p>\n \u2022 Mixes of the week: The Invisible Collage Vol. 1<\/a>, and Robert Aiki Aubrey Lowe’s Invisible Jukebox Mix<\/a> at The Wire<\/em>.<\/p>\n \u2022 New music: Modulisme Session 144. Lightning Field 01. Constraint<\/em><\/a> by Philippe Petit, and Signal Loss<\/em><\/a> by Paul Beaudoin.<\/p>\n \u2022 At Colossal: Los Angeles Public Library unveils the world\u2019s largest pop-Up book<\/a>.<\/p>\n \u2022 At the BFI: Craig Ian Mann<\/a> selects 10 great East German films.<\/p>\n \u2022 At Dennis Cooper’s it’s Ed Emshwiller’s<\/a> Day.<\/p>\n \u2022 Signaux Codes Non Identifi\u00e9s<\/em><\/a> (1978) by Michel Magne | Code Rays (Codex Dub)<\/em><\/a> (1995) by Main | Codes (Encryption And Decryption)<\/em><\/a> (2025) by Andrew Heath<\/p>\n","protected":false},"excerpt":{"rendered":" The Toad of Maldoror (1932) by Valentine Hugo. \u2022 Old music: Thank You America (John Robie Dub Mix) by Cabaret Voltaire. Code, the group’s 1987 debut for the Parlophone label, receives an overdue reissue later this year with a substantial collection of remixes. \u2022 At Lesser-Known Writers: Douglas A. Anderson examines the career of Hal … Continue reading “Weekend links 840”<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"New blog post: Weekend links 840","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2},"jetpack_post_was_ever_published":false},"categories":[2,42,29,7,5,48,3,18],"tags":[13840,150,14685,8780,1095,476,1096,3070,2926,4046,14682,13841,14684,14683,7237,2575],"class_list":["post-31436","post","type-post","status-publish","format-standard","hentry","category-art","category-books","category-electronica","category-film","category-gay","category-illustrators","category-music","category-surrealism","tag-andrew-heath","tag-cabaret-voltaire","tag-craig-ian-mann","tag-douglas-a-anderson","tag-dugald-stewart-walker","tag-ed-emshwiller","tag-hal-garrott","tag-john-robie","tag-main-group","tag-maldoror","tag-mary-ponton-gardner","tag-michel-magne","tag-paul-beaudoin","tag-philippe-petit","tag-robert-aiki-aubrey-lowe","tag-valentine-hugo"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-8b2","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/31436","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=31436"}],"version-history":[{"count":2,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/31436\/revisions"}],"predecessor-version":[{"id":31438,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/31436\/revisions\/31438"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=31436"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=31436"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=31436"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}