{"id":3133,"date":"2008-05-17T01:58:45","date_gmt":"2008-05-17T00:58:45","guid":{"rendered":"http:\/\/www.johncoulthart.com\/feuilleton\/2008\/05\/17\/ottoman-calligraphy-and-arabic-typography\/"},"modified":"2008-05-17T01:58:45","modified_gmt":"2008-05-17T00:58:45","slug":"ottoman-calligraphy-and-arabic-typography","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2008\/05\/17\/ottoman-calligraphy-and-arabic-typography\/","title":{"rendered":"Ottoman calligraphy and Arabic typography"},"content":{"rendered":"<p><a href=\"http:\/\/international.loc.gov\/intldl\/apochtml\/apochome.html\" target=\"_blank\"><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2008\/05\/ottoman.jpg\" alt=\"ottoman.jpg\" \/><\/a><\/p>\n<p>Above: Ottoman calligraphy from <a href=\"http:\/\/international.loc.gov\/intldl\/apochtml\/apochome.html\" target=\"_blank\">a selection at the Library of Congress<\/a>. Below: contemporary Arabic typography from the <a href=\"http:\/\/flickr.com\/groups\/41119737@N00\/\" target=\"_blank\">Experimental Typography Flickr pool<\/a>.<\/p>\n<p><a href=\"http:\/\/flickr.com\/photos\/mostafakawtharani\/2463202187\/in\/pool-41119737@N00\" target=\"_blank\"><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2008\/05\/arabic1.jpg\" alt=\"arabic1.jpg\" \/><\/a><\/p>\n<p><a href=\"http:\/\/flickr.com\/photos\/mostafakawtharani\/2463206435\/in\/pool-41119737@N00\" target=\"_blank\"><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2008\/05\/arabic2.jpg\" alt=\"arabic2.jpg\" \/><\/a><\/p>\n<p>Previously on { feuilleton }<br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2007\/09\/16\/ghubar\/\">Ghubar<\/a><br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2007\/02\/23\/calligraphy-by-mouneer-al-shaarani\/\">Calligraphy by Mouneer Al-Sha\u00e1rani<\/a><br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2006\/08\/26\/the-journal-of-ottoman-calligraphy\/\">The Journal of Ottoman Calligraphy<\/a><br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2006\/07\/11\/word-into-art-artists-of-the-modern-middle-east\/\">Word into Art: Artists of the Modern Middle East<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Above: Ottoman calligraphy from a selection at the Library of Congress. Below: contemporary Arabic typography from the Experimental Typography Flickr pool. Previously on { feuilleton } \u2022 Ghubar \u2022 Calligraphy by Mouneer Al-Sha\u00e1rani \u2022 The Journal of Ottoman Calligraphy \u2022 Word into Art: Artists of the Modern Middle East<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[4,10],"tags":[266],"class_list":["post-3133","post","type-post","status-publish","format-standard","hentry","category-design","category-typography","tag-calligraphy"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-Ox","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/3133","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=3133"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/3133\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=3133"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=3133"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=3133"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}