{"id":3113,"date":"2008-05-11T01:32:18","date_gmt":"2008-05-11T00:32:18","guid":{"rendered":"http:\/\/www.johncoulthart.com\/feuilleton\/2008\/05\/11\/the-art-of-mihaly-zichy-1827%e2%80%931906\/"},"modified":"2008-07-18T20:03:22","modified_gmt":"2008-07-18T19:03:22","slug":"the-art-of-mihaly-zichy-1827-1906","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2008\/05\/11\/the-art-of-mihaly-zichy-1827-1906\/","title":{"rendered":"The art of Mih\u00e1ly Zichy, 1827\u20131906"},"content":{"rendered":"

\"zichy1.jpg\"<\/a><\/p>\n

The Triumph of the Genius of Destruction (1878).<\/em><\/p>\n

A Hungarian artist with a flair for the pandemoniac, as can be seen from this lurid anti-war painting. Zichy is also known today for Love<\/em>,<\/a> a series of erotic etchings produced in the 1870s. These may or may not include the masturbating male at the end of this post, attributed to Zichy and included here for curiosity value. Masturbating women are a common sight in drawn or painted porn, men far less so unless the artists were gay. In a similar vein, there’s this picture<\/a>.<\/p>\n

<\/p>\n

\"zichy2.jpg\"<\/a><\/p>\n

Demon: sketch for The Triumph of the Genius of Destruction (1878). <\/em><\/p>\n

\"zichy3.jpg\"<\/a><\/p>\n

Falling stars (1879). <\/em><\/p>\n

\"zichy4.jpg\"<\/a><\/p>\n

Love (187?). <\/em><\/p>\n

Previously on { feuilleton }
\n\u2022 The art of Luis Ricardo Falero, 1851\u20131896<\/a>
\n\u2022 The art of ejaculation<\/a>
\n\u2022 Angels 4: Fallen angels<\/a>
\n\u2022 The art of Vasili Vereshchagin, 1842\u20131904<\/a>
\n\u2022 The apocalyptic art of Francis Danby<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

The Triumph of the Genius of Destruction (1878). A Hungarian artist with a flair for the pandemoniac, as can be seen from this lurid anti-war painting. Zichy is also known today for Love, a series of erotic etchings produced in the 1870s. These may or may not include the masturbating male at the end of … Continue reading “The art of Mih\u00e1ly Zichy, 1827\u20131906”<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2},"jetpack_post_was_ever_published":false},"categories":[2,44],"tags":[2343],"class_list":["post-3113","post","type-post","status-publish","format-standard","hentry","category-art","category-painting","tag-francis-danby"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-Od","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/3113","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=3113"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/3113\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=3113"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=3113"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=3113"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}