{"id":3041,"date":"2008-04-20T01:03:05","date_gmt":"2008-04-20T00:03:05","guid":{"rendered":"http:\/\/www.johncoulthart.com\/feuilleton\/2008\/04\/20\/the-recurrent-pose-17\/"},"modified":"2013-02-11T00:47:09","modified_gmt":"2013-02-11T00:47:09","slug":"the-recurrent-pose-17","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2008\/04\/20\/the-recurrent-pose-17\/","title":{"rendered":"The recurrent pose 17"},"content":{"rendered":"<p><a href=\"http:\/\/www.flickr.com\/photos\/7662660@N02\/528430643\/\" target=\"_blank\"><img decoding=\"async\" alt=\"lynnes1.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2008\/04\/lynnes1.jpg\" \/><\/a><\/p>\n<p>The <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2006\/02\/16\/evolution-of-an-icon\/\">Flandrin pose<\/a> again, this time in a photograph by <a href=\"http:\/\/www.glbtq.com\/arts\/lynes_gp.html\" target=\"_blank\">George Platt Lynes<\/a> (1907\u20131955). This is from <a href=\"http:\/\/www.flickr.com\/photos\/7662660@N02\/sets\/72157600282066478\/\" target=\"_blank\">a Flickr set<\/a> of Lynes&#8217; work which was a nice find since many of the web collections are small and tend to repeat the same material.<\/p>\n<p><img decoding=\"async\" alt=\"lynnes3.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2008\/04\/lynnes3.jpg\" \/><\/p>\n<p>The picture above isn&#8217;t from the Flickr set, it&#8217;s a scan from Philip Core&#8217;s essential <a href=\"http:\/\/www.amazon.com\/Camp-Lie-That-Tells-Truth\/dp\/0859650448\" target=\"_blank\"><em>Camp: The Lie that Tells the Truth<\/em><\/a> (1984), and a photograph that long fascinated me for completely unwholesome and inartistic reasons. Core credits it only as depicting dancers from Balanchine&#8217;s <em>Icarus<\/em> but I&#8217;d suspected for some time it was a Lynes picture, Lynes having photographed Balanchine&#8217;s dancers on several occasions, notably in some nude stagings of <em>Orpheus<\/em>. The Flickr picture below confirms the Lynes origin although it adds a new layer of mystery by crediting it to Balanchine&#8217;s <em>Die Fledermaus<\/em>. Given the very Classical look of the dancers&#8217; costumes I suspect Core has the correct attribution but the confusion is also an excuse to keep searching.<\/p>\n<p><a href=\"http:\/\/www.flickr.com\/photos\/7662660@N02\/524837843\/in\/set-72157600282066478\/\" target=\"_blank\"><img decoding=\"async\" alt=\"lynnes2.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2008\/04\/lynnes2.jpg\" \/><\/a><\/p>\n<p>Elsewhere on { feuilleton }<br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/the-recurrent-pose-archive\/\">The recurrent pose archive<\/a><\/p>\n<p>Previously on { feuilleton }<br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2007\/04\/21\/philip-core-and-george-quaintance\/\">Philip Core and George Quaintance<\/a><br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2006\/04\/15\/george-platt-lynes\/\">George Platt Lynes<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>The Flandrin pose again, this time in a photograph by George Platt Lynes (1907\u20131955). This is from a Flickr set of Lynes&#8217; work which was a nice find since many of the web collections are small and tend to repeat the same material. The picture above isn&#8217;t from the Flickr set, it&#8217;s a scan from &hellip; <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2008\/04\/20\/the-recurrent-pose-17\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;The recurrent pose 17&#8221;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[56,36,5,12],"tags":[5197,1324,843],"class_list":["post-3041","post","type-post","status-publish","format-standard","hentry","category-dance","category-eye-candy","category-gay","category-photography","tag-george-platt-lynes","tag-george-quaintance","tag-philip-core"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-N3","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/3041","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=3041"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/3041\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=3041"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=3041"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=3041"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}