{"id":30051,"date":"2026-06-06T19:00:04","date_gmt":"2026-06-06T18:00:04","guid":{"rendered":"https:\/\/www.johncoulthart.com\/feuilleton\/?p=30051"},"modified":"2026-06-06T15:44:19","modified_gmt":"2026-06-06T14:44:19","slug":"weekend-links-833","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2026\/06\/06\/weekend-links-833\/","title":{"rendered":"Weekend links 833"},"content":{"rendered":"<p><a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2026\/06\/hyde-big.jpg\" target=\"_blank\" rel=\"noopener\"><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2026\/06\/hyde.jpg\" alt=\"hyde.jpg\" \/><\/a><\/p>\n<p><em>Tony Hyde&#8217;s original artwork for the front cover of Astounding Sounds, Amazing Music by Hawkwind. The painting is <a href=\"https:\/\/bid.omegaauctions.co.uk\/auction\/lot\/lot-467---hawkwind---original-amazing-music-artwork-by-tony-hyde\/?lot=105261\" target=\"_blank\" rel=\"noopener\">being auctioned later this month<\/a>.<\/em><\/p>\n<p>\u2022 At the Daily Heller: <a href=\"https:\/\/www.printmag.com\/daily-heller\/the-daily-heller-thinking-about-canons\/\" target=\"_blank\" rel=\"noopener\">Steven Heller<\/a> reprints his 2012 <em>Atlantic<\/em> review of <a href=\"https:\/\/www.penguinrandomhouse.com\/series\/GCS\/the-graphic-canon-series\/\" target=\"_blank\" rel=\"noopener\"><em>The Graphic Canon<\/em><\/a>, a three-volume collection of visual adaptations of works of literature. The collection was edited by the late Russ Kick, and includes my own condensation of <em>The Picture of Dorian Gray<\/em>.<\/p>\n<p>\u2022 At Dennis Cooper&#8217;s: <a href=\"https:\/\/denniscooperblog.com\/bill-hsu-presents-21st-century-nightmares-dark-animations-by-cristobal-leon-joaquin-cocina-hugo-covarrubias-christiane-cegavske-john-frame-saori-shiroki-joe-hsieh-phil-tippett-robert-morga\/\" target=\"_blank\" rel=\"noopener\">Bill Hsu presents&#8230;21st Century Nightmares: Dark Animations<\/a> by Crist\u00f3bal Le\u00f3n\/Joaqu\u00edn Coci\u00f1a, Hugo Covarrubias, Christiane Cegavske, John Frame, Saori Shiroki, Joe Hsieh, Phil Tippett, Robert Morgan, Shengwei Zhou.<\/p>\n<p>\u2022 At Colossal: <a href=\"https:\/\/www.thisiscolossal.com\/2026\/06\/in-los-angeles-70-artists-transform-a-vacant-hospital\/\" target=\"_blank\" rel=\"noopener\">In Los Angeles, 70 artists transform a vacant hospital into a sprawling art experience<\/a>.<\/p>\n<blockquote><p>What we were doing was rooted in that specific moment, but looking back, it also seems to resonate strongly with the present\u2014particularly in terms of how we understand media, perception, and reality itself. This is something I\u2019ve been thinking about again recently, especially with the renewed activity around Cabaret Voltaire. It brings into focus the extent to which earlier work now reads almost as a form of prefiguration. At the time, though, much of it was intuitive. We didn\u2019t necessarily have a fully formed theoretical framework for what we were doing\u2014we were artists, and we were working instinctively. It\u2019s really only in retrospect that some of those ideas begin to take on a clearer shape and meaning.<\/p>\n<p><em><a href=\"https:\/\/www.thewire.co.uk\/in-writing\/interviews\/transcript-cabaret-voltaire-s-stephen-mallinder-in-conversation-with-nicolas-ballet\" target=\"_blank\" rel=\"noopener\">Stephen Mallinder<\/a> talking to Nicolas Ballet about Cabaret Voltaire, the group&#8217;s history and working methods<\/em><\/p><\/blockquote>\n<p>\u2022 New music: <a href=\"https:\/\/hannahpeelmusic.bandcamp.com\/album\/the-endless-dance\" target=\"_blank\" rel=\"noopener\"><em>The Endless Dance<\/em><\/a> by Hannah Peel; <a href=\"https:\/\/discusmusic.bandcamp.com\/album\/helt-210cd-2026\" target=\"_blank\" rel=\"noopener\"><em>Helt<\/em><\/a> by Fjall; <a href=\"https:\/\/dronarivm.bandcamp.com\/album\/air-signs\" target=\"_blank\" rel=\"noopener\"><em>Air Signs<\/em><\/a> by Anth\u00e9ne.<\/p>\n<p>\u2022 <a href=\"https:\/\/www.andrewliptak.com\/adam-rowe-scifi-art-new-book-announcement\/\" target=\"_blank\" rel=\"noopener\">Adam Rowe<\/a> is writing a new book about science fiction art.<\/p>\n<p>\u2022 Steven Heller\u2019s font of the month is <a href=\"https:\/\/ilovetypography.com\/2026\/06\/01\/steven-hellers-font-of-the-month-brutal-types\/\" target=\"_blank\" rel=\"noopener\">Brutal Types<\/a>.<\/p>\n<p>\u2022 Mix of the week: <a href=\"https:\/\/www.astrangelyisolatedplace.com\/blog\/2026\/5\/19\/isolatedmix-135-aspetuck\" target=\"_blank\" rel=\"noopener\">Isolatedmix 135<\/a> by Aspetuck.<\/p>\n<p>\u2022 <a href=\"https:\/\/www.youtube.com\/watch?v=cJxhS3TogFo\" target=\"_blank\" rel=\"noopener\"><em>Brute Reason<\/em><\/a> (1983) by Bernard Szajner | <a href=\"https:\/\/www.youtube.com\/watch?v=IzXDHiY8QGQ\" target=\"_blank\" rel=\"noopener\"><em>Let&#8217;s Get Brutal<\/em><\/a> (1986) by Nitro Deluxe | <a href=\"https:\/\/www.youtube.com\/watch?v=AJBXaPFm4nI\" target=\"_blank\" rel=\"noopener\"><em>Brutal But Clean<\/em><\/a> (1994) by Cabaret Voltaire<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tony Hyde&#8217;s original artwork for the front cover of Astounding Sounds, Amazing Music by Hawkwind. The painting is being auctioned later this month. \u2022 At the Daily Heller: Steven Heller reprints his 2012 Atlantic review of The Graphic Canon, a three-volume collection of visual adaptations of works of literature. The collection was edited by the &hellip; <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2026\/06\/06\/weekend-links-833\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;Weekend links 833&#8221;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"New blog post: Weekend links 833","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2},"jetpack_post_was_ever_published":false},"categories":[52,2,42,9,29,7,48,3,44,20,41,10],"tags":[12551,14621,14622,2900,10524,150,14613,14610,14620,14619,222,14612,14611,14615,3658,14618,14623,11720,14616,173,14614,14617,3069,1536,14609],"class_list":["post-30051","post","type-post","status-publish","format-standard","hentry","category-animation","category-art","category-books","category-comics","category-electronica","category-film","category-illustrators","category-music","category-painting","category-science-fiction","category-sculpture","category-typography","tag-adam-rowe","tag-anthene","tag-aspetuck","tag-bernard-szajner","tag-bill-hsu","tag-cabaret-voltaire","tag-christiane-cegavske","tag-cristobal-leon","tag-fjall","tag-hannah-peel","tag-hawkwind","tag-hugo-covarrubias","tag-joaquin-cocina","tag-joe-hsieh","tag-john-frame","tag-nicolas-ballet","tag-nitro-deluxe","tag-phil-tippett","tag-robert-morgan","tag-russ-kick","tag-saori-shiroki","tag-shengwei-zhou","tag-stephen-mallinder","tag-steven-heller","tag-tony-hyde"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-7OH","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/30051","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=30051"}],"version-history":[{"count":3,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/30051\/revisions"}],"predecessor-version":[{"id":30054,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/30051\/revisions\/30054"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=30051"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=30051"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=30051"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}