{"id":30031,"date":"2026-05-30T19:00:33","date_gmt":"2026-05-30T18:00:33","guid":{"rendered":"https:\/\/www.johncoulthart.com\/feuilleton\/?p=30031"},"modified":"2026-05-30T16:24:02","modified_gmt":"2026-05-30T15:24:02","slug":"weekend-links-832","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2026\/05\/30\/weekend-links-832\/","title":{"rendered":"Weekend links 832"},"content":{"rendered":"

\"corridor.jpg\"<\/a><\/p>\n

Dark Corridor (1990s) by Unknown Artist.<\/em><\/p>\n

\u2022 “I greatly enjoyed this rich, allusive and strange text, which has affinities to the literary form and style of TS Eliot, David Jones and Iain Sinclair, uniting high modernism with demotic and pulp elements, as well as to the occult thrillers of Charles Williams, Mary Butts and others.” Mark Valentine<\/a> reviews B-Movie: Serial of Seven Stars<\/em> by Andrew Duncan.<\/p>\n

\u2022 New music: Electronic Meditation For Inner Space Travel<\/em><\/a> by Studio Kosmische; Fathom Tides<\/em><\/a> by Werner Dafeldecker & Lawrence English; rust\/wave<\/em><\/a> by Tewksbury.<\/p>\n

\u2022 At Public Domain Review: Animal, Vegetable, Lamb: Thom Sliwowski<\/a> on the history of the mysterious Vegetable Lamb of Tartary.<\/p>\n

\u2022 At Door of Perception: Wistman’s Wood, Dartmoor, as photographed by Neil Burnell<\/a>.<\/p>\n

\u2022 Anne Billson<\/a> selects 20 of the best corridors in film.<\/p>\n

\u2022 More corridors: Scificorridorarchive<\/a>.<\/p>\n

\u2022 Ukrainian animation<\/a>.<\/p>\n

\u2022 RIP Sonny Rollins<\/a>.<\/p>\n

\u2022 Current Rothko<\/a><\/p>\n

\u2022 The Black Corridor<\/em><\/a> (1973) by Hawkwind\u00a0| Corridor<\/em><\/a> (2018) by Steve Jansen | Spectral Corridor Part 4<\/em><\/a> (2021) by The House In The Woods<\/p>\n","protected":false},"excerpt":{"rendered":"

Dark Corridor (1990s) by Unknown Artist. \u2022 “I greatly enjoyed this rich, allusive and strange text, which has affinities to the literary form and style of TS Eliot, David Jones and Iain Sinclair, uniting high modernism with demotic and pulp elements, as well as to the occult thrillers of Charles Williams, Mary Butts and others.” … Continue reading “Weekend links 832”<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"New blog post: Weekend links 832","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2},"jetpack_post_was_ever_published":false},"categories":[52,8,2,42,29,7,3,16,44,12],"tags":[14600,4179,222,8696,6953,2903,14604,14605,3165,14601,14603,6616,13404,14602],"class_list":["post-30031","post","type-post","status-publish","format-standard","hentry","category-animation","category-architecture","category-art","category-books","category-electronica","category-film","category-music","category-occult","category-painting","category-photography","tag-andrew-duncan","tag-anne-billson","tag-hawkwind","tag-lawrence-english","tag-mark-rothko","tag-mark-valentine","tag-neil-burnell","tag-sonny-rollins","tag-steve-jansen","tag-studio-kosmische","tag-tewksbury","tag-the-house-in-the-woods","tag-thom-sliwowski","tag-werner-dafeldecker"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-7On","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/30031","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=30031"}],"version-history":[{"count":5,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/30031\/revisions"}],"predecessor-version":[{"id":30036,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/30031\/revisions\/30036"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=30031"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=30031"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=30031"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}