{"id":29988,"date":"2026-05-16T19:00:49","date_gmt":"2026-05-16T18:00:49","guid":{"rendered":"https:\/\/www.johncoulthart.com\/feuilleton\/?p=29988"},"modified":"2026-05-16T13:52:19","modified_gmt":"2026-05-16T12:52:19","slug":"weekend-links-830","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2026\/05\/16\/weekend-links-830\/","title":{"rendered":"Weekend links 830"},"content":{"rendered":"<p><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2026\/05\/hilscher.jpg\" alt=\"hilscher.jpg\" \/><\/p>\n<p><em>Plakat Secesyjny (1971), a poster by <a href=\"https:\/\/www.projekt26.com\/hubert-hilscher\" target=\"_blank\" rel=\"noopener\">Hubert Hilscher<\/a> for an exhibition of Art Nouveau graphics.<\/em><\/p>\n<p>\u2022 At Public Domain Review: Longitude by Way of Wounded Hounds: <a href=\"https:\/\/publicdomainreview.org\/collection\/of-the-sympathetick-powder\" target=\"_blank\" rel=\"noopener\">Kenelm Digby\u2019s <em>Sympathetick Powder<\/em><\/a> (1669 edition). Two subjects familiar to readers of Thomas Pynchon&#8217;s <em>Mason &amp; Dixon<\/em>.<\/p>\n<p>\u2022 <a href=\"https:\/\/www.youtube.com\/watch?v=VGXmaY_GEkU\" target=\"_blank\" rel=\"noopener\">Miles Davis and group<\/a> (Dave Liebman, Pete Cosey, Reggie Lucas, Michael Henderson, Al Foster, James Mtume) live in Stockholm in 1973. TV footage, 56 minutes.<\/p>\n<p>\u2022 At the BFI: <a href=\"https:\/\/www.bfi.org.uk\/lists\/10-great-films-about-forgers-fakes\" target=\"_blank\" rel=\"noopener\">Rory Doherty<\/a> selects ten great films about forgers and fakes, while <a href=\"https:\/\/www.bfi.org.uk\/lists\/kazuo-ishiguro-top-ten-train-films\" target=\"_blank\" rel=\"noopener\">Kazuo Ishiguro<\/a> compiles a list of his top ten train films.<\/p>\n<p>\u2022 At Colossal: &#8220;<a href=\"https:\/\/www.thisiscolossal.com\/2026\/05\/markus-brunetti-facades-europe-churches-facades-architecture\/\" target=\"_blank\" rel=\"noopener\">Markus Brunetti<\/a>\u2019s monumental photos venerate European ecclesiastical landmarks&#8221;.<\/p>\n<p>\u2022 Font Faces: <a href=\"https:\/\/ilovetypography.com\/2026\/05\/13\/font-faces-nick-shinn\/\" target=\"_blank\" rel=\"noopener\">Nick Shinn<\/a> answers questions about being a type designer.<\/p>\n<p>\u2022 Mix of the week: <a href=\"https:\/\/www.ambientblog.net\/dreamscenes-may-2026\/\" target=\"_blank\" rel=\"noopener\">DreamScenes \u2013 May 2026<\/a> at Ambientblog.<\/p>\n<p>\u2022 <a href=\"https:\/\/www.theguardian.com\/artanddesign\/gallery\/2026\/may\/13\/milky-way-photographer-of-the-year-2026-gallery-pictures\" target=\"&quot;_blank\">Milky Way photographer of the year 2026<\/a>.<\/p>\n<p>\u2022 New music: <a href=\"https:\/\/ruben7.bandcamp.com\/album\/chambers\" target=\"_blank\" rel=\"noopener\"><em>Chambers<\/em><\/a> by Ruben.<\/p>\n<p>\u2022 <a href=\"https:\/\/www.youtube.com\/watch?v=eplAjSdxBmE\" target=\"_blank\" rel=\"noopener\"><em>Train To Ranchipur<\/em><\/a> (1959) by The Markko Polo Adventurers | <a href=\"https:\/\/www.youtube.com\/watch?v=oNrImexMul0\" target=\"_blank\" rel=\"noopener\"><em>One Train Load Of Dub<\/em><\/a> (1974) by Tommy McCook &amp; The Observers | <a href=\"https:\/\/sundialofficial.bandcamp.com\/track\/sunstroke-mind-train\" target=\"_blank\" rel=\"noopener\"><em>Sunstroke \/ Mind Train<\/em><\/a> (1992) by Sun Dial<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Plakat Secesyjny (1971), a poster by Hubert Hilscher for an exhibition of Art Nouveau graphics. \u2022 At Public Domain Review: Longitude by Way of Wounded Hounds: Kenelm Digby\u2019s Sympathetick Powder (1669 edition). Two subjects familiar to readers of Thomas Pynchon&#8217;s Mason &amp; Dixon. \u2022 Miles Davis and group (Dave Liebman, Pete Cosey, Reggie Lucas, Michael &hellip; <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2026\/05\/16\/weekend-links-830\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;Weekend links 830&#8221;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"New blog post: Weekend links 830","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2},"jetpack_post_was_ever_published":false},"categories":[8,2,42,4,29,3,44,12,31,10],"tags":[14575,14573,14571,12019,10235,14572,14576,14574,1515,14577,3758,11653,14086,14578,11038,12430,14580,5991,14579],"class_list":["post-29988","post","type-post","status-publish","format-standard","hentry","category-architecture","category-art","category-books","category-design","category-electronica","category-music","category-painting","category-photography","category-religion","category-typography","tag-al-foster","tag-dave-liebman","tag-hubert-hilscher","tag-james-mtume","tag-kazuo-ishiguro","tag-kenelm-digby","tag-markus-brunetti","tag-michael-henderson","tag-miles-davis","tag-nick-shinn","tag-pete-cosey","tag-reggie-lucas","tag-rory-doherty","tag-ruben-musician","tag-sun-dial-group","tag-the-markko-polo-adventurers","tag-the-observers","tag-thomas-pynchon","tag-tommy-mccook"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-7NG","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/29988","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=29988"}],"version-history":[{"count":2,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/29988\/revisions"}],"predecessor-version":[{"id":29990,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/29988\/revisions\/29990"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=29988"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=29988"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=29988"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}