{"id":2998,"date":"2008-04-07T01:52:15","date_gmt":"2008-04-07T00:52:15","guid":{"rendered":"http:\/\/www.johncoulthart.com\/feuilleton\/2008\/04\/07\/the-art-of-heidi-taillefer\/"},"modified":"2010-01-27T08:19:25","modified_gmt":"2010-01-27T07:19:25","slug":"the-art-of-heidi-taillefer","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2008\/04\/07\/the-art-of-heidi-taillefer\/","title":{"rendered":"The art of Heidi Taillefer"},"content":{"rendered":"<p><a href=\"http:\/\/www.heiditaillefer.com\/\" target=\"_blank\"><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2008\/04\/taillefer.jpg\" alt=\"taillefer.jpg\" \/><\/a><\/p>\n<p><em>Frustration Attraction (2006).<\/em><\/p>\n<p>A Canadian artist works a marvellous variation on Salom\u00e9 using oils and photo-printed canvas. Lots of other fine, inventive work at <a href=\"http:\/\/www.heiditaillefer.com\/\" target=\"_blank\">her site<\/a>, all of it shown far too small to see the considerable detail. A tip to artists with websites: let us see the pictures properly; people appreciate it and will spread the word if they like your work. Via <a href=\"http:\/\/www.planetfabulon.com\/\" target=\"_blank\">Fabulon<\/a>.<\/p>\n<p><strong>Update:<\/strong> Her site has been relaunched and you can now see a lot more of the detail in her incredible paintings.<\/p>\n<p>Elsewhere on { feuilleton }<br \/>\n\u2022  <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/the-fantastic-art-archive\/\">The fantastic art archive<\/a><\/p>\n<p>Previously on { feuilleton }<br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2008\/01\/20\/beardsleys-salome\/\">Beardsley\u2019s Salom\u00e9<\/a><br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2007\/11\/27\/peter-reed-and-salome-after-dark\/\">Peter Reed and Salom\u00e9 After Dark<\/a><br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2007\/04\/20\/alla-nazimovas-salome\/\">Alla Nazimova\u2019s Salom\u00e9<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Frustration Attraction (2006). A Canadian artist works a marvellous variation on Salom\u00e9 using oils and photo-printed canvas. Lots of other fine, inventive work at her site, all of it shown far too small to see the considerable detail. A tip to artists with websites: let us see the pictures properly; people appreciate it and will &hellip; <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2008\/04\/07\/the-art-of-heidi-taillefer\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;The art of Heidi Taillefer&#8221;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[2,21,44,12],"tags":[785,1270,123],"class_list":["post-2998","post","type-post","status-publish","format-standard","hentry","category-art","category-fantasy","category-painting","category-photography","tag-alla-nazimova","tag-peter-reed","tag-salome"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-Mm","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/2998","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=2998"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/2998\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=2998"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=2998"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=2998"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}