{"id":29965,"date":"2026-05-04T16:30:12","date_gmt":"2026-05-04T15:30:12","guid":{"rendered":"https:\/\/www.johncoulthart.com\/feuilleton\/?p=29965"},"modified":"2026-05-04T13:26:43","modified_gmt":"2026-05-04T12:26:43","slug":"edmund-dulacs-in-the-kingdom-of-the-pearl","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2026\/05\/04\/edmund-dulacs-in-the-kingdom-of-the-pearl\/","title":{"rendered":"Edmund Dulac&#8217;s In the Kingdom of the Pearl"},"content":{"rendered":"<p><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2026\/05\/dulac01.jpg\" alt=\"dulac01.jpg\" \/><\/p>\n<p>An unusual commission for Edmund Dulac, being a work of non-fiction published in France in 1920, with a British edition following in the same year. The author, L\u00e9onard Rosenthal, was a French diamond merchant who wrote a handful of books intended to celebrate and promote his line of business, of which this was the first. <a href=\"https:\/\/archive.org\/details\/AuRoyaumeDeLaPerle\/rosenthal-l-royaume-1920-RTL012028-LowRes\/page\/n15\/mode\/2up\" target=\"_blank\" rel=\"noopener\"><em>In the Kingdom of the Pearl<\/em><\/a> is a history of the pearl-fishing trade and the use of pearls in jewellery, decoration and storytelling. I can&#8217;t vouch for the text but the book itself is a beautiful production, with fine colour printing, and a variety of aquarian embellishments throughout. It&#8217;s common in illustrated books for the decorative details to repeat themselves but Dulac has drawn a different fishy capital for the opening page of each chapter. His colour illustrations continue the flattened style he was using in <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2016\/01\/26\/edmund-dulacs-tanglewood-tales\/\"><em>Tanglewood Tales<\/em><\/a>, only here the paintings look as though he may have been aiming at the appearance of Mughal miniatures. This is a period of Dulac&#8217;s work that&#8217;s often overlooked in favour of the Rackham-like illustrations he was producing earlier in his career.<\/p>\n<p><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2026\/05\/dulac02.jpg\" alt=\"dulac02.jpg\" \/><\/p>\n<p><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2026\/05\/dulac03.jpg\" alt=\"dulac03.jpg\" \/><\/p>\n<p><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2026\/05\/dulac04.jpg\" alt=\"dulac04.jpg\" \/><\/p>\n<p><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2026\/05\/dulac05.jpg\" alt=\"dulac05.jpg\" \/><\/p>\n<p><!--more--><\/p>\n<p><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2026\/05\/dulac06.jpg\" alt=\"dulac06.jpg\" \/><\/p>\n<p><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2026\/05\/dulac07.jpg\" alt=\"dulac07.jpg\" \/><\/p>\n<p><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2026\/05\/dulac08.jpg\" alt=\"dulac08.jpg\" \/><\/p>\n<p><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2026\/05\/dulac09.jpg\" alt=\"dulac09.jpg\" \/><\/p>\n<p><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2026\/05\/dulac10.jpg\" alt=\"dulac10.jpg\" \/><\/p>\n<p><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2026\/05\/dulac11.jpg\" alt=\"dulac11.jpg\" \/><\/p>\n<p><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2026\/05\/dulac12.jpg\" alt=\"dulac12.jpg\" \/><\/p>\n<p>Elsewhere on { feuilleton }<br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/the-illustrators-archive\/\">The illustrators archive<\/a><\/p>\n<p>Previously on { feuilleton }<br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2026\/01\/12\/edmund-dulacs-princesse-badourah\/\">Edmund Dulac\u2019s Princesse Badourah<\/a><br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2022\/10\/19\/edmund-dulacs-illustrated-poe\/\">Edmund Dulac\u2019s illustrated Poe<\/a><br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2021\/11\/24\/edmund-dulacs-sinbad-the-sailor\/\">Edmund Dulac\u2019s Sinbad the Sailor<\/a><br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2016\/01\/26\/edmund-dulacs-tanglewood-tales\/\">Edmund Dulac\u2019s Tanglewood Tales<\/a><br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2016\/01\/25\/edmund-dulacs-tempest\/\">Edmund Dulac\u2019s Tempest<\/a><br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2015\/02\/27\/edmund-dulacs-sleeping-beauty-and-other-fairy-tales\/\">Edmund Dulac\u2019s Sleeping Beauty and Other Fairy Tales<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>An unusual commission for Edmund Dulac, being a work of non-fiction published in France in 1920, with a British edition following in the same year. The author, L\u00e9onard Rosenthal, was a French diamond merchant who wrote a handful of books intended to celebrate and promote his line of business, of which this was the first. &hellip; <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2026\/05\/04\/edmund-dulacs-in-the-kingdom-of-the-pearl\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;Edmund Dulac&#8217;s In the Kingdom of the Pearl&#8221;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"New blog post: Edmund Dulac's In the Kingdom of the Pearl","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[2,42,48],"tags":[286,1481],"class_list":["post-29965","post","type-post","status-publish","format-standard","hentry","category-art","category-books","category-illustrators","tag-edmund-dulac","tag-leonard-rosenthal"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-7Nj","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/29965","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=29965"}],"version-history":[{"count":1,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/29965\/revisions"}],"predecessor-version":[{"id":29966,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/29965\/revisions\/29966"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=29965"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=29965"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=29965"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}