{"id":29929,"date":"2026-04-22T16:30:56","date_gmt":"2026-04-22T15:30:56","guid":{"rendered":"https:\/\/www.johncoulthart.com\/feuilleton\/?p=29929"},"modified":"2026-04-22T14:28:42","modified_gmt":"2026-04-22T13:28:42","slug":"kay-nielsens-book-of-death","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2026\/04\/22\/kay-nielsens-book-of-death\/","title":{"rendered":"Kay Nielsen&#8217;s Book of Death"},"content":{"rendered":"<p><a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2026\/04\/nielsen-bd05-big.jpg\" target=\"_blank\" rel=\"noopener\"><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2026\/04\/nielsen-bd05.jpg\" alt=\"nielsen-bd05.jpg\" \/><\/a><\/p>\n<p><em>Disconsolate.<\/em><\/p>\n<p>More unknown Kay Nielsen, although &#8220;little-known&#8221; would be more accurate since the sombre nature of these drawings has made them popular among the image-hoarders in the Tumblr labyrinth. Nielsen created the series known as <em>The Book of Death<\/em> around 1910 when he was an art student studying in Paris, the &#8220;Book&#8221; being a cycle of ten (or more?) drawings that chart the progress of one of those Pierrots who we find mourning a lost love. The series was exhibited in London but wasn&#8217;t published in full during Nielsen&#8217;s lifetime, although a couple of the drawings did see print a few years after their completion. The <em>Illustrated London News<\/em> published one of them in 1913 when Nielsen&#8217;s work was showcased in the magazine&#8217;s Christmas special; two more appeared a year later in <a href=\"https:\/\/digi.ub.uni-heidelberg.de\/diglit\/studio1914\" target=\"_blank\" rel=\"noopener\"><em>The Studio<\/em><\/a> where Nielsen&#8217;s work was analysed by Marion Hepworth Dixon.<\/p>\n<p><a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2026\/04\/nielsen-bd08-big.jpg\" target=\"_blank\" rel=\"noopener\"><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2026\/04\/nielsen-bd08.jpg\" alt=\"nielsen-bd08.jpg\" \/><\/a><\/p>\n<p><em>Consolation.<\/em><\/p>\n<p>Information about the series is so scant my cursory searches haven&#8217;t been able to locate a reliable list of the pictures, or any idea of the order they might follow. <em>The Studio<\/em>, for example, mentions a picture labelled &#8220;Omen&#8221; but doesn&#8217;t say what the picture looks like. What you see here is a guess at the labelling and an attempt at an order. The problem is complicated by the fact that Nielsen was drawing other Pierrot figures at this time so I can&#8217;t be certain that all the pictures are part of the series. They are all Nielsen&#8217;s work, however.<\/p>\n<p><a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2026\/04\/nielsen-bd07-big.jpg\" target=\"_blank\" rel=\"noopener\"><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2026\/04\/nielsen-bd07.jpg\" alt=\"nielsen-bd07.jpg\" \/><\/a><\/p>\n<p><em>Desolation (or Solitude).<\/em><\/p>\n<p>Of greater certainty is the way the series differs from Nielsen&#8217;s later illustrations, showing the artist proceeding in an opposite direction to that of his contemporary, Harry Clarke. Where Clarke&#8217;s illustration work evolved from delicate fairy-tale scenes to the horrors in Poe, Goethe and Swinburne, Nielsen abandoned <em>fin-de-si\u00e8cle<\/em> morbidity for his meticulous blending of the art styles of the East and West. Marion Hepworth Dixon makes a great deal of the influence of Beardsley on Nielsen&#8217;s early drawings, something that&#8217;s most evident in his black-and-white art here and elsewhere. In 1910 he was still developing his own style so there may be other influences at work\u2014Sidney Sime, perhaps\u2014but without further research it&#8217;s difficult to say.<\/p>\n<p><a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2026\/04\/nielsen-bd06-big.jpg\" target=\"_blank\" rel=\"noopener\"><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2026\/04\/nielsen-bd06.jpg\" alt=\"nielsen-bd06.jpg\" \/><\/a><\/p>\n<p><em>Yearning.<\/em><\/p>\n<p><a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2026\/04\/nielsen-bd04-big.jpg\" target=\"_blank\" rel=\"noopener\"><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2026\/04\/nielsen-bd04.jpg\" alt=\"nielsen-bd04.jpg\" \/><\/a><\/p>\n<p><em>The Vision.<\/em><\/p>\n<p><!--more--><\/p>\n<p><a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2026\/04\/nielsen-bd01-big.jpg\" target=\"_blank\" rel=\"noopener\"><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2026\/04\/nielsen-bd01.jpg\" alt=\"nielsen-bd01.jpg\" \/><\/a><\/p>\n<p><em>Inevitable.<\/em><\/p>\n<p><a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2026\/04\/nielsen-bd09-big.jpg\" target=\"_blank\" rel=\"noopener\"><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2026\/04\/nielsen-bd09.jpg\" alt=\"nielsen-bd09.jpg\" \/><\/a><\/p>\n<p><em>Left.<\/em><\/p>\n<p><a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2026\/04\/nielsen-bd03-big.jpg\" target=\"_blank\" rel=\"noopener\"><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2026\/04\/nielsen-bd03.jpg\" alt=\"nielsen-bd03.jpg\" \/><\/a><\/p>\n<p><em>The Chasm.<\/em><\/p>\n<p><a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2026\/04\/nielsen-bd02-big.jpg\" target=\"_blank\" rel=\"noopener\"><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2026\/04\/nielsen-bd02.jpg\" alt=\"nielsen-bd02.jpg\" \/><\/a><\/p>\n<p><em>The End.<\/em><\/p>\n<p><a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2026\/04\/nielsen-bd10-big.jpg\" target=\"_blank\" rel=\"noopener\"><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2026\/04\/nielsen-bd10.jpg\" alt=\"nielsen-bd10.jpg\" \/><\/a><\/p>\n<p><em>Shadows of the Night.<\/em><\/p>\n<p>Elsewhere on { feuilleton }<br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/the-illustrators-archive\/\">The illustrators archive<\/a><\/p>\n<p>Previously on { feuilleton }<br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2026\/04\/13\/kay-nielsens-arabian-nights\/\">Kay Nielsen&#8217;s Arabian Nights<\/a><br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2015\/01\/23\/kay-nielsens-grimm-fairy-tales\/\">Kay Nielsen\u2019s Grimm Fairy Tales<\/a><br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2011\/08\/19\/kay-nielsens-east-of-the-sun-and-west-of-the-moon\/\">Kay Nielsen\u2019s East of the Sun and West of the Moon<\/a><br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2007\/05\/01\/fantastic-art-from-pan-books\/\">Fantastic art from Pan Books<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Disconsolate. More unknown Kay Nielsen, although &#8220;little-known&#8221; would be more accurate since the sombre nature of these drawings has made them popular among the image-hoarders in the Tumblr labyrinth. Nielsen created the series known as The Book of Death around 1910 when he was an art student studying in Paris, the &#8220;Book&#8221; being a cycle &hellip; <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2026\/04\/22\/kay-nielsens-book-of-death\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;Kay Nielsen&#8217;s Book of Death&#8221;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"New blog post: Kay Nielsen's Book of Death","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[2,30,48],"tags":[2139,14543],"class_list":["post-29929","post","type-post","status-publish","format-standard","hentry","category-art","category-black-white","category-illustrators","tag-kay-nielsen","tag-marion-hepworth-dixon"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-7MJ","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/29929","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=29929"}],"version-history":[{"count":3,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/29929\/revisions"}],"predecessor-version":[{"id":29932,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/29929\/revisions\/29932"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=29929"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=29929"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=29929"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}