{"id":29917,"date":"2026-04-18T19:00:32","date_gmt":"2026-04-18T18:00:32","guid":{"rendered":"https:\/\/www.johncoulthart.com\/feuilleton\/?p=29917"},"modified":"2026-04-18T19:03:52","modified_gmt":"2026-04-18T18:03:52","slug":"weekend-links-826","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2026\/04\/18\/weekend-links-826\/","title":{"rendered":"Weekend links 826"},"content":{"rendered":"<p><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2026\/04\/vasarely.jpg\" alt=\"vasarely.jpg\" \/><\/p>\n<p><em>Hexa (1971) by Victor Vasarely.<\/em><\/p>\n<p>\u2022 New music of the week is <a href=\"https:\/\/www.youtube.com\/watch?v=6bghDcbzfEU\" target=\"_blank\" rel=\"noopener\"><em>Tape 05<\/em><\/a>, three minutes from Boards Of Canada following their thirteen-year silence, which was released on Thursday after several days of the group and their record label teasing a comeback with <a href=\"https:\/\/bocpages.org\/wiki\/2026_Promo_Campaign\" target=\"_blank\" rel=\"noopener\">mysterious VHS cassettes and cryptic posters<\/a>. I&#8217;ve been listening to the Sandison brothers&#8217; discography for most of the week while trying to get a major illustration commission finished; this revelation has been the icing on a deteriorated, over-processed cake. I&#8217;m now looking forward to whatever emerges next.<\/p>\n<p>\u2022 <a href=\"https:\/\/www.youtube.com\/watch?v=Ccyy42oR4mk\" target=\"_blank\" rel=\"noopener\">The Long London Uncovered<\/a>: Alan Moore (again) and Iain Sinclair (again) in conversation. Alan&#8217;s second novel in the Long London cycle, <em>I Hear A New World<\/em>, will be published next month.<\/p>\n<p>\u2022 RIP <a href=\"https:\/\/www.theguardian.com\/artanddesign\/2026\/apr\/16\/chris-mullen-obituary\" target=\"_blank\" rel=\"noopener\">Chris Mullen<\/a>. Not a name that most will recognise but Mullen&#8217;s sprawling website, <a href=\"https:\/\/www.fulltable.com\/VTS\/index2.htm\" target=\"_blank\" rel=\"noopener\">The Visual Telling of Stories<\/a>, has been linked here on many occasions. A remarkable resource.<\/p>\n<p>\u2022 More new music: <a href=\"https:\/\/www.youtube.com\/watch?v=L-57FrioeuE\" target=\"_blank\" rel=\"noopener\"><em>Boots On The Ground<\/em><\/a> by Massive Attack, Tom Waits; <a href=\"https:\/\/lucaformentini.bandcamp.com\/album\/angel-lost\" target=\"_blank\" rel=\"noopener\"><em>Angel Lost<\/em><\/a> by Luca Formentini; <a href=\"https:\/\/hatchbackk.bandcamp.com\/album\/phaser-for-the-ocean-chorus-for-the-moon\" target=\"_blank\" rel=\"noopener\"><em>Phaser For The Ocean, Chorus For The Moon<\/em><\/a> by Hatchback.<\/p>\n<p>\u2022 Coming soon from Strange Attractor: <a href=\"http:\/\/strangeattractor.co.uk\/news\/sensual-laboratories\/\" target=\"_blank\" rel=\"noopener\"><em>Sensual Laboratories, Light Shows, Experimental, Film and Psychedelic Art<\/em><\/a> by Sophia Satchell-Baeza.<\/p>\n<p>\u2022 At Public Domain Review: \u201cA beautiful purplish hue\u201d: <a href=\"https:\/\/publicdomainreview.org\/collection\/experience-with-ergot-and-cannabis\" target=\"_blank\" rel=\"noopener\">Frank Dudley Beane\u2019s experience with ergot and Cannabis Indica<\/a> (1884).<\/p>\n<p>\u2022 Mixes of the week: <a href=\"https:\/\/www.thewire.co.uk\/audio\/tracks\/invisible-jukebox-mix-irmin-schmidt\" target=\"_blank\" rel=\"noopener\">An Invisible Jukebox mix<\/a> for Irmin Schmidt at <em>The Wire<\/em>; and <a href=\"https:\/\/www.ambientblog.net\/blog\/dreamscenes-april-2026\/\" target=\"_blank\" rel=\"noopener\">DreamScenes \u2013 April 2026<\/a> at Ambientblog.<\/p>\n<p>\u2022 At The Quietus: <a href=\"https:\/\/thequietus.com\/interviews\/things-i-have-learned\/sunno-hiking\/\" target=\"_blank\" rel=\"noopener\">Greg Anderson and Stephen O\u2019Malley of Sunn O)))<\/a> discuss their love of hiking.<\/p>\n<p>\u2022 At Film Quarterly: <a href=\"https:\/\/online.ucpress.edu\/fq\/article\/79\/3\/8\/217405\/The-Surprising-Folklore-of-Analog-Horror\" target=\"_blank\" rel=\"noopener\">Elinor Dolliver<\/a> on the surprising folklore of analogue horror.<\/p>\n<p>\u2022 Steven Heller&#8217;s font of the month is <a href=\"https:\/\/ilovetypography.com\/2026\/04\/14\/steven-hellers-font-of-the-month-gilway-paradox\/\" target=\"_blank\" rel=\"noopener\">Gilway Paradox<\/a>.<\/p>\n<p>\u2022 The Strange World of&#8230;<a href=\"https:\/\/thequietus.com\/interviews\/strange-world-of\/spacemen-3-best-music\/\" target=\"_blank\" rel=\"noopener\">Spacemen 3<\/a>.<\/p>\n<p>\u2022 <a href=\"https:\/\/www.youtube.com\/watch?v=iMB1Qc9-19U\" target=\"_blank\" rel=\"noopener\"><em>Tape Kebab<\/em><\/a> (1974) by Can | <a href=\"https:\/\/cabaretvoltaire.bandcamp.com\/track\/the-attic-tapes\" target=\"_blank\" rel=\"noopener\"><em>The Attic Tapes<\/em><\/a> (1975\/6) by Cabaret Voltaire | <a href=\"https:\/\/www.youtube.com\/watch?v=WRX6TWnLjCE\" target=\"_blank\" rel=\"noopener\"><em>The Black Mill Video Tape<\/em><\/a> (2012) by Pye Corner Audio<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Hexa (1971) by Victor Vasarely. \u2022 New music of the week is Tape 05, three minutes from Boards Of Canada following their thirteen-year silence, which was released on Thursday after several days of the group and their record label teasing a comeback with mysterious VHS cassettes and cryptic posters. I&#8217;ve been listening to the Sandison &hellip; <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2026\/04\/18\/weekend-links-826\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;Weekend links 826&#8221;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"New blog post: Weekend links 826","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[2,42,4,851,29,21,7,22,3,44,17,10],"tags":[103,3575,150,2271,14535,14539,14538,10002,14536,218,2697,14537,812,4222,8713,14143,1034,2147,2425,4534],"class_list":["post-29917","post","type-post","status-publish","format-standard","hentry","category-art","category-books","category-design","category-drugs","category-electronica","category-fantasy","category-film","category-horror","category-music","category-painting","category-psychedelia","category-typography","tag-alan-moore","tag-boards-of-canada","tag-cabaret-voltaire","tag-can-group","tag-chris-mullen","tag-elinor-dolliver","tag-frank-dudley-beane","tag-greg-anderson","tag-hatchback-musician","tag-iain-sinclair","tag-irmin-schmidt","tag-luca-formentini","tag-massive-attack","tag-pye-corner-audio","tag-sophia-satchell-baeza","tag-spacemen-3","tag-stephen-omalley","tag-sunn-o","tag-tom-waits","tag-victor-vasarely"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-7Mx","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/29917","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=29917"}],"version-history":[{"count":4,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/29917\/revisions"}],"predecessor-version":[{"id":29922,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/29917\/revisions\/29922"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=29917"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=29917"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=29917"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}