{"id":29667,"date":"2026-01-19T16:30:05","date_gmt":"2026-01-19T16:30:05","guid":{"rendered":"https:\/\/www.johncoulthart.com\/feuilleton\/?p=29667"},"modified":"2026-01-19T13:35:38","modified_gmt":"2026-01-19T13:35:38","slug":"the-return-of-the-thing-artbook","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2026\/01\/19\/the-return-of-the-thing-artbook\/","title":{"rendered":"The return of The Thing: Artbook"},"content":{"rendered":"<p><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2026\/01\/thing-artbook.jpg\" alt=\"thing-artbook.jpg\" \/><\/p>\n<p>The most notable feature of the alien organism in John W. Campbell&#8217;s <em>&#8220;Who Goes There?&#8221;<\/em> is its physical mutability, a quality memorably expressed in John Carpenter&#8217;s film adaptation of the story, <em>The Thing<\/em>. Fitting, then, that <em>The Thing: Artbook<\/em> is due to be republished later this year in a new edition which adds fresh material to the original volume. I was one of over 350 artists asked to create personal responses to Carpenter&#8217;s film in 2016, the results of which were published by Printed In Blood as a heavyweight, large-format hardback. The new book will divide the original into a more manageable two-volume paperback set to which a third volume of fresh material will be added, with all three volumes being contained in a slipcase. The third volume will also be available as a standalone book. Pre-orders may be placed <a href=\"https:\/\/printedinblood.com\/\" target=\"_blank\" rel=\"noopener\">here<\/a>.<\/p>\n<p>For the reprint there&#8217;s the possibility of original contributors doing a new piece, a tempting idea but not something I have the time for at the moment. Last month I started work on a new series of book illustrations which I need to concentrate on even though I wouldn&#8217;t mind doing something new based on the film. Before the book was published I guessed that many of the artists would be working variations on favourite scenes or characters, an accurate prediction as it turned out. <a href=\"https:\/\/www.johncoulthart.com\/pantechnicon\/thing.html\" target=\"_blank\" rel=\"noopener\">My own contribution<\/a> was an attempt to depict some of the moments we don&#8217;t see, when transformations are taking place offscreen, but I also had a more complicated, poster-style design in mind which I never managed to work out to my own satisfaction. For now the idea will have to remain frozen in the conceptual ice.<\/p>\n<p><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2026\/01\/thing-bantam.jpg\" alt=\"thing-bantam.jpg\" \/><\/p>\n<p>Before starting work on my own drawing I also read John W. Campbell&#8217;s story and looked for earlier depictions of his alien. One of the book covers that turned up was the Bantam paperback of Alan Dean Foster&#8217;s novelisation (above), a book with a better cover than the UK editions which recycled elements from the film posters. I couldn&#8217;t find an artist credit at the time but the cover art is by Jim Burns, a British illustrator best known for his depictions of spacecraft and futuristic technology. Looking for confirmation of his credit turned up <a href=\"https:\/\/www.comicartfans.com\/gallerypiece.asp?Piece=1245891\" target=\"_blank\" rel=\"noopener\">a picture of the original painting<\/a> which has a husky looking at the frozen alien. I can see why the art director wanted the dog removed\u2014the cover is better with all the viewer&#8217;s attention drawn to those insectile legs\u2014but Burns&#8217; colour scheme is spoiled by the greenish tinge of the printed version. Ice is a difficult substance to paint well. If I was Burns I would have been a little annoyed that all those icy details had been lost.<\/p>\n<p>Previously on { feuilleton }<br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2017\/10\/13\/the-thing-artbook\/\">The Thing: Artbook<\/a><br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2017\/04\/06\/the-thing-group-art-show\/\">The Thing Group Art Show<\/a><br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2016\/11\/24\/things\/\">Things<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>The most notable feature of the alien organism in John W. Campbell&#8217;s &#8220;Who Goes There?&#8221; is its physical mutability, a quality memorably expressed in John Carpenter&#8217;s film adaptation of the story, The Thing. Fitting, then, that The Thing: Artbook is due to be republished later this year in a new edition which adds fresh material &hellip; <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2026\/01\/19\/the-return-of-the-thing-artbook\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;The return of The Thing: Artbook&#8221;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"New blog post: The return of The Thing: Artbook","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[2,42,7,22,48,23],"tags":[8593,14376,680,2681,8762],"class_list":["post-29667","post","type-post","status-publish","format-standard","hentry","category-art","category-books","category-film","category-horror","category-illustrators","category-work","tag-alan-dean-foster","tag-jim-burns","tag-john-carpenter","tag-john-w-campbell","tag-printed-in-blood"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-7Iv","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/29667","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=29667"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/29667\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=29667"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=29667"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=29667"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}