{"id":2944,"date":"2008-03-23T01:12:42","date_gmt":"2008-03-23T01:12:42","guid":{"rendered":"http:\/\/www.johncoulthart.com\/feuilleton\/2008\/03\/23\/the-art-of-scott-treleaven\/"},"modified":"2008-03-23T01:16:22","modified_gmt":"2008-03-23T01:16:22","slug":"the-art-of-scott-treleaven","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2008\/03\/23\/the-art-of-scott-treleaven\/","title":{"rendered":"The art of Scott Treleaven"},"content":{"rendered":"<p><a href=\"http:\/\/www.marcselwynfineart.com\/artists\/treleaven\/treleaven_01.html\" target=\"_blank\"><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2008\/03\/treleaven1.jpg\" alt=\"treleaven1.jpg\" \/><\/a><\/p>\n<p><em>Nick + Matt (2004).<\/em><\/p>\n<p>Collage and painting by Canadian artist <a href=\"http:\/\/www.marcselwynfineart.com\/artists\/treleaven\/witchcraft\/treleaven_wc_home.html\" target=\"_blank\">Scott Treleaven<\/a> who says of his work \u201coccult language and symbology often remains the most accurate way of describing and dignifying the human condition.\u201d<\/p>\n<p><a href=\"http:\/\/www.marcselwynfineart.com\/artists\/treleaven\/witchcraft\/treleaven_wc_01.html\" target=\"_blank\"><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2008\/03\/treleaven2.jpg\" alt=\"treleaven2.jpg\" \/><\/a><\/p>\n<p><em>Black Shuck (i) (2007). <\/em><\/p>\n<p>\u2022 Scott Treleaven at Gay Utopia: <a href=\"http:\/\/gayutopia.blogspot.com\/2007\/11\/scott-treleaven-art.html\" target=\"_blank\">I<\/a> | <a href=\"http:\/\/gayutopia.blogspot.com\/2007\/11\/scott-treleaven-other-function-of.html\" target=\"_blank\">II<\/a><\/p>\n<p>Elsewhere on { feuilleton }<br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/the-gay-artists-archive\/\">The gay artists archive<\/a><\/p>\n<p>Previously on { feuilleton }<br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2007\/06\/09\/the-art-of-andrey-avinoff-1884\u20131949\/\">The art of Andrey Avinoff, 1884\u20131949<\/a><br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2007\/03\/07\/the-art-of-robert-flynt\/\">The art of Robert Flynt<\/a><br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2006\/05\/15\/austin-osman-spare\/\">Austin Osman Spare<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Nick + Matt (2004). Collage and painting by Canadian artist Scott Treleaven who says of his work \u201coccult language and symbology often remains the most accurate way of describing and dignifying the human condition.\u201d Black Shuck (i) (2007). \u2022 Scott Treleaven at Gay Utopia: I | II Elsewhere on { feuilleton } \u2022 The gay &hellip; <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2008\/03\/23\/the-art-of-scott-treleaven\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;The art of Scott Treleaven&#8221;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[2,5,16,44,12],"tags":[2469,316,3103],"class_list":["post-2944","post","type-post","status-publish","format-standard","hentry","category-art","category-gay","category-occult","category-painting","category-photography","tag-austin-osman-spare","tag-austin-spare","tag-scott-treleaven"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-Lu","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/2944","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=2944"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/2944\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=2944"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=2944"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=2944"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}