{"id":2915,"date":"2008-03-14T01:54:26","date_gmt":"2008-03-14T01:54:26","guid":{"rendered":"http:\/\/www.johncoulthart.com\/feuilleton\/2008\/03\/14\/le-monstre\/"},"modified":"2008-03-20T20:49:50","modified_gmt":"2008-03-20T20:49:50","slug":"le-monstre","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2008\/03\/14\/le-monstre\/","title":{"rendered":"Le Monstre"},"content":{"rendered":"<p><a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2008\/03\/lenoir_big.jpg\" target=\"_blank\"><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2008\/03\/lenoir11.jpg\" alt=\"lenoir11.jpg\" \/><\/a><\/p>\n<p>Continuing the theme of the <em>fin de si\u00e8cle<\/em> feminine, there&#8217;s this bizarre (undated) piece by Marcel Lenoir representing&#8230;what? A witch? Some demoness? Or woman in general? Considering the often overt misogyny of the period, the latter interpretation is quite possible; there were more than enough artists prepared to see women as the foundation of all evil as well as place them on pedestals. In our post-Freudian age it&#8217;s impossible not to do a double-take at a picture of a bare-breasted woman gripping a pair of cocks&#8230;<\/p>\n<p><a href=\"http:\/\/livrenblog.blogspot.com\/2007\/07\/revue-limage-bibliographie.html\" target=\"_blank\"><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2008\/03\/lenoir2.jpg\" alt=\"lenoir2.jpg\" \/><\/a><\/p>\n<p>Marcel Lenoir is yet another artist who receives scant attention online but I did find this nice magazine cover from an 1897 number of <em>L&#8217;Image<\/em>. There&#8217;s more splendid cover scans <a href=\"http:\/\/livrenblog.blogspot.com\/2007\/07\/revue-limage-bibliographie.html\" target=\"_blank\">here<\/a>.<\/p>\n<p>Previously on { feuilleton }<br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2008\/03\/13\/the-divine-sarah\/\">The Divine Sarah<\/a><br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2008\/03\/11\/carlos-schwabes-fleurs-du-mal\/\">Carlos Schwabe&#8217;s Fleurs du Mal<\/a><br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2008\/03\/10\/empusa\/\">Empusa<\/a><br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2008\/03\/03\/the-art-of-philippe-wolfers-1858\u20131929\/\">The art of Philippe Wolfers, 1858\u20131929<\/a><br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2007\/03\/12\/the-masks-of-medusa\/\">The Masks of Medusa<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Continuing the theme of the fin de si\u00e8cle feminine, there&#8217;s this bizarre (undated) piece by Marcel Lenoir representing&#8230;what? A witch? Some demoness? Or woman in general? Considering the often overt misogyny of the period, the latter interpretation is quite possible; there were more than enough artists prepared to see women as the foundation of all &hellip; <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2008\/03\/14\/le-monstre\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;Le Monstre&#8221;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[2,48,43],"tags":[136,2349],"class_list":["post-2915","post","type-post","status-publish","format-standard","hentry","category-art","category-illustrators","category-magazines","tag-fin-de-siecle","tag-philippe-wolfers"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-L1","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/2915","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=2915"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/2915\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=2915"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=2915"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=2915"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}