{"id":2910,"date":"2008-03-10T01:15:14","date_gmt":"2008-03-10T01:15:14","guid":{"rendered":"http:\/\/www.johncoulthart.com\/feuilleton\/2008\/03\/10\/empusa\/"},"modified":"2011-01-07T12:11:27","modified_gmt":"2011-01-07T12:11:27","slug":"empusa","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2008\/03\/10\/empusa\/","title":{"rendered":"Empusa"},"content":{"rendered":"<p><a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2008\/03\/empusa_large.jpg\" target=\"_blank\"><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2008\/03\/empusa1.jpg\" alt=\"empusa1.jpg\" \/><\/a><\/p>\n<p>The Empusae, we&#8217;re told, were daughters of Hecate in Greek mythology, sent to harass the unwary traveller on lonely roads, as if travellers on lonely roads didn&#8217;t have enough to worry about from human malefactors. The sinister femme fatale of mythology was a popular subject among <em>fin de si\u00e8cle<\/em> artists which perhaps explains why Carl Schmidt-Helmbrechts (1871\u20131936) went to such trouble with this etching of one of the baleful demonesses.<\/p>\n<p>There&#8217;s very little information about Schmidt-Helmbrechts on the web and little of his other work to be seen; this picture was scanned from <em>High Art and Low Life: \u2018The Studio\u2019 and the fin de si\u00e8cle<\/em> (1993) and even there they don&#8217;t give a date for it although I&#8217;d guess it was a product of the 1890s. The description does say it was printed in olive, however, so I&#8217;ve taken the liberty of tinting their black and white version accordingly. I&#8217;ve no idea what the musical notes at the bottom left are for but I like the lettering design, there&#8217;s almost enough of it to develop into a font.<\/p>\n<p><strong>Update:<\/strong> I&#8217;ve since discovered that the print was made in 1894.<\/p>\n<p>Elsewhere on { feuilleton }<br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/the-etching-and-engraving-archive\/\">The etching and engraving archive<\/a><\/p>\n<p>Previously on { feuilleton }<br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2008\/03\/03\/the-art-of-philippe-wolfers-1858\u20131929\/\">The art of Philippe Wolfers, 1858\u20131929<\/a><br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2007\/03\/12\/the-masks-of-medusa\/\">The Masks of Medusa<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>The Empusae, we&#8217;re told, were daughters of Hecate in Greek mythology, sent to harass the unwary traveller on lonely roads, as if travellers on lonely roads didn&#8217;t have enough to worry about from human malefactors. The sinister femme fatale of mythology was a popular subject among fin de si\u00e8cle artists which perhaps explains why Carl &hellip; <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2008\/03\/10\/empusa\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;Empusa&#8221;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[2],"tags":[2142,136,2349],"class_list":["post-2910","post","type-post","status-publish","format-standard","hentry","category-art","tag-carl-schmidt-helmbrechts","tag-fin-de-siecle","tag-philippe-wolfers"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/sq7rV-empusa","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/2910","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=2910"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/2910\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=2910"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=2910"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=2910"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}