{"id":29078,"date":"2026-01-01T16:30:50","date_gmt":"2026-01-01T16:30:50","guid":{"rendered":"https:\/\/www.johncoulthart.com\/feuilleton\/?p=29078"},"modified":"2026-01-01T14:02:36","modified_gmt":"2026-01-01T14:02:36","slug":"02026","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2026\/01\/01\/02026\/","title":{"rendered":"02026"},"content":{"rendered":"<p><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2026\/01\/1926-02.jpg\" alt=\"1926-02.jpg\" \/><\/p>\n<p><em>The Basket of Bread (1926) by Salvador Dal\u00ed.<\/em><\/p>\n<p>Happy new year. 02026? An affectation via <a href=\"https:\/\/longnow.org\/\" target=\"_blank\" rel=\"noopener\">the Long Now<\/a>.<\/p>\n<p><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2026\/01\/1926-05.jpg\" alt=\"1926-05.jpg\" \/><\/p>\n<p><em>The Cello Player (1926) by Edwin Dickinson.<\/em><\/p>\n<p><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2026\/01\/1926-12.jpg\" alt=\"1926-12.jpg\" \/><\/p>\n<p><em>Portrait of the Journalist Sylvia von Harden (1926) by Otto Dix.<\/em><\/p>\n<p><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2026\/01\/1926-11.jpg\" alt=\"1926-11.jpg\" \/><\/p>\n<p><em>The Virgin Spanking the Christ Child before Three Witnesses: Andr\u00e9 Breton, Paul Eluard and the Artist (1926) by Max Ernst.<\/em><\/p>\n<p><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2026\/01\/1926-10.jpg\" alt=\"1926-10.jpg\" \/><\/p>\n<p><em>The Musician&#8217;s Table (1926) by Juan Gris.<\/em><\/p>\n<p><!--more--><\/p>\n<p><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2026\/01\/1926-01.jpg\" alt=\"1926-01.jpg\" \/><\/p>\n<p><em>Creatures (1926) by Hannah H\u00f6ch.<\/em><\/p>\n<p><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2026\/01\/1926-13.jpg\" alt=\"1926-13.jpg\" \/><\/p>\n<p><em>Self Portrait in a Velvet Dress (1926) by Frida Kahlo.<\/em><\/p>\n<p><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2026\/01\/1926-03.jpg\" alt=\"1926-03.jpg\" \/><\/p>\n<p><em>Armour (1926) by Ragnhild Keyser.<\/em><\/p>\n<p><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2026\/01\/1926-04.jpg\" alt=\"1926-04.jpg\" \/><\/p>\n<p><em>Wiesen Bridge (1926) by Ernst Kirchner.<\/em><\/p>\n<p><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2026\/01\/1926-14.jpg\" alt=\"1926-14.jpg\" \/><br \/>\n<em><br \/>\nThe Difficult Crossing (1926) by Ren\u00e9 Magritte.<\/em><\/p>\n<p><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2026\/01\/1926-06.jpg\" alt=\"1926-06.jpg\" \/><br \/>\n<em><br \/>\nNuit d\u2019Amour (1926) by Georges Malkine.<\/em><\/p>\n<p><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2026\/01\/1926-07.jpg\" alt=\"1926-07.jpg\" \/><\/p>\n<p><em>Black Iris (1926) Georgia O\u2019Keeffe.<\/em><\/p>\n<p><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2026\/01\/1926-08.jpg\" alt=\"1926-08.jpg\" \/><\/p>\n<p><em>Metropolis (1926) by Thea von Harbou. Cover art by Walter Reimann.<\/em><\/p>\n<p><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2026\/01\/1926-09.jpg\" alt=\"1926-09.jpg\" \/><\/p>\n<p><em>The Cave (1926) by Jind\u0159ich \u0160tyrsk\u00fd.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>The Basket of Bread (1926) by Salvador Dal\u00ed. Happy new year. 02026? An affectation via the Long Now. The Cello Player (1926) by Edwin Dickinson. Portrait of the Journalist Sylvia von Harden (1926) by Otto Dix. The Virgin Spanking the Christ Child before Three Witnesses: Andr\u00e9 Breton, Paul Eluard and the Artist (1926) by Max &hellip; <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2026\/01\/01\/02026\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;02026&#8221;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"New blog post: 02026","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2},"jetpack_post_was_ever_published":false},"categories":[2,42,44,20,18],"tags":[14349,14351,732,14352,14353,5631,3050,5584,112,2512,14350,115,87,1133,14354],"class_list":["post-29078","post","type-post","status-publish","format-standard","hentry","category-art","category-books","category-painting","category-science-fiction","category-surrealism","tag-edwin-dickinson","tag-ernst-kirchner","tag-frida-kahlo","tag-georges-malkine","tag-georgia-okeeffe","tag-hannah-hoch","tag-jindrich-styrsky","tag-juan-gris","tag-max-ernst","tag-otto-dix","tag-ragnhild-keyser","tag-magritte","tag-salvador-dali","tag-thea-von-harbou","tag-walter-reimann"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/sq7rV-02026","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/29078","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=29078"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/29078\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=29078"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=29078"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=29078"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}