![\"kouninos.jpg\"](\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2025\/12\/kouninos.jpg\")
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Poster art by Nicholas Kouninos for Procol Harum \/ Pink Floyd \/ HP Lovecraft at the Fillmore, San Francisco, 1967.<\/em><\/p>\n \u2022 Take a break from so-called reality with Gruesome Shrewd<\/em><\/a>, more queasy psychedelia by Moon Wiring Club. MWC’s Ian Hodgson described his intentions to Simon Reynolds in a Reynolds roundup<\/a> which notes the 20th anniversary of the Ghost Box project. The label is apparently on hold for the moment but I have to admit that my interest waned some time after the 10th anniversary, when it became increasingly apparent that the ghost had fled the box. Reynolds ends his piece with a list of favourite GB recordings which I mostly agree with, although I’d shuffle the order and swap some entries with Pye Corner Audio.<\/p>\n \u2022 \u201c\u2018You know that feeling you get when you\u2019ve just gotten back from the dry cleaners a pair of slacks, Dacron slacks, and you reach your hand in a pocket and you feel those fuzzy sandwiches<\/em> with your fingers? Well, that\u2019s the feeling I\u2019m looking for.\u2019 I just nodded and replied, \u2018OK, Dave, I know exactly<\/em> what you mean.\u2019\u201d Barry Gifford<\/a> remembers David Lynch.<\/p>\n \u2022 Aschenbach\u2019s Last Journey<\/a>: Lesley Chamberlain, the most recent translator of Thomas Mann’s Death in Venice<\/em>, approaches the text by following the progress of its doomed protagonist from Brioni to the Venetian Lido. Related: Polly Barton<\/a> describes to Katy Whimhurst some of the difficulties involved in translating Japanese fiction to English.<\/p>\n \u2022 From The Shout<\/em> to Bait<\/em>: Darran Anderson<\/a> on the uses of sound in cinema. Rupert Hines’ soundtrack to The Shout<\/em> has just been released by Buried Treasure<\/a>.<\/p>\n \u2022 Video footage of modular synthesists Arc (Ian Boddy & Mark Shreeve) performing Arcturus<\/em> live in 2004: part one<\/a> | part two<\/a>.<\/p>\n \u2022 At Aeon: “Black holes may be hiding something that changes everything,” says Gideon Koekoek<\/a>.<\/p>\n \u2022 At the BFI: Michael Brooke<\/a> selects 10 great Hungarian films.<\/p>\n \u2022 Steven Heller\u2019s font of the year is Fillmore<\/a>.<\/p>\n \u2022 Shout The Storm<\/em><\/a> (1984) by :Zoviet:France: | Shout At The Devil<\/em><\/a> (2002) by Jah Wobble & Temple Of Sound | Shout<\/em><\/a> (2005) by Tod Dockstader<\/p>\n","protected":false},"excerpt":{"rendered":" Poster art by Nicholas Kouninos for Procol Harum \/ Pink Floyd \/ HP Lovecraft at the Fillmore, San Francisco, 1967. \u2022 Take a break from so-called reality with Gruesome Shrewd, more queasy psychedelia by Moon Wiring Club. MWC’s Ian Hodgson described his intentions to Simon Reynolds in a Reynolds roundup which notes the 20th anniversary … Continue reading “Weekend links 807”<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"New blog post: Weekend links 807","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[2,42,4,29,7,3,17,13,10],"tags":[5338,14317,14313,9965,265,172,14316,13342,6724,9311,8149,14320,14314,14318,10011,1019,14311,177,14319,14312,14315,1216,2797,5137],"class_list":["post-29010","post","type-post","status-publish","format-standard","hentry","category-art","category-books","category-design","category-electronica","category-film","category-music","category-psychedelia","category-science","category-typography","tag-zovietfrance","tag-arc-group","tag-barry-gifford","tag-darran-anderson","tag-david-lynch","tag-ghost-box","tag-gideon-koekoek","tag-hp-lovecraft-group","tag-ian-boddy","tag-ian-hodgson","tag-jah-wobble-temple-of-sound","tag-katy-whimhurst","tag-lesley-chamberlain","tag-mark-shreeve","tag-michael-brooke","tag-moon-wiring-club","tag-nicholas-kouninos","tag-pink-floyd","tag-polly-barton","tag-procol-harum","tag-rupert-hines","tag-simon-reynolds","tag-thomas-mann","tag-tod-dockstader"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-7xU","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/29010","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=29010"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/29010\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=29010"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=29010"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=29010"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}