{"id":28865,"date":"2025-11-01T19:00:15","date_gmt":"2025-11-01T19:00:15","guid":{"rendered":"https:\/\/www.johncoulthart.com\/feuilleton\/?p=28865"},"modified":"2025-11-01T19:39:36","modified_gmt":"2025-11-01T19:39:36","slug":"weekend-links-802","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2025\/11\/01\/weekend-links-802\/","title":{"rendered":"Weekend links 802"},"content":{"rendered":"

\"grimshaw.jpg\"<\/a><\/p>\n

November (1879) by John Atkinson Grimshaw.<\/em><\/p>\n

\u2022 As usual, the first links in November are heavy with the spirit of Halloween. At the BFI: Zombies in the Lake District: how locations from The Living Dead at Manchester Morgue<\/em> look today; Adam Scovell<\/a> looks back at one of the more curious zombie films of the 1970s, a Spanish\/Italian production directed by Jorge Grau in and around my home city. Also at the BFI: Georgina Guthrie<\/a> selects 10 great erotic horror films.<\/p>\n

\u2022 “We must recognise that reality without mystery is impossible.” In a recently digitised film clip, Ren\u00e9 Magritte<\/a> is interviewed (in French) by Belgian TV in 1961.<\/p>\n

\u2022 The Italian edition of The Moon and Serpent Bumper Book of Magic<\/em> is out now from Panini<\/a>. Thanks to Smoky Man for posting photos<\/a>!<\/p>\n

\u2022 Among the new titles at Standard Ebooks, the home of free, high-quality, public-domain texts: Short Fiction<\/em> by Saki<\/a>.<\/p>\n

\u2022 At Smithsonian Mag: Elizabeth Djinis<\/a> explains how an Italian town came to be known as the “City of Witches”.<\/p>\n

\u2022 New music: The Whole Woman<\/em><\/a> by Anna von Hausswolff ft. Iggy Pop; Forces, Reactions, Deflections<\/em><\/a> by Scanner.<\/p>\n

\u2022 RIP Jack DeJohnette<\/a>, jazz drummer; Prunella Scales<\/a>, actor; Peter Watkins<\/a>, film-maker.<\/p>\n

\u2022 Space Type Generator<\/a><\/p>\n

\u2022 Algiers November 1, 1954<\/em><\/a> (1965) by Ennio Morricone | November Sequence<\/em><\/a> (2011) by Pye Corner Audio | Richter: November<\/em><\/a> (2019) by Mari Samuelsen<\/p>\n","protected":false},"excerpt":{"rendered":"

November (1879) by John Atkinson Grimshaw. \u2022 As usual, the first links in November are heavy with the spirit of Halloween. At the BFI: Zombies in the Lake District: how locations from The Living Dead at Manchester Morgue look today; Adam Scovell looks back at one of the more curious zombie films of the 1970s, … Continue reading “Weekend links 802”<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"New blog post: Weekend links 802","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[2,42,51,29,7,22,3,16,44,18,19,10,23],"tags":[7444,7805,13685,14258,4189,9889,992,11658,873,14261,14262,12244,14259,5611,4222,115,133,8497,1878],"class_list":["post-28865","post","type-post","status-publish","format-standard","hentry","category-art","category-books","category-cities","category-electronica","category-film","category-horror","category-music","category-occult","category-painting","category-surrealism","category-television","category-typography","category-work","tag-adam-scovell","tag-anna-von-hausswolff","tag-bumper-book-of-magic","tag-elizabeth-djinis","tag-ennio-morricone","tag-georgina-guthrie","tag-iggy-pop","tag-jack-dejohnette","tag-john-atkinson-grimshaw","tag-jorge-grau","tag-mari-samuelsen","tag-max-richter","tag-peter-watkins","tag-prunella-scales","tag-pye-corner-audio","tag-magritte","tag-saki","tag-scanner-musician","tag-smoky-man"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-7vz","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/28865","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=28865"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/28865\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=28865"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=28865"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=28865"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}