{"id":28830,"date":"2025-10-20T16:30:00","date_gmt":"2025-10-20T15:30:00","guid":{"rendered":"https:\/\/www.johncoulthart.com\/feuilleton\/?p=28830"},"modified":"2025-10-20T14:44:26","modified_gmt":"2025-10-20T13:44:26","slug":"modern-pen-drawings-1901","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2025\/10\/20\/modern-pen-drawings-1901\/","title":{"rendered":"Modern Pen Drawings, 1901"},"content":{"rendered":"

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Rustum and the Simoorg (1897) by Patten Wilson.<\/em><\/p>\n

A new arrival at the Internet Archive. Modern Pen Drawings: European and American<\/a> is a special number of The Studio<\/em> magazine, one of several such numbers which they published in book form. The magazine’s editor, Charles Holme, edited the volume which maintains the high quality typical of all these publications, with excellent reproductions and informative notes about the artists and their works. Holme’s choices in collections such as this are always varied, mixing imaginative illustrations with comic drawings and nature studies. For a reader, the books are still useful today for showing you drawings that you might not see anywhere else, even when the artist is a familiar name. When the works themselves are familiar the reproductions are invariably better than you’ll find elsewhere. Such is the case with Patten Wilson’s “Rustum and the Simoorg”, an illustration of a Persian folk tale whose fine lines and details are often spoiled by poor printing. Elsewhere there are two pages of Th\u00e9ophile Steinlen’s inevitable cats, a drawing by Fernand Khnopff that I don’t think I’ve seen before, and Edmund J. Sullivan’s rose-bedecked skeleton which Alton Kelley later “repurposed” (or swiped) for the cover of the Grateful Dead’s second live album<\/a>.<\/p>\n

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Elsewhere on { feuilleton }
\n\u2022 The illustrators archive<\/a><\/p>\n

Previously on { feuilleton }
\n\u2022 The Art of the Book<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

Rustum and the Simoorg (1897) by Patten Wilson. A new arrival at the Internet Archive. Modern Pen Drawings: European and American is a special number of The Studio magazine, one of several such numbers which they published in book form. The magazine’s editor, Charles Holme, edited the volume which maintains the high quality typical of … Continue reading “Modern Pen Drawings, 1901”<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"New blog post: Modern Pen Drawings, 1901","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[2,42,48,43],"tags":[4537,2508,6715,1074,2084,4151,12198,632],"class_list":["post-28830","post","type-post","status-publish","format-standard","hentry","category-art","category-books","category-illustrators","category-magazines","tag-alton-kelley","tag-charles-holme","tag-edmund-j-sullivan","tag-fernand-khnopff","tag-patten-wilson","tag-the-grateful-dead","tag-the-studio-magazine","tag-theophile-steinlen"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-7v0","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/28830","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=28830"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/28830\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=28830"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=28830"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=28830"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}