{"id":28776,"date":"2025-10-11T19:00:34","date_gmt":"2025-10-11T18:00:34","guid":{"rendered":"https:\/\/www.johncoulthart.com\/feuilleton\/?p=28776"},"modified":"2025-10-11T16:35:45","modified_gmt":"2025-10-11T15:35:45","slug":"weekend-links-799","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2025\/10\/11\/weekend-links-799\/","title":{"rendered":"Weekend links 799"},"content":{"rendered":"<p><a href=\"https:\/\/commons.wikimedia.org\/wiki\/File:Charles_West_Cope_-The_Night_Alarm_The_Advance.jpg\" target=\"_blank\" rel=\"noopener\"><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2025\/10\/cope.jpg\" alt=\"cope.jpg\" \/><\/a><\/p>\n<p><em>A Night Alarm: The Advance! (1871) by Charles West Cope.<\/em><\/p>\n<p>\u2022 At Spoon &amp; Tamago: <a href=\"https:\/\/spoon-tamago.com\/poshichi-nihonga-style-art\/\" target=\"_blank\" rel=\"noopener\">Meet the artist creating humorous, nihonga-style images of daily life with their rescue cat<\/a>.<\/p>\n<p>\u2022 The thirteenth installment of Smoky Man\u2019s exploration of <em>The Bumper Book of Magic<\/em> has been posted (in Italian) at <a href=\"https:\/\/www.obloaps.it\/quasi\/2025\/10\/07\/the-moon-and-serpent-bumper-book-of-magic-13-magia-magia-magia\/\" target=\"_blank\" rel=\"noopener\">(quasi)<\/a>.<\/p>\n<p>\u2022 New music: <em><a href=\"https:\/\/www.youtube.com\/watch?v=YjMX4LJNZSw\" target=\"_blank\" rel=\"noopener\">I Remember I Forget<\/a><\/em> by Yasmine Hamdan; <a href=\"https:\/\/rohsrecords.bandcamp.com\/album\/clearwater\" target=\"_blank\" rel=\"noopener\"><em>Clearwater<\/em><\/a> by Maps And Diagrams.<\/p>\n<blockquote><p>His boss was a cards-to-his-chest type named Boynt Crosstown\u2014and here I admit to having dropped <em>that<\/em> in as the merest excuse to revel <em>right now<\/em> in more of Pynchon\u2019s christenings: Dr. Swampscott Vobe, Wisebroad\u2019s Shoes, Connie McSpool, Glow Tripworth de Vasta, Cousin Begonia, \u201cchild sensation Squeezita Thickly\u201d\u2014for this author\u2019s longstanding genius there on that private swivel chair of the Department of Character Appellations matches long-gone Lord Dunsany\u2019s for imaginary gods and cities.<\/p>\n<p><em><a href=\"https:\/\/unherd.com\/2025\/10\/thomas-pynchons-world-of-shadows\/\" target=\"_blank\" rel=\"noopener\">William T. Vollmann<\/a> reviews Shadow Ticket, the new novel by Thomas Pynchon<\/em><\/p><\/blockquote>\n<p>\u2022 At Colossal: Twelve trailblazing women artists transform interior spaces in <a href=\"https:\/\/www.thisiscolossal.com\/2025\/10\/dream-rooms-environments-women-artists-art-installations\/\" target=\"_blank\" rel=\"noopener\"><em>Dream Rooms<\/em><\/a>.<\/p>\n<p>\u2022 At Public Domain Review: Ballooning exploits in <a href=\"https:\/\/publicdomainreview.org\/collection\/travels-in-the-air\" target=\"_blank\" rel=\"noopener\"><em>Travels in the Air<\/em><\/a> (1871 edition).<\/p>\n<p>\u2022 At the BFI: Josh Slater-Williams on where to begin with the films of <a href=\"https:\/\/www.bfi.org.uk\/features\/where-begin-with-satoshi-kon\" target=\"_blank\" rel=\"noopener\">Satoshi Kon<\/a>.<\/p>\n<p>\u2022 <a href=\"https:\/\/www.theguardian.com\/books\/2025\/oct\/10\/colm-toibin-on-nobel-prize-in-literature-winner-laszlo-krasznahorkai\" target=\"_blank\" rel=\"noopener\">Colm T\u00f3ib\u00edn<\/a> explains why he set up a press to publish L\u00e1szl\u00f3 Krasznahorkai.<\/p>\n<p>\u2022 At Print Mag: <a href=\"https:\/\/www.printmag.com\/fine-art\/a-pool-of-perfection-in-paris\/\" target=\"_blank\" rel=\"noopener\">Ken Carbone<\/a> on a pool of perfection in Paris.<\/p>\n<p>\u2022 Mix of the week: <a href=\"https:\/\/bleep.com\/bleep-mix-310-rafael-anton-irisarri\" target=\"_blank\" rel=\"noopener\">Bleep Mix #310<\/a> by Rafael Anton Irisarri.<\/p>\n<p>\u2022 Steven Heller&#8217;s font of the month is <a href=\"https:\/\/ilovetypography.com\/2025\/10\/07\/steven-hellers-font-of-the-month-otc-textura\/\" target=\"_blank\" rel=\"noopener\">OTC Textura<\/a>.<\/p>\n<p>\u2022 <a href=\"https:\/\/thequietus.com\/interviews\/bakers-dozen\/ron-mael-sparks-favourite-music\/\" target=\"_blank\" rel=\"noopener\">Ron Mael&#8217;s favourite albums<\/a>.<\/p>\n<p>\u2022 <a href=\"https:\/\/www.youtube.com\/watch?v=Dvgbk4MkHF8\" target=\"_blank\" rel=\"noopener\"><em>Shadowplay<\/em><\/a> (1979) by Joy Division | <a href=\"https:\/\/www.youtube.com\/watch?v=aqIPI8CgVc4\" target=\"_blank\" rel=\"noopener\"><em>Shadow<\/em><\/a> (1982) by Brian Eno | <a href=\"https:\/\/www.youtube.com\/watch?v=p1AXMIsJhcg\" target=\"_blank\" rel=\"noopener\"><em>Shadows<\/em><\/a> (1994) by Pram<\/p>\n","protected":false},"excerpt":{"rendered":"<p>A Night Alarm: The Advance! (1871) by Charles West Cope. \u2022 At Spoon &amp; Tamago: Meet the artist creating humorous, nihonga-style images of daily life with their rescue cat. \u2022 The thirteenth installment of Smoky Man\u2019s exploration of The Bumper Book of Magic has been posted (in Italian) at (quasi). \u2022 New music: I Remember &hellip; <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2025\/10\/11\/weekend-links-799\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;Weekend links 799&#8221;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"New blog post: Weekend links 799","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[52,2,42,4,29,7,3,16,44,13,41,10,23],"tags":[145,13685,14237,3401,13971,1886,12703,3681,14240,3095,529,14239,12626,1878,5991,6269,13850],"class_list":["post-28776","post","type-post","status-publish","format-standard","hentry","category-animation","category-art","category-books","category-design","category-electronica","category-film","category-music","category-occult","category-painting","category-science","category-sculpture","category-typography","category-work","tag-brian-eno","tag-bumper-book-of-magic","tag-charles-west-cope","tag-colm-toibin","tag-josh-slater-williams","tag-joy-division","tag-ken-carbone","tag-laszlo-krasznahorkai","tag-maps-and-diagrams","tag-pram-group","tag-rafael-anton-irisarri","tag-ron-mael","tag-satoshi-kon","tag-smoky-man","tag-thomas-pynchon","tag-william-t-vollmann","tag-yasmine-hamdan"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-7u8","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/28776","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=28776"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/28776\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=28776"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=28776"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=28776"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}