{"id":28758,"date":"2025-10-04T19:00:49","date_gmt":"2025-10-04T18:00:49","guid":{"rendered":"https:\/\/www.johncoulthart.com\/feuilleton\/?p=28758"},"modified":"2025-10-04T16:47:39","modified_gmt":"2025-10-04T15:47:39","slug":"weekend-links-798","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2025\/10\/04\/weekend-links-798\/","title":{"rendered":"Weekend links 798"},"content":{"rendered":"

\"atlantis.jpg\"<\/a><\/p>\n

Atlantis (1971) by Bartolomeu Cid dos Santos<\/a>.<\/em><\/p>\n

\u2022 “Given the workaday settings of many of his movies (a hotel, a summer camp, a science fair), their mortal stakes may come as a surprise, or at least as a paradox\u2014yet paradox is at the heart of his entire body of work.” Richard Brody<\/a> explores the New Yorker<\/em> roots of Wes Anderson’s The French Dispatch<\/em>.<\/p>\n

\u2022 “The power of the Kelmscott Chaucer is in how all the elements harmonise to create something visually spectacular.” Michael John Goodman<\/a> on William Morris and his reinvention of book design.<\/p>\n

\u2022 At Smithsonian Mag: “What actually sparks Will-o’-the-Wisps? A new study traces the science behind the mysterious, wandering lights<\/a>“.<\/p>\n

\u2022 At Dennis Cooper’s: A chronology of 26 things with Clive Barker\u2019s name on them and what he thinks about that<\/a>.<\/p>\n

\u2022 At Wormwoodiana: The novels of Derek Raymond<\/a> and the type of crime fiction he called “The Black Novel”.<\/p>\n

\u2022 At Colossal: Untamed flora subsumes abandoned greenhouses in Romain Veillon\u2019s Secret Gardens<\/em><\/a>.<\/p>\n

\u2022 At The Wire<\/em>: Read an extract from James Tenney: Writings and Interviews on Experimental Music<\/em><\/a>.<\/p>\n

\u2022 The Strange World of…Mulatu Astatke<\/a>.<\/p>\n

\u2022 RIP Patricia Routledge<\/a>.<\/p>\n

\u2022 The Garden<\/em><\/a> (1981) by John Foxx | The Secret Garden: Main Title<\/em><\/a> (1993) by Zbigniew Preisner | Secret Garden<\/em><\/a> (2011) by Sussan Deyhim<\/p>\n","protected":false},"excerpt":{"rendered":"

Atlantis (1971) by Bartolomeu Cid dos Santos. \u2022 “Given the workaday settings of many of his movies (a hotel, a summer camp, a science fair), their mortal stakes may come as a surprise, or at least as a paradox\u2014yet paradox is at the heart of his entire body of work.” Richard Brody explores the New … Continue reading “Weekend links 798”<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"New blog post: Weekend links 798","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[8,2,42,4,7,22,43,3,12,13,19],"tags":[14229,1215,3667,12199,14231,1295,14230,14232,14233,6695,5528,1639,1582,1188,11362],"class_list":["post-28758","post","type-post","status-publish","format-standard","hentry","category-architecture","category-art","category-books","category-design","category-film","category-horror","category-magazines","category-music","category-photography","category-science","category-television","tag-bartolomeu-cid-dos-santos","tag-clive-barker","tag-derek-raymond","tag-geoffrey-chaucer","tag-james-tenney","tag-john-foxx","tag-michael-john-goodman","tag-mulatu-astatke","tag-patricia-routledge","tag-richard-brody","tag-romain-veillon","tag-sussan-deyhim","tag-wes-anderson","tag-william-morris","tag-zbigniew-preisner"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-7tQ","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/28758","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=28758"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/28758\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=28758"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=28758"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=28758"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}