{"id":28357,"date":"2025-08-23T19:00:21","date_gmt":"2025-08-23T18:00:21","guid":{"rendered":"https:\/\/www.johncoulthart.com\/feuilleton\/?p=28357"},"modified":"2025-08-23T16:52:41","modified_gmt":"2025-08-23T15:52:41","slug":"weekend-links-792","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2025\/08\/23\/weekend-links-792\/","title":{"rendered":"Weekend links 792"},"content":{"rendered":"<p><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2025\/08\/caroff.jpg\" alt=\"caroff.jpg\" \/><\/p>\n<p><em>West Side Story (1961) poster designed by Joe Caroff.<\/em><\/p>\n<p>\u2022 &#8220;From the very moment of its inception, the Wound Man was an image intimately tied to actual practice. He was in fact many, many things at once: epistemic diagram, medical tool, affective muse, technical spur, international artwork.&#8221; <a href=\"https:\/\/nautil.us\/the-tortured-paths-of-the-wound-man-1231969\/\" target=\"_blank\" rel=\"noopener\">Jack Hartnell<\/a> explores the tortured paths of book illustration known as <a href=\"https:\/\/commons.wikimedia.org\/wiki\/Category:Wound-man_illustrations\" target=\"_blank\" rel=\"noopener\">the Wound Man<\/a>.<\/p>\n<p>\u2022 At The Daily Heller: The late <a href=\"https:\/\/www.printmag.com\/daily-heller\/the-daily-heller-the-most-prolific-designer-you-ve-never-known\/\" target=\"_blank\" rel=\"noopener\">Joe Caroff<\/a>, who Steven Heller calls &#8220;the most prolific designer you\u2019ve never heard of&#8221;.<\/p>\n<p>\u2022 From <em>V<\/em> to <em>Vineland<\/em> and <em>Inherent Vice<\/em>: <a href=\"https:\/\/www.theguardian.com\/books\/2025\/aug\/18\/from-v-to-vineland-and-inherent-vice-thomas-pynchons-books-ranked\" target=\"_blank\" rel=\"noopener\">John Keenan<\/a> ranks Thomas Pynchon&#8217;s books.<\/p>\n<p>\u2022 Sometimes Easy, Sometimes Hard: <a href=\"https:\/\/thequietus.com\/opinion-and-essays\/anniversary\/harmonia-deluxe-review-50th-anniversary\/\" target=\"_blank\" rel=\"noopener\">Toby Manning<\/a> on Harmonia\u2019s <em>Deluxe<\/em> at 50.<\/p>\n<p>\u2022 At Unquiet Things: The infinite cosmos of <a href=\"https:\/\/unquietthings.com\/the-infinite-cosmos-of-martina-hoffmann\/\" target=\"_blank\" rel=\"noopener\">Martina Hoffmann<\/a>.<\/p>\n<p>\u2022 Mix of the week: A mix for <em>The Wire<\/em> by <a href=\"https:\/\/www.thewire.co.uk\/audio\/tracks\/wire-mix-sanam\" target=\"_blank\" rel=\"noopener\">Sanam<\/a>.<\/p>\n<p>\u2022 The Strange World of&#8230;<a href=\"https:\/\/thequietus.com\/interviews\/strange-world-of\/joe-mcphee-discography-best-album-strange-world-of\/\" target=\"_blank\" rel=\"noopener\">Joe McPhee<\/a>.<\/p>\n<p>\u2022 RIP <a href=\"https:\/\/www.bfi.org.uk\/features\/terence-stamp-obituary-magnetic-60s-icon-who-enjoyed-superman-comeback\" target=\"_blank\" rel=\"noopener\">Terence Stamp<\/a>.<\/p>\n<p>\u2022 <a href=\"https:\/\/www.youtube.com\/watch?v=59_42dpYCSY\" target=\"_blank\" rel=\"noopener\"><em>Gravity&#8217;s Angel<\/em><\/a> (1984) by Laurie Anderson | <a href=\"https:\/\/burial.bandcamp.com\/track\/wounder\" target=\"_blank\" rel=\"noopener\"><em>Wounder<\/em><\/a> (2006) by Burial | <a href=\"https:\/\/stereolab.bandcamp.com\/track\/melodie-is-a-wound\" target=\"_blank\" rel=\"noopener\"><em>Melodie Is A Wound<\/em><\/a> (2025) by Stereolab<\/p>\n","protected":false},"excerpt":{"rendered":"<p>West Side Story (1961) poster designed by Joe Caroff. \u2022 &#8220;From the very moment of its inception, the Wound Man was an image intimately tied to actual practice. He was in fact many, many things at once: epistemic diagram, medical tool, affective muse, technical spur, international artwork.&#8221; Jack Hartnell explores the tortured paths of book &hellip; <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2025\/08\/23\/weekend-links-792\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;Weekend links 792&#8221;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"New blog post: Weekend links 792","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[2,42,4,21,7,3,44,13],"tags":[9383,7506,14149,14148,14154,14150,1606,7333,14152,2407,1536,4846,5991,14151],"class_list":["post-28357","post","type-post","status-publish","format-standard","hentry","category-art","category-books","category-design","category-fantasy","category-film","category-music","category-painting","category-science","tag-burial-musician","tag-harmonia-group","tag-jack-hartnell","tag-joe-caroff","tag-joe-mcphee","tag-john-keenan","tag-laurie-anderson","tag-martina-hoffmann","tag-sanam","tag-stereolab","tag-steven-heller","tag-terence-stamp","tag-thomas-pynchon","tag-toby-manning"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-7nn","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/28357","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=28357"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/28357\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=28357"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=28357"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=28357"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}