{"id":28205,"date":"2025-06-28T19:00:11","date_gmt":"2025-06-28T18:00:11","guid":{"rendered":"https:\/\/www.johncoulthart.com\/feuilleton\/?p=28205"},"modified":"2025-06-28T19:01:59","modified_gmt":"2025-06-28T18:01:59","slug":"weekend-links-784","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2025\/06\/28\/weekend-links-784\/","title":{"rendered":"Weekend links 784"},"content":{"rendered":"

\"ford.jpg\"<\/a><\/p>\n

An illustration by HB Ford for The Violet Fairy Book (1906), edited by Andrew Lang.<\/em><\/p>\n

\u2022 New music: An Aesthetic – Experiments in Tape<\/em><\/a> by Hawksmoor; Leylines (2025 remaster)<\/em><\/a> by Aes Dana; A Fragile Geography (10th Anniversary Reissue)<\/em><\/a> by Rafael Anton Irisarri.<\/p>\n

\u2022 \u201cSkoda Auto designers reimagine Ferat Vampire<\/em> car from cult classic 1981 Czech horror film<\/a>\u201d.<\/p>\n

\u2022 At Colossal: Chris Ware<\/a> illustrates a postwoman\u2019s day to celebrate 250 years of USPS.<\/p>\n

Seen today, the failure of Sorcerer<\/em> looks like a grim prophecy of where the film industry would be headed in the years to come. It signaled that the creative ambitions of the New Hollywood, and its indulgence of stubborn renegade auteurs, had been cast aside for a new and dispiriting blockbuster ethos. Decades later, that ethos is still with us: a Hollywood dominated by digitally smoothed, effects-encrusted moviemaking, where every backdrop looks fake (even the real ones) and action sequences carry no physical weight. It\u2019s a wretched landscape, and Sorcerer<\/em> positively towers over it. To watch the film now, from its electric opening moments through its gaspingly bleak denouement, is to encounter something more than just a magnificent ruin or an object of cultish reclamation: a thwarted masterwork that is thwarted no longer.<\/p>\n

Justin Chang<\/a> on the bleak magic of William Friedkin’s <\/em>Sorcerer<\/em>.<\/p><\/blockquote>\n

\u2022 At the BFI: The Red Shoes<\/em> wallpaper<\/a> by the film\u2019s designer Hein Heckroth.<\/p>\n

\u2022 All This Violence<\/em><\/a> by Caspar Br\u00f6tzmann Massaker.<\/p>\n

\u2022 RIP Lalo Schifrin<\/a> and Rebekah del Rio<\/a>.<\/p>\n

\u2022 The Strange World of…Jon Spencer<\/a>.<\/p>\n

\u2022 In Ultra-Violet<\/em><\/a> (1983) by Cinema 90 | Violet Ray Gas<\/em><\/a> (2009) by Violet | Violetta<\/em><\/a> (2012) by Demdike Stare<\/p>\n","protected":false},"excerpt":{"rendered":"

An illustration by HB Ford for The Violet Fairy Book (1906), edited by Andrew Lang. \u2022 New music: An Aesthetic – Experiments in Tape by Hawksmoor; Leylines (2025 remaster) by Aes Dana; A Fragile Geography (10th Anniversary Reissue) by Rafael Anton Irisarri. \u2022 \u201cSkoda Auto designers reimagine Ferat Vampire car from cult classic 1981 Czech … Continue reading “Weekend links 784”<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"New blog post: Weekend links 784","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[2,4,29,7,22,48,3],"tags":[14040,5008,14042,12011,14046,2609,12897,14039,2073,14045,5097,14041,14043,529,14044,14047,3225],"class_list":["post-28205","post","type-post","status-publish","format-standard","hentry","category-art","category-design","category-electronica","category-film","category-horror","category-illustrators","category-music","tag-aes-dana","tag-andrew-lang","tag-caspar-brotzmann-massaker","tag-chris-ware","tag-cinema-90","tag-demdike-stare","tag-hawksmoor-musician","tag-hb-ford","tag-hein-heckroth","tag-jon-spencer","tag-juraj-herz","tag-justin-chang","tag-lalo-schifrin","tag-rafael-anton-irisarri","tag-rebekah-del-rio","tag-violet-group","tag-william-friedkin"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-7kV","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/28205","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=28205"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/28205\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=28205"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=28205"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=28205"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}