{"id":28171,"date":"2025-06-14T19:00:35","date_gmt":"2025-06-14T18:00:35","guid":{"rendered":"https:\/\/www.johncoulthart.com\/feuilleton\/?p=28171"},"modified":"2025-06-14T18:47:52","modified_gmt":"2025-06-14T17:47:52","slug":"weekend-links-782","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2025\/06\/14\/weekend-links-782\/","title":{"rendered":"Weekend links 782"},"content":{"rendered":"<p><a href=\"https:\/\/binniecatalogue.com\/artwork\/ushiwakamaru-and-benkei\" target=\"_blank\" rel=\"noopener\"><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2025\/06\/binnie.jpg\" alt=\"binnie.jpg\" \/><\/a><\/p>\n<p><em>Ushiwakamaru and Benkei (2015) by <a href=\"https:\/\/binniecatalogue.com\/subject\/men\" target=\"_blank\" rel=\"noopener\">Paul Binnie<\/a>.<\/em><\/p>\n<p>\u2022 &#8220;<em>Gohatto<\/em> depicts homosexuality within a very specific subset of society. <em>Kubi<\/em> explores further than that, depicting homosexuality between equals, and between bosses and subordinates. It tries to depict the relationship between power and authority, and how sexuality is used to maintain that authority.&#8221; <a href=\"https:\/\/www.bfi.org.uk\/interviews\/takeshi-kitano-kubi\" target=\"_blank\" rel=\"noopener\">Takeshi Kitano<\/a> talking about <em>Kubi<\/em>, his film about sex among the samurai, which is receiving a belated release in the UK.<\/p>\n<p>\u2022 &#8220;De Rome later said he\u2019d never felt persecuted for his sexuality, and it\u2019s this sense of the carefree that\u2019s reflected in the lightness of his filmmaking.&#8221; <a href=\"https:\/\/archive.is\/JXjhi\" target=\"_blank\" rel=\"noopener\">Luke Turner<\/a> on Peter De Rome&#8217;s homoerotic films which are currently being screened at the Barbican, London.<\/p>\n<p>\u2022 At Public Domain Review: <a href=\"https:\/\/publicdomainreview.org\/collection\/book-of-marionettes\/\" target=\"_blank\" rel=\"noopener\">Helen Haiman Joseph\u2019s <em>A Book of Marionettes<\/em><\/a> (1920), &#8220;The first comprehensive history of marionette artistry in the English language.&#8221;<\/p>\n<p>\u2022 Mixes of the week: <a href=\"https:\/\/www.astrangelyisolatedplace.com\/blog\/2025\/6\/10\/isolatedmix-132-matt-xavier-psilocybin-therapy-protocol-v122a\" target=\"_blank\" rel=\"noopener\">Isolatedmix 132: Psilocybin Therapy Protocol v1.22a<\/a> by Matt Xavier, and <a href=\"https:\/\/www.ambientblog.net\/blog\/2025-06\/dreamscenes-june-2025\/\" target=\"_blank\" rel=\"noopener\">DreamScenes \u2013 June 2025<\/a> at Ambientblog.<\/p>\n<p>\u2022 At <em>Sight and Sound<\/em>: Backwards through the backwoods: music editors <a href=\"https:\/\/www.bfi.org.uk\/sight-and-sound\/interviews\/backwards-through-backwoods-music-editors-dean-hurley-lori-eschler-twin-peaks\" target=\"_blank\" rel=\"noopener\">Dean Hurley and Lori Eschler<\/a> on David Lynch and\u00a0 <em>Twin Peaks<\/em>.<\/p>\n<p>\u2022 <a href=\"https:\/\/denniscooperblog.com\/mine-for-yours-my-favorite-fiction-poetry-non-fiction-music-film-art-and-internet-of-2025-so-far\/\" target=\"_blank\" rel=\"noopener\">Dennis Cooper\u2019s favourite fiction, poetry, non-fiction, film, art, and internet of 2025 so far.<\/a> Thanks again for the link here!<\/p>\n<p>\u2022 New music: <a href=\"https:\/\/panamerican.bandcamp.com\/album\/interior-of-an-edifice-under-the-sea\" target=\"_blank\" rel=\"noopener\"><em>Interior of an Edifice Under the Sea<\/em><\/a> by Pan American &amp; Kramer, and <a href=\"https:\/\/dinrecords.bandcamp.com\/album\/modulations-iv-dinddl34\" target=\"_blank\" rel=\"noopener\"><em>Modulations IV<\/em><\/a> by Ian Boddy.<\/p>\n<p>\u2022 At The Quietus: Peer Review: <a href=\"https:\/\/thequietus.com\/interviews\/in-conversation\/cosey-fanni-tutti-peter-strickland-interview\/\" target=\"_blank\" rel=\"noopener\">Peter Strickland interviews Cosey Fanni Tutti<\/a>&#8230;and vice versa.<\/p>\n<p>\u2022 <a href=\"https:\/\/www.youtube.com\/watch?v=uSMGENDH_QI\" target=\"_blank\" rel=\"noopener\"><em>Cosmic Dawn<\/em><\/a>: A feature-length NASA documentary about the James Webb Space Telescope.<\/p>\n<p>\u2022 RIP <a href=\"https:\/\/archive.is\/0oeUO\" target=\"_blank\" rel=\"noopener\">Sly Stone<\/a> and <a href=\"https:\/\/archive.is\/ncJ7L\" target=\"_blank\" rel=\"noopener\">Brian Wilson<\/a>.<\/p>\n<p>\u2022 <a href=\"https:\/\/www.youtube.com\/watch?v=l5GS4Bcedfs\" target=\"_blank\" rel=\"noopener\"><em>Les Marionnettes<\/em><\/a> (1991) by\u00a0Zbigniew Preisner | <a href=\"https:\/\/www.youtube.com\/watch?v=ORjtGKlyL3Y\" target=\"_blank\" rel=\"noopener\"><em>Sword Of The Samurai<\/em><\/a> (2006) by Lisa Gerrard | <a href=\"https:\/\/www.youtube.com\/watch?v=sttcNJiSraA\" target=\"_blank\" rel=\"noopener\"><em>Seven Samurai (Ending Theme)<\/em><\/a> (2012) by Ryuichi Sakamoto<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Ushiwakamaru and Benkei (2015) by Paul Binnie. \u2022 &#8220;Gohatto depicts homosexuality within a very specific subset of society. Kubi explores further than that, depicting homosexuality between equals, and between bosses and subordinates. It tries to depict the relationship between power and authority, and how sexuality is used to maintain that authority.&#8221; Takeshi Kitano talking about &hellip; <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2025\/06\/14\/weekend-links-782\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;Weekend links 782&#8221;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"New blog post: Weekend links 782","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[2,42,29,7,5,3,13,46],"tags":[2893,1986,265,10098,3109,14020,6724,14026,6180,14022,8930,14021,14023,12038,3503,4957,1412,14025,14019,2021,11362],"class_list":["post-28171","post","type-post","status-publish","format-standard","hentry","category-art","category-books","category-electronica","category-film","category-gay","category-music","category-science","category-theatre","tag-brian-wilson","tag-cosey-fanni-tutti","tag-david-lynch","tag-dean-hurley","tag-dennis-cooper","tag-helen-haiman-joseph","tag-ian-boddy","tag-kramer-musician","tag-lisa-gerrard","tag-lori-eschler","tag-luke-turner","tag-matt-xavier","tag-pan-american-musician","tag-paul-binnie","tag-peter-de-rome","tag-peter-strickland","tag-ryuichi-sakamoto","tag-sly-stone","tag-takeshi-kitano","tag-twin-peaks","tag-zbigniew-preisner"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-7kn","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/28171","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=28171"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/28171\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=28171"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=28171"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=28171"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}