{"id":28153,"date":"2025-06-07T19:00:09","date_gmt":"2025-06-07T18:00:09","guid":{"rendered":"https:\/\/www.johncoulthart.com\/feuilleton\/?p=28153"},"modified":"2025-06-07T18:54:17","modified_gmt":"2025-06-07T17:54:17","slug":"weekend-links-781","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2025\/06\/07\/weekend-links-781\/","title":{"rendered":"Weekend links 781"},"content":{"rendered":"<p><a href=\"https:\/\/commons.wikimedia.org\/wiki\/File:Orph%C3%A9e_aux_Enfers_(1896)_-_Jean_Delville.jpg\" target=\"_blank\" rel=\"noopener\"><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2025\/06\/delville.jpg\" alt=\"delville.jpg\" \/><\/a><\/p>\n<p><em>Orph\u00e9e aux Enfers (1896) by Jean Delville<\/em><\/p>\n<p>\u2022 &#8220;Yes, there was a riot, but it was great&#8221;: <a href=\"https:\/\/www.theguardian.com\/music\/2025\/jun\/02\/cabaret-voltaire-riot-returning-attenborough-chernobyl\" target=\"_blank\" rel=\"noopener\">Cabaret Voltaire<\/a> on violent gigs, nuclear noise \u2013 and returning to mark 50 years.<\/p>\n<p>\u2022 At Public Domain Review: <a href=\"https:\/\/publicdomainreview.org\/essay\/imagining-an-idle-countess\" target=\"_blank\" rel=\"noopener\">Matthew Mullane<\/a> on George Wightwick\u2019s <em>The Palace of Architecture<\/em> (1840).<\/p>\n<p>\u2022 New music: <a href=\"https:\/\/emptyset1.bandcamp.com\/album\/dissever\" target=\"_blank\" rel=\"noopener\"><em>Dissever<\/em><\/a> by Emptyset; <a href=\"https:\/\/abulmogard.bandcamp.com\/album\/quiet-pieces\" target=\"_blank\" rel=\"noopener\"><em>Quiet Pieces<\/em><\/a> by Abul Mogard; <a href=\"https:\/\/lawsonmerrill.bandcamp.com\/album\/analogues\" target=\"_blank\" rel=\"noopener\"><em>Analogues<\/em><\/a> by Lawson &amp; Merrill.<\/p>\n<p>\u2022 At Spoon &amp; Tamago: Artist <a href=\"https:\/\/spoon-tamago.com\/yukiko-suto\/\" target=\"_blank\" rel=\"noopener\">Yukiko Suto<\/a> finds beauty in Japanese residential neighbourhoods.<\/p>\n<p>\u2022 At The Quietus: A Condition of the Space: <a href=\"https:\/\/thequietus.com\/interviews\/mary-anne-hobbs-interview\/\" target=\"_blank\" rel=\"noopener\">Mary Anne Hobbs<\/a> interviewed.<\/p>\n<p>\u2022 At Baja el Signo de Libra: The homoerotic photography of <a href=\"http:\/\/bajoelsignodelibra.blogspot.com\/2025\/06\/la-mirada-de-yves-paradis.html\" target=\"_blank\" rel=\"noopener\">Yves Paradis<\/a>.<\/p>\n<p>\u2022 Mix of the week: Bleep Mix #303 by <a href=\"https:\/\/bleep.com\/bleep-mix-303-abul-mogard\" target=\"_blank\" rel=\"noopener\">Abul Mogard<\/a>.<\/p>\n<p>\u2022 At Dennis Cooper&#8217;s: <a href=\"https:\/\/denniscooperblog.com\/stan-brakhage-day\/\" target=\"_blank\" rel=\"noopener\">Stan Brakhage<\/a> Day.<\/p>\n<p>\u2022 RIP <a href=\"https:\/\/www.theguardian.com\/books\/2025\/jun\/04\/edmund-white-obituary\" target=\"_blank\" rel=\"noopener\">Edmund White<\/a>.<\/p>\n<p>\u2022 <a href=\"https:\/\/stereolab.bandcamp.com\/track\/brakhage-2\" target=\"_blank\" rel=\"noopener\"><em>Brakhage<\/em><\/a> (1997) by Stereolab | <a href=\"https:\/\/robertposs.bandcamp.com\/track\/brakhage\" target=\"_blank\" rel=\"noopener\"><em>Brakhage<\/em><\/a> (2002) by Robert Poss | <a href=\"https:\/\/johnfoxx.bandcamp.com\/track\/barbican-brakhage\" target=\"_blank\" rel=\"noopener\"><em>Barbican Brakhage<\/em><\/a> (2009) by John Foxx<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Orph\u00e9e aux Enfers (1896) by Jean Delville \u2022 &#8220;Yes, there was a riot, but it was great&#8221;: Cabaret Voltaire on violent gigs, nuclear noise \u2013 and returning to mark 50 years. \u2022 At Public Domain Review: Matthew Mullane on George Wightwick\u2019s The Palace of Architecture (1840). \u2022 New music: Dissever by Emptyset; Quiet Pieces by &hellip; <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2025\/06\/07\/weekend-links-781\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;Weekend links 781&#8221;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"New blog post: Weekend links 781","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[8,2,42,29,7,5,3,44,12,45],"tags":[14016,150,901,3188,14012,644,1295,14015,8909,14011,14018,3262,2407,14013,14014],"class_list":["post-28153","post","type-post","status-publish","format-standard","hentry","category-architecture","category-art","category-books","category-electronica","category-film","category-gay","category-music","category-painting","category-photography","category-symbolists","tag-abul-mogard","tag-cabaret-voltaire","tag-edmund-white","tag-emptyset","tag-george-wightwick","tag-jean-delville","tag-john-foxx","tag-lawson-merrill","tag-mary-anne-hobbs","tag-matthew-mullane","tag-robert-poss","tag-stan-brakhage","tag-stereolab","tag-yukiko-suto","tag-yves-paradis"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-7k5","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/28153","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=28153"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/28153\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=28153"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=28153"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=28153"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}