{"id":28067,"date":"2025-05-05T16:30:55","date_gmt":"2025-05-05T15:30:55","guid":{"rendered":"https:\/\/www.johncoulthart.com\/feuilleton\/?p=28067"},"modified":"2025-05-05T12:47:44","modified_gmt":"2025-05-05T11:47:44","slug":"the-art-of-dick-ellescas","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2025\/05\/05\/the-art-of-dick-ellescas\/","title":{"rendered":"The art of Dick Ellescas"},"content":{"rendered":"<p><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2025\/05\/ellescas01.jpg\" alt=\"ellescas01.jpg\" \/><\/p>\n<p><em>The Boy Friend (1971).<\/em><\/p>\n<p>I chanced upon the album cover art of Dick Ellescas a few weeks ago when I was searching for something on Discogs. Classical music labels are extraordinarily lazy when it comes to packaging their recordings, as a result of which the commissioning of original art always stands out. Dick Ellescas turned up again more recently when I was working my way through the Ken Russell filmography. Russell&#8217;s Sandy Wilson adaptation, <em>The Boy Friend<\/em>, was released in the US with an Ellescas poster that combines an Art Deco style with the modishness of early 70s graphics. This also stood out from the crowd and sent me in search of more of the same. The examples here are only a small selection from the Ellescas oeuvre; Discogs credits him with over 30 album covers. The Strauss cover below is uncredited so there may be more out there. Some of Ellescas&#8217;s illustrations for <em>Cosmopolitan<\/em> magazine may be seen <a href=\"https:\/\/lizeggleston.com\/category\/illustrations\/dick-ellescas\/\" target=\"_blank\" rel=\"noopener\">here<\/a>.<\/p>\n<p><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2025\/05\/ellescas02.jpg\" alt=\"ellescas02.jpg\" \/><\/p>\n<p><em>The Magic Christian (1969).<\/em><\/p>\n<p><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2025\/05\/ellescas03.jpg\" alt=\"ellescas03.jpg\" \/><\/p>\n<p><em>Borodin\/Liadov: Symphony No.1\/From The Book Of Revelation From Days Of Old\/A Musical Snuff-box (1971); Moscow Radio Symphony Orchestra, USSR Symphony Orchestra.<\/em><\/p>\n<p><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2025\/05\/ellescas04.jpg\" alt=\"ellescas04.jpg\" \/><\/p>\n<p><em>Strauss: Die Frau Ohne Schatten (1971); Kurt Eichhorn, Orchestra of Bavarian Radio, James King.<\/em><\/p>\n<p><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2025\/05\/ellescas05.jpg\" alt=\"ellescas05.jpg\" \/><\/p>\n<p><!--more--><\/p>\n<p><em>Tchaikovsky: The Nutcracker (Complete Ballet, Op. 71) (1972); Andr\u00e9 Previn, The London Symphony Orchestra.<\/em><\/p>\n<p><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2025\/05\/ellescas06.jpg\" alt=\"ellescas06.jpg\" \/><\/p>\n<p><em>Stravinsky: The Firebird (Complete Original Version, 1910) (1973); Seiji Ozawa, Orchestre De Paris.<\/em><\/p>\n<p><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2025\/05\/ellescas07.jpg\" alt=\"ellescas07.jpg\" \/><\/p>\n<p><em> Tchaikovsky: Sleeping Beauty (Complete Ballet) (1974); Andr\u00e9 Previn, London Symphony Orchestra.<\/em><\/p>\n<p><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2025\/05\/ellescas08.jpg\" alt=\"ellescas08.jpg\" \/><\/p>\n<p><em>Wagner: Tristan Und Isolde (1974); Wilhelm Furtw\u00e4ngler, Philharmonia Orchestra, Kirsten Flagstad, Ludwig Suthaus.<\/em><\/p>\n<p><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2025\/05\/ellescas09.jpg\" alt=\"ellescas09.jpg\" \/><\/p>\n<p><em>Sibelius: Four Legends From The &#8220;Kalevala&#8221; (1975); Sir Charles Groves, Royal Liverpool Philharmonic Orchestra.<\/em><\/p>\n<p><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2025\/05\/ellescas10.jpg\" alt=\"ellescas10.jpg\" \/><\/p>\n<p><em>Swan Lake, The Complete Ballet, Op. 20 (1976); Andr\u00e9 Previn, London Symphony Orchestra.<\/em><\/p>\n<p><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2025\/05\/ellescas11.jpg\" alt=\"ellescas11.jpg\" \/><\/p>\n<p><em>Ravel\/Debussy: Bolero\/La Mer\/Pr\u00e8lude \u00c0 L&#8217;apr\u00e8s-midi D&#8217;un Faune (1977); Herbert von Karajan, Berlin Philharmonic Orchestra.<\/em><\/p>\n<p><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2025\/05\/ellescas12.jpg\" alt=\"ellescas12.jpg\" \/><\/p>\n<p><em> Ket\u00e8lbey: In A Monastery Garden (1978); John Lanchberry, Philharmonia Orchestra.<\/em><\/p>\n<p><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2025\/05\/ellescas13.jpg\" alt=\"ellescas13.jpg\" \/><\/p>\n<p><em> Prokofiev: Romeo And Juliet (Suite From The Ballet) (1979); Andr\u00e9 Previn, London Symphony Orchestra.<\/em><\/p>\n<p><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2025\/05\/ellescas14.jpg\" alt=\"ellescas14.jpg\" \/><\/p>\n<p><em>Verdi: Aida (1980); Riccardo Muti, New Philharmonia Orchestra, Montserrat Caball\u00e9, Placido Domingo.<\/em><\/p>\n<p><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2025\/05\/ellescas15.jpg\" alt=\"ellescas15.jpg\" \/><\/p>\n<p><em>Rimsky-Korsakov: Scheherazade (1983); Riccardo Muti, Philadelphia Orchestra.<\/em><\/p>\n<p>Elsewhere on { feuilleton }<br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/themed-archive-pages\/the-album-covers-archive\/\">The album covers archive<\/a><br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/themed-archive-pages\/the-illustrators-archive\/\">The illustrators archive<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>The Boy Friend (1971). I chanced upon the album cover art of Dick Ellescas a few weeks ago when I was searching for something on Discogs. Classical music labels are extraordinarily lazy when it comes to packaging their recordings, as a result of which the commissioning of original art always stands out. Dick Ellescas turned &hellip; <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2025\/05\/05\/the-art-of-dick-ellescas\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;The art of Dick Ellescas&#8221;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"New blog post: The art of Dick Ellescas","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2},"jetpack_post_was_ever_published":false},"categories":[2,4,7,48,3],"tags":[13976,595,13977],"class_list":["post-28067","post","type-post","status-publish","format-standard","hentry","category-art","category-design","category-film","category-illustrators","category-music","tag-dick-ellescas","tag-ken-russell","tag-sandy-wilson"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-7iH","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/28067","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=28067"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/28067\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=28067"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=28067"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=28067"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}