{"id":27960,"date":"2025-03-22T19:00:55","date_gmt":"2025-03-22T19:00:55","guid":{"rendered":"https:\/\/www.johncoulthart.com\/feuilleton\/?p=27960"},"modified":"2025-03-22T18:41:02","modified_gmt":"2025-03-22T18:41:02","slug":"weekend-links-770","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2025\/03\/22\/weekend-links-770\/","title":{"rendered":"Weekend links 770"},"content":{"rendered":"<p><a href=\"https:\/\/grapefruitmoongallery.com\/9194\" target=\"_blank\" rel=\"noopener\"><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2025\/03\/finlay.jpg\" alt=\"finlay.jpg\" \/><\/a><\/p>\n<p><em>Abstraction #51 (1965) by Virgil Finlay.<\/em><\/p>\n<p>\u2022 \u201cI think the world venerates him as this deeply religious composer who tackles eternal themes in his music, but I think it\u2019s also good to remember that he also has a playful experimental side.\u201d Maria Juur discussing Estonian composer Arvo P\u00e4rt in a review by <a href=\"https:\/\/4columns.org\/dayal-geeta\/arvo-part\" target=\"_blank\" rel=\"noopener\">Geeta Dayal<\/a> of a new recording of four P\u00e4rt compositions.<\/p>\n<p>\u2022 \u201c<em>Rubycon<\/em> feels like an epic soundtrack to a great lost film&#8230;\u201d <a href=\"https:\/\/thequietus.com\/opinion-and-essays\/anniversary\/tangerine-dream-rubicon-anniversary\/\" target=\"_blank\" rel=\"noopener\">Jeremy Allen<\/a> on the 50th anniversary of a Tangerine Dream album that&#8217;s always been a favourite of mine.<\/p>\n<p>\u2022 At the Internet Archive: Browse the catalogue for a forthcoming auction of rare books and artworks from <a href=\"https:\/\/archive.org\/details\/forum-auctions.-the-library-of-barry-humphries.-catalogue-26-march-2025.\/mode\/2up\" target=\"_blank\" rel=\"noopener\">The Library of Barry Humphries<\/a>.<\/p>\n<p>\u2022 At Public Domain Review: <a href=\"https:\/\/publicdomainreview.org\/collection\/michalina-janoszanka\" target=\"_blank\" rel=\"noopener\">Through a Glass Lushly: Michalina Janoszanka\u2019s reverse paintings<\/a> (ca. 1920s).<\/p>\n<p>\u2022 At Colossal: &#8220;<a href=\"https:\/\/www.thisiscolossal.com\/2025\/03\/david-opdyke-waiting-for-the-future\/\" target=\"_blank\" rel=\"noopener\">Vintage postcard paintings by David Opdyke demonstrate an ecological future in peril<\/a>&#8220;.<\/p>\n<p>\u2022 At the BFI: <a href=\"https:\/\/www.bfi.org.uk\/lists\/10-great-slovak-new-wave-films\">Michael Brooke<\/a> offers suggestions for ten great Slovak New Wave films.<\/p>\n<p>\u2022 DJ Food unearthed four sheets of <a href=\"https:\/\/www.djfood.org\/dave-roe-wrapping-paper-1968\/\" target=\"_blank\" rel=\"noopener\">Dave Roe wrapping paper<\/a> from 1968.<\/p>\n<p>\u2022 New music: <a href=\"https:\/\/dinrecords.bandcamp.com\/album\/doppelg-nger-din91\" target=\"_blank\" rel=\"noopener\"><em>Doppelg\u00e4nger<\/em><\/a> by Ian Boddy &amp; Harald Grosskopf.<\/p>\n<p>\u2022 <a href=\"https:\/\/archive.org\/details\/sun-ra-french-tv-1969\" target=\"_blank\" rel=\"noopener\">Ten minutes of Sun Ra and the Arkestra on French TV in 1969<\/a>.<\/p>\n<p>\u2022 <a href=\"https:\/\/70sscifiart.tumblr.com\/post\/778402055687733248\" target=\"_blank\" rel=\"noopener\">Depictions of Atlantis in retro science fiction art<\/a>.<\/p>\n<p>\u2022 Old music: <a href=\"https:\/\/hiroshi-yoshimura.bandcamp.com\/album\/flora\" target=\"_blank\" rel=\"noopener\"><em>Flora<\/em><\/a> (1987) by Hiroshi Yoshimura has been reissued.<\/p>\n<p>\u2022 <a href=\"https:\/\/www.youtube.com\/watch?v=L6UIJonwQq0\"><em>Atlantis<\/em><\/a> (1961) by The Blue Bells | <a href=\"https:\/\/www.youtube.com\/watch?v=nejdfcgLvfc\" target=\"_blank\" rel=\"noopener\"><em>Atlantis<\/em><\/a> (1969) by Donovan | <a href=\"https:\/\/www.youtube.com\/watch?v=hNwfevauXp8\" target=\"_blank\" rel=\"noopener\"><em>Atlantis<\/em><\/a> (1971) by Deuter<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Abstraction #51 (1965) by Virgil Finlay. \u2022 \u201cI think the world venerates him as this deeply religious composer who tackles eternal themes in his music, but I think it\u2019s also good to remember that he also has a playful experimental side.\u201d Maria Juur discussing Estonian composer Arvo P\u00e4rt in a review by Geeta Dayal of &hellip; <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2025\/03\/22\/weekend-links-770\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;Weekend links 770&#8221;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"New blog post: Weekend links 770","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[2,42,4,29,7,3,44,20,19],"tags":[4775,13896,12793,13898,13895,9033,2538,1393,10056,10526,6724,9299,13893,10011,13894,579,889,13897,1895],"class_list":["post-27960","post","type-post","status-publish","format-standard","hentry","category-art","category-books","category-design","category-electronica","category-film","category-music","category-painting","category-science-fiction","category-television","tag-arvo-part","tag-atlantis","tag-barry-humphries","tag-dave-roe","tag-david-opdyke","tag-deuter-musician","tag-donovan-musician","tag-geeta-dayal","tag-harald-grosskopf","tag-hiroshi-yoshimura","tag-ian-boddy","tag-jeremy-allen","tag-maria-juur","tag-michael-brooke","tag-michalina-janoszanka","tag-sun-ra","tag-tangerine-dream","tag-the-blue-bells","tag-virgil-finlay"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-7gY","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/27960","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=27960"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/27960\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=27960"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=27960"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=27960"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}