{"id":27860,"date":"2025-02-08T19:00:48","date_gmt":"2025-02-08T19:00:48","guid":{"rendered":"https:\/\/www.johncoulthart.com\/feuilleton\/?p=27860"},"modified":"2025-02-08T16:07:13","modified_gmt":"2025-02-08T16:07:13","slug":"weekend-links-764","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2025\/02\/08\/weekend-links-764\/","title":{"rendered":"Weekend links 764"},"content":{"rendered":"<p><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2025\/02\/marfut.jpg\" alt=\"marfut.jpg\" \/><\/p>\n<p><em>Bruxelles 1958 Exposition Universelle (1958) by Leo Marfut.<\/em><\/p>\n<p>\u2022 &#8220;In a moment when our collective memory is being systematically eradicated, archiving reemerges as a strong form of resistance, a way of preserving crucial, subversive, and marginalized forms of expression. We encourage you to do the same.&#8221; Welcome back, <a href=\"https:\/\/www.ubuweb.com\/\" target=\"_blank\" rel=\"noopener\">Ubuweb<\/a>.<\/p>\n<p>\u2022 A catalogue of lots at another <a href=\"https:\/\/bid.vallots.com\/auctions\/5-1NHC6D\/after-dark-ii?limit=36\" target=\"_blank\" rel=\"noopener\">After Dark: Gay Art and Culture<\/a> online auction. Homoerotic art, photos, historic porn. etc.<\/p>\n<p>\u2022 At Public Domain Review: <a href=\"https:\/\/publicdomainreview.org\/collection\/crystal-palace-dinosaurs\" target=\"_blank\" rel=\"noopener\">George Baxter\u2019s print of Crystal Palace dinosaurs<\/a> (ca. 1864).<\/p>\n<p>\u2022 At Spoon &amp; Tamago: Contemporary Nihonga images of hamsters created by <a href=\"https:\/\/www.spoon-tamago.com\/otama-shimai-nihonga-hamsters\/\" target=\"_blank\" rel=\"noopener\">Otama-shimai<\/a>.<\/p>\n<p>\u2022 At Discogs: <a href=\"https:\/\/www.discogs.com\/digs\/music\/essential-japanese-ambient\/\" target=\"_blank\" rel=\"noopener\">James Balmont<\/a> explores Japan\u2019s ambient boom of the \u201980s and \u201990s.<\/p>\n<p>\u2022 Mix of the week: A mix for <em>The Wire<\/em> by <a href=\"https:\/\/www.thewire.co.uk\/audio\/tracks\/wire-mix-sakina-abdou\" target=\"_blank\" rel=\"noopener\">Sakina Abdou<\/a>.<\/p>\n<p>\u2022 RIP <a href=\"https:\/\/www.msn.com\/en-us\/society-culture-and-history\/pop-culture\/behind-those-dark-glasses-and-unsmiling-visage-he-presented-an-inscrutable-presence-soft-machine-s-mike-ratledge-remembered\/ar-AA1yAges\" target=\"_blank\" rel=\"noopener\">Mike Ratledge<\/a>, co-founder of Soft Machine.<\/p>\n<p>\u2022 New music: <a href=\"https:\/\/driftworks.bandcamp.com\/album\/signals-and-codes\" target=\"_blank\" rel=\"noopener\"><em>Signals And Codes<\/em><\/a> by Andrew Heath.<\/p>\n<p>\u2022 At Dennis Cooper&#8217;s it&#8217;s <a href=\"https:\/\/denniscooperblog.com\/les-blanks-day\/\" target=\"_blank\" rel=\"noopener\">Les Blank<\/a>\u2019s Day.<\/p>\n<p>\u2022 <a href=\"https:\/\/www.youtube.com\/watch?v=PJY-EkE5csU\" target=\"_blank\" rel=\"noopener\"><em>Signaux Codes Non Identifi\u00e9s<\/em><\/a> (1978) by Michel Magne | <a href=\"https:\/\/www.youtube.com\/watch?v=c1ZVO63s8iE\" target=\"_blank\" rel=\"noopener\"><em>Code Rays (Codex Dub)<\/em><\/a> (1995) by Main | <a href=\"https:\/\/www.youtube.com\/watch?v=5s0pXxtO62Q\" target=\"_blank\" rel=\"noopener\"><em>Silent Code<\/em><\/a> (1999) by Robert Musso<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Bruxelles 1958 Exposition Universelle (1958) by Leo Marfut. \u2022 &#8220;In a moment when our collective memory is being systematically eradicated, archiving reemerges as a strong form of resistance, a way of preserving crucial, subversive, and marginalized forms of expression. We encourage you to do the same.&#8221; Welcome back, Ubuweb. \u2022 A catalogue of lots at &hellip; <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2025\/02\/08\/weekend-links-764\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;Weekend links 764&#8221;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"New blog post: Weekend links 764","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[2,4,29,7,5,3,12,13],"tags":[13840,13837,10609,13836,4374,2926,13841,7946,13838,11170,13839,3633,119],"class_list":["post-27860","post","type-post","status-publish","format-standard","hentry","category-art","category-design","category-electronica","category-film","category-gay","category-music","category-photography","category-science","tag-andrew-heath","tag-george-baxter","tag-james-balmont","tag-leo-marfut","tag-les-blank","tag-main-group","tag-michel-magne","tag-mike-ratledge","tag-otama-shimai","tag-robert-musso","tag-sakina-abdou","tag-soft-machine","tag-ubuweb"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-7fm","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/27860","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=27860"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/27860\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=27860"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=27860"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=27860"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}