{"id":27792,"date":"2025-01-15T16:30:13","date_gmt":"2025-01-15T16:30:13","guid":{"rendered":"https:\/\/www.johncoulthart.com\/feuilleton\/?p=27792"},"modified":"2025-01-15T16:34:36","modified_gmt":"2025-01-15T16:34:36","slug":"robert-anning-bells-poems-by-percy-bysshe-shelley","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2025\/01\/15\/robert-anning-bells-poems-by-percy-bysshe-shelley\/","title":{"rendered":"Robert Anning Bell&#8217;s Poems by Percy Bysshe Shelley"},"content":{"rendered":"<p><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2025\/01\/bell01.jpg\" alt=\"bell01.jpg\" \/><\/p>\n<p>This poetry collection was drawn to my attention a couple of weeks ago when Mr TjZ sent an email containing photos of a copy he&#8217;d recently discovered. <a href=\"https:\/\/archive.org\/details\/poemsshelley00shelrich\/page\/n7\/mode\/2up\" target=\"_blank\" rel=\"noopener\"><em>Poems by Percy Bysshe Shelley<\/em><\/a> was published by George Bell and Sons in 1902. The samples shown here are from a 1907 reprint, a &#8220;cheaper reissue&#8221; according to the print details which may explain why there&#8217;s so much print-through on the obverse side of the illustrated pages. I like Shelley&#8217;s poetry, and I like Robert Anning Bell&#8217;s illustrations; the pair work well together in this volume which looking back I see posted a link to years ago when writing about Bell&#8217;s illustrated edition of <em>The Tempest<\/em>.<\/p>\n<p><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2025\/01\/bell02.jpg\" alt=\"bell02.jpg\" \/><\/p>\n<p>The Shelley book may be a cheap reissue but several of the major poems still use red ink to highlight titles or illustrative details. The collection contains a number of Shelley&#8217;s longer works, opening with <em>Alastor, or the Spirit of Solitude<\/em>, a poem that always makes me think of Aleister Crowley. John Symonds in <em>The Great Beast<\/em> relates that Shelley was one of Crowley&#8217;s favourite poets, and that Crowley often identified himself in a pompously romantic fashion with Alastor, even though for most of his life the Beast was seldom without an attendant &#8220;Scarlet Woman&#8221; or a company of acolytes. Symonds nevertheless refers to Crowley as &#8220;Alastor&#8221; throughout his biography.<\/p>\n<p><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2025\/01\/bell03.jpg\" alt=\"bell03.jpg\" \/><\/p>\n<p><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2025\/01\/bell04.jpg\" alt=\"bell04.jpg\" \/><\/p>\n<p><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2025\/01\/bell05.jpg\" alt=\"bell05.jpg\" \/><\/p>\n<p><!--more--><\/p>\n<p><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2025\/01\/bell06.jpg\" alt=\"bell06.jpg\" \/><\/p>\n<p><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2025\/01\/bell07.jpg\" alt=\"bell07.jpg\" \/><\/p>\n<p><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2025\/01\/bell08.jpg\" alt=\"bell08.jpg\" \/><\/p>\n<p><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2025\/01\/bell09.jpg\" alt=\"bell09.jpg\" \/><\/p>\n<p><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2025\/01\/bell10.jpg\" alt=\"bell10.jpg\" \/><\/p>\n<p><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2025\/01\/bell11.jpg\" alt=\"bell11.jpg\" \/><\/p>\n<p><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2025\/01\/bell12.jpg\" alt=\"bell12.jpg\" \/><\/p>\n<p><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2025\/01\/bell13.jpg\" alt=\"bell13.jpg\" \/><\/p>\n<p><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2025\/01\/bell14.jpg\" alt=\"bell14.jpg\" \/><\/p>\n<p><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2025\/01\/bell15.jpg\" alt=\"bell15.jpg\" \/><\/p>\n<p><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2025\/01\/bell16.jpg\" alt=\"bell16.jpg\" \/><\/p>\n<p><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2025\/01\/bell17.jpg\" alt=\"bell17.jpg\" \/><\/p>\n<p><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2025\/01\/bell18.jpg\" alt=\"bell18.jpg\" \/><\/p>\n<p><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2025\/01\/bell19.jpg\" alt=\"bell19.jpg\" \/><\/p>\n<p><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2025\/01\/bell20.jpg\" alt=\"bell20.jpg\" \/><\/p>\n<p><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2025\/01\/bell21.jpg\" alt=\"bell21.jpg\" \/><\/p>\n<p><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2025\/01\/bell22.jpg\" alt=\"bell22.jpg\" \/><\/p>\n<p><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2025\/01\/bell23.jpg\" alt=\"bell23.jpg\" \/><\/p>\n<p><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2025\/01\/bell24.jpg\" alt=\"bell24.jpg\" \/><\/p>\n<p><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2025\/01\/bell25.jpg\" alt=\"bell25.jpg\" \/><\/p>\n<p>Elsewhere on { feuilleton }<br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/themed-archive-pages\/the-illustrators-archive\/\">The illustrators archive<\/a><\/p>\n<p>Previously on { feuilleton }<br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2013\/12\/14\/aleister-crowley-wandering-the-waste\/\">Aleister Crowley: Wandering The Waste<\/a><br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2011\/04\/20\/robert-anning-bells-herodias\/\">Robert Anning Bell\u2019s Herodias<\/a><br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2010\/10\/07\/the-tempest-illustrated\/\">The Tempest illustrated<\/a><br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2010\/08\/17\/book-plates-of-to-day\/\">Book-plates of To-day<\/a><br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2010\/03\/29\/robert-anning-bells-tempest\/\">Robert Anning Bell\u2019s Tempest<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>This poetry collection was drawn to my attention a couple of weeks ago when Mr TjZ sent an email containing photos of a copy he&#8217;d recently discovered. Poems by Percy Bysshe Shelley was published by George Bell and Sons in 1902. The samples shown here are from a 1907 reprint, a &#8220;cheaper reissue&#8221; according to &hellip; <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2025\/01\/15\/robert-anning-bells-poems-by-percy-bysshe-shelley\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;Robert Anning Bell&#8217;s Poems by Percy Bysshe Shelley&#8221;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"New blog post: Robert Anning Bell's Poems by Percy Bysshe Shelley","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2},"jetpack_post_was_ever_published":false},"categories":[2,42,48],"tags":[391,2216,7308,1140],"class_list":["post-27792","post","type-post","status-publish","format-standard","hentry","category-art","category-books","category-illustrators","tag-aleister-crowley","tag-john-symonds","tag-percy-bysshe-shelley","tag-robert-anning-bell"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-7eg","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/27792","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=27792"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/27792\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=27792"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=27792"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=27792"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}