{"id":27751,"date":"2025-01-01T16:30:35","date_gmt":"2025-01-01T16:30:35","guid":{"rendered":"https:\/\/www.johncoulthart.com\/feuilleton\/?p=27751"},"modified":"2025-01-01T14:36:40","modified_gmt":"2025-01-01T14:36:40","slug":"02025","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2025\/01\/01\/02025\/","title":{"rendered":"02025"},"content":{"rendered":"<p><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2025\/01\/1925-05.jpg\" alt=\"1925-05.jpg\" \/><\/p>\n<p><em>Dance of Flames (1925) by Hayami Gyoshu.<\/em><\/p>\n<p>Happy new year. 02025? <a href=\"https:\/\/longnow.org\/about\/\" target=\"_blank\" rel=\"noopener\">Read this<\/a>.<\/p>\n<p><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2025\/01\/1925-02.jpg\" alt=\"1925-02.jpg\" \/><\/p>\n<p><em>Oben und Links (1925) by Wassily Kandinsky.<\/em><\/p>\n<p><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2025\/01\/1925-03.jpg\" alt=\"1925-03.jpg\" \/><\/p>\n<p><em>Aus Torbole (1925) by Stephanie Hollenstein.<\/em><\/p>\n<p><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2025\/01\/1925-04.jpg\" alt=\"1925-04.jpg\" \/><\/p>\n<p><em>Coronilla (1925) by Paul Nash.<\/em><\/p>\n<p><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2025\/01\/1925-06.jpg\" alt=\"1925-06.jpg\" \/><\/p>\n<p><em>Demonstration (1925) by Franz Wilhelm Seiwert.<\/em><\/p>\n<p><!--more--><\/p>\n<p><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2025\/01\/1925-07.jpg\" alt=\"1925-07.jpg\" \/><\/p>\n<p><em>Dance of the Seven Veils (1925) by Gaston Bussi\u00e8re.<\/em><\/p>\n<p><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2025\/01\/1925-08.jpg\" alt=\"1925-08.jpg\" \/><\/p>\n<p><em>Horizon, Zenith and Atmosphere (1925) by Paul Klee.<\/em><\/p>\n<p><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2025\/01\/1925-09.jpg\" alt=\"1925-09.jpg\" \/><\/p>\n<p><em>Begegnung (1925) by Heinrich Hoerle.<\/em><\/p>\n<p><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2025\/01\/1925-10.jpg\" alt=\"1925-10.jpg\" \/><\/p>\n<p><em>Sultana (1925) by Henry Clive.<\/em><\/p>\n<p><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2025\/01\/1925-11.jpg\" alt=\"1925-11.jpg\" \/><\/p>\n<p><em>Stadt im Winter (1925) by Hermann Bahner.<\/em><\/p>\n<p><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2025\/01\/1925-12.jpg\" alt=\"1925-12.jpg\" \/><\/p>\n<p><em>Percival (1925) by Irma Duczynska.<\/em><\/p>\n<p><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2025\/01\/1925-13.jpg\" alt=\"1925-13.jpg\" \/><\/p>\n<p><em>La guitare devant la mer (1925) by Juan Gris.<\/em><\/p>\n<p><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2025\/01\/1925-15.jpg\" alt=\"1925-15.jpg\" \/><\/p>\n<p><em>Counter-composition XV (1925) by Theo van Doesburg.<\/em><\/p>\n<p><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2025\/01\/1925-01.jpg\" alt=\"1925-01.jpg\" \/><\/p>\n<p><em>Ritratto di Wally Toscanini (1925) by Alberto Martini.<\/em><\/p>\n<p><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2025\/01\/1925-14.jpg\" alt=\"1925-14.jpg\" \/><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Dance of Flames (1925) by Hayami Gyoshu. Happy new year. 02025? Read this. Oben und Links (1925) by Wassily Kandinsky. Aus Torbole (1925) by Stephanie Hollenstein. Coronilla (1925) by Paul Nash. Demonstration (1925) by Franz Wilhelm Seiwert.<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"New blog post: 02025","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2},"jetpack_post_was_ever_published":false},"categories":[2,7,22,44],"tags":[1892,13794,13795,13793,13796,13797,13798,13799,5584,5028,13261,13792,9286,6225],"class_list":["post-27751","post","type-post","status-publish","format-standard","hentry","category-art","category-film","category-horror","category-painting","tag-alberto-martini","tag-franz-wilhelm-seiwert","tag-gaston-bussiere","tag-hayami-gyoshu","tag-heinrich-hoerle","tag-henry-clive","tag-hermann-bahner","tag-irma-duczynska","tag-juan-gris","tag-paul-klee","tag-paul-nash","tag-stephanie-hollenstein","tag-theo-van-doesburg","tag-wassily-kandinsky"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/sq7rV-02025","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/27751","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=27751"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/27751\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=27751"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=27751"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=27751"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}