{"id":2773,"date":"2008-01-22T02:28:38","date_gmt":"2008-01-22T02:28:38","guid":{"rendered":"http:\/\/www.johncoulthart.com\/feuilleton\/?p=2773"},"modified":"2013-07-12T02:00:58","modified_gmt":"2013-07-12T01:00:58","slug":"design-as-virus-2-album-covers","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2008\/01\/22\/design-as-virus-2-album-covers\/","title":{"rendered":"Design as virus 2: album covers"},"content":{"rendered":"<p><img decoding=\"async\" alt=\"mcgriff.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2008\/01\/mcgriff.jpg\" \/><\/p>\n<p><em>Electric Funk by Jimmy McGriff (1969). <\/em><\/p>\n<p>Okay, so the graphical similarity between Jimmy McGriff&#8217;s album sleeve and <a href=\"http:\/\/www.brytermusic.com\/\" target=\"_blank\">Nick Drake<\/a>&#8216;s, which appeared a year later, is probably coincidence but I couldn&#8217;t help noting it. <a href=\"http:\/\/www.amazon.com\/Electric-Funk-Jimmy-McGriff\/dp\/B000005HDD\" target=\"_blank\"><em>Electric Funk<\/em><\/a> was released on the Blue Note Records label which was highly regarded for its sleeve design so it wouldn&#8217;t be too surprising if someone at Island Records had seen it.<\/p>\n<p><img decoding=\"async\" alt=\"drake.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2008\/01\/drake.jpg\" \/><\/p>\n<p><em>Bryter Later by Nick Drake (1970). <\/em><\/p>\n<p>The album below by Japanese band <a href=\"http:\/\/homepage1.nifty.com\/boris\/\" target=\"_blank\">Boris<\/a> <em>is<\/em> a copy of Nick Drake&#8217;s, of course, a pastiche technique they&#8217;ve adopted for a couple of their other releases. The Japanese seem to be especially fond of this approach, Kawabata Makoto and <a href=\"http:\/\/www.acidmothers.com\/\" target=\"_blank\">Acid Mothers Temple<\/a> (also below) having released many CDs which work playful riffs on western rock history.<\/p>\n<p><img decoding=\"async\" alt=\"boris.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2008\/01\/boris.jpg\" \/><\/p>\n<p><em>Akuma No Uta by Boris (2003). <\/em><\/p>\n<p><img decoding=\"async\" alt=\"hot_rats.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2008\/01\/hot_rats.jpg\" \/><\/p>\n<p><em>Hot Rats by Frank Zappa (1969); Hot Rattlesnakes by Kawabata Makoto and the Mothers of Invasion (2001). <\/em><\/p>\n<p>Elsewhere on { feuilleton }<br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/the-album-covers-archive\/\">The album covers archive<\/a><\/p>\n<p>Previously on { feuilleton }<br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2007\/07\/19\/design-as-virus-victorian-borders\/\">Design as virus 1: Victorian borders<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Electric Funk by Jimmy McGriff (1969). Okay, so the graphical similarity between Jimmy McGriff&#8217;s album sleeve and Nick Drake&#8216;s, which appeared a year later, is probably coincidence but I couldn&#8217;t help noting it. Electric Funk was released on the Blue Note Records label which was highly regarded for its sleeve design so it wouldn&#8217;t be &hellip; <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2008\/01\/22\/design-as-virus-2-album-covers\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;Design as virus 2: album covers&#8221;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[4,3],"tags":[1474,86,909,1944,3038,149,1057],"class_list":["post-2773","post","type-post","status-publish","format-standard","hentry","category-design","category-music","tag-acid-mothers-temple","tag-barney-bubbles","tag-bob-pepper","tag-charles-mingus","tag-frank-zappa","tag-neville-brody","tag-nick-drake"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-IJ","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/2773","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=2773"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/2773\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=2773"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=2773"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=2773"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}