![\"picasso.jpg\"](\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2024\/11\/picasso.jpg\")
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The Remains of Minotaur in a Harlequin Costume (1936) by Pablo Picasso. Via<\/a>.<\/em><\/p>\n \u2022 At Rarefilmm: Long Live the New Flesh: The Films of David Cronenberg<\/em><\/a>, a TV documentary from 1987 which includes contributions from Martin Scorsese and Stephen King. I wrote about this one years ago<\/a> but at the time the only available copy was chopped into 10-minute segments.<\/p>\n \u2022 Coming soon from Strange Attractor: Delinquent Elementals: A Pagan News Anthology<\/em><\/a>, edited by Phil Hine & Rodney Orpheus.<\/p>\n \u2022 At Wormwoodiana: Mark Valentine<\/a> explores the possible influence of the Sherlock Holmes stories on Arthur Machen’s early fiction.<\/p>\n Perhaps there was a Super-Sargasso Sea in the upper atmosphere into which were carried objects from earth\u2014frogs, fish, leaves\u2014and from which they later rained. Perhaps the universe was a living thing, rains of blood its bleeding. Perhaps in 1903 the earth, in its orbit about the sun, passed through the remains of a world destroyed in an interplanetary dispute, the particles falling as rains of dust and redness. Perhaps humanity was controlled. \u201cI think we\u2019re property\u201d, Fort wrote. Or, perhaps not; so skeptical he could not accept even his own authority, he had given up theorizing. \u201cWe have expressions: we don\u2019t call them explanations: we\u2019ve discarded explanations with beliefs.\u201d<\/p>\n Joshua Blu Buhs<\/a> on how Charles Fort came to write The Book of the Damned<\/em><\/p><\/blockquote>\n \u2022 More Alan Moore<\/a>: “Magic is not this big, spooky, dark thing that\u2019s full of nightmares,” he tells S\u00e9amas O’Reilly at the Irish Times<\/em>.<\/p>\n \u2022 High-resolution images of 14,000 woodblock illustrations and letterforms<\/a> free to use at the Plantin-Moretus Museum, Antwerp.<\/p>\n \u2022 New music: Music For Bus Stations<\/em><\/a> by Rod Modell; and Between Soil And Sky<\/em><\/a> by Tarotplane.<\/p>\n \u2022 At Dennis Cooper’s: Spotlight on…Denton Welch In Youth is Pleasure<\/em> (1945).<\/a><\/p>\n \u2022 At the Quietus: The Strange World of…Irena and Vojtech Havlovi<\/a>.<\/p>\n \u2022 Apollo Explorer<\/a><\/p>\n \u2022 Pagan Love Song<\/em><\/a> (1959) by Martin Denny | Pagan Lovesong (Vibeakimbo)<\/em><\/a> (1982) by Virgin Prunes | Pagan Sun Temple<\/em><\/a> (2022) by Hawksmoor<\/p>\n","protected":false},"excerpt":{"rendered":" The Remains of Minotaur in a Harlequin Costume (1936) by Pablo Picasso. Via. \u2022 At Rarefilmm: Long Live the New Flesh: The Films of David Cronenberg, a TV documentary from 1987 which includes contributions from Martin Scorsese and Stephen King. I wrote about this one years ago but at the time the only available copy … Continue reading “Weekend links 754”<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"New blog post: Weekend links 754","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[2,42,29,7,22,3,16,44,13,19],"tags":[103,197,11817,2207,3886,12897,13756,13753,2903,777,409,6227,2997,13755,13752,13754,974,668,8020,5406,13757],"class_list":["post-27657","post","type-post","status-publish","format-standard","hentry","category-art","category-books","category-electronica","category-film","category-horror","category-music","category-occult","category-painting","category-science","category-television","tag-alan-moore","tag-arthur-machen","tag-charles-fort","tag-david-cronenberg","tag-denton-welch","tag-hawksmoor-musician","tag-irena-havlovi","tag-joshua-blu-buhs","tag-mark-valentine","tag-martin-denny","tag-martin-scorsese","tag-pablo-picasso","tag-phil-hine","tag-rod-modell","tag-rodney-orpheus","tag-seamas-oreilly","tag-sherlock-holmes","tag-stephen-king","tag-tarotplane","tag-virgin-prunes","tag-vojtech-havlovi"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-7c5","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/27657","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=27657"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/27657\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=27657"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=27657"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=27657"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}