{"id":27646,"date":"2024-11-27T16:30:00","date_gmt":"2024-11-27T16:30:00","guid":{"rendered":"https:\/\/www.johncoulthart.com\/feuilleton\/?p=27646"},"modified":"2024-11-27T16:15:31","modified_gmt":"2024-11-27T16:15:31","slug":"richard-m-powers-album-covers","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2024\/11\/27\/richard-m-powers-album-covers\/","title":{"rendered":"Richard M. Powers album covers"},"content":{"rendered":"<p><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2024\/11\/powers10.jpg\" alt=\"powers10.jpg\" \/><\/p>\n<p><em>Berlioz: Symphonie Fantastique (1958); Charles Munch, Boston Symphony Orchestra.<\/em><\/p>\n<p>Continuing an occasional series about artists or designers whose work has appeared on record sleeves. Richard M. Powers is one of those illustrators whose work is remembered today for his many covers for SF books and magazines even though his commissions often took him away from the genre. Powers&#8217; early paintings for record companies use the wiry illustration style that was popular during the 1950s, few of them resemble the X-ray views or amorphous, Tanguy-like forms that populate his cosmic vistas and alien worlds. The cover for <em>Symphonie Fantastique<\/em> is an exception, justified by the suite&#8217;s narrative thread which involves visions seen in an opium dream.<\/p>\n<p>Powers is also unique, I think, in having an entire album of music dedicated to his SF covers, <em>Powers (12 Sound Pieces Inspired By The Art Of Richard M. Powers)<\/em> by Andy Partridge. This album doesn&#8217;t feature any of Powers&#8217; own artwork but the illustrations are done in his style so the cover has been included in this list.<\/p>\n<p><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2024\/11\/powers01.jpg\" alt=\"powers01.jpg\" \/><\/p>\n<p><em>Mendelssohn: Symphony No. 3 in A Minor \u201cThe Scotch\u201d (1955); Music Appreciation Symphony Orchestra.<\/em><\/p>\n<p><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2024\/11\/powers02.jpg\" alt=\"powers02.jpg\" \/><\/p>\n<p><em>Tchaikovsky: Symphony No.6 In B Minor, Op.74 &#8211; Path\u00e9tique (1956); Leonard Bernstein, Music Appreciation Symphony Orchestra, The Stadium Concerts Symphony Orchestra.<\/em><\/p>\n<p><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2024\/11\/powers03.jpg\" alt=\"powers03.jpg\" \/><\/p>\n<p><em>Verdi: Rigoletto (1956); The Metropolitan Opera Orchestra And Chorus conducted by Fausto Cleva, Robert McFerrin, Sr.<\/em><\/p>\n<p><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2024\/11\/powers04.jpg\" alt=\"powers04.jpg\" \/><\/p>\n<p><em>Johann Strauss: Die Fledermaus (1956); Tibor Kozma, The Metropolitan Opera Orchestra And Chorus.<\/em><\/p>\n<p><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2024\/11\/powers05.jpg\" alt=\"powers05.jpg\" \/><\/p>\n<p><em>Mozart: The Marriage Of Figaro (Highlights) (1956); Vienna Philharmonic Orchestra, Erich Leinsdorf, Giorgio Tozzi, Roberta Peters, Lisa Della Casa, George London, Rosalind Elias.<\/em><\/p>\n<p><!--more--><\/p>\n<p><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2024\/11\/powers06.jpg\" alt=\"powers06.jpg\" \/><\/p>\n<p><em>Puccini: Tosca (1957); Dorothy Kirsten, Daniele Barioni, Frank Guarrera, Dimitri Mitropoulos, The Metropolitan Opera Orchestra And Chorus.<\/em><\/p>\n<p><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2024\/11\/powers07.jpg\" alt=\"powers07.jpg\" \/><\/p>\n<p><em>Verdi: Il Trovatore (1957): Mary Curtis-Verna, Kurt Baum, Rosalind Elias, Frank Guarrera, Norman Scott, Helen Vanni, James McCracken, The Metropolitan Opera Orchestra And Chorus Conducted by Max Rudolf.<\/em><\/p>\n<p><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2024\/11\/powers08.jpg\" alt=\"powers08.jpg\" \/><\/p>\n<p><em>Bach: The Brandenburg Concertos No. 4 in G Major, No. 5 in D Major, Number 6 in B Flat (1957); The Little Orchestra Society, Thomas Scherman.<\/em><\/p>\n<p><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2024\/11\/powers09.jpg\" alt=\"powers09.jpg\" \/><\/p>\n<p><em>Beethoven \/ Leclair \/ Khachaturian: Kreutzer Sonata \/ Sonata In D Major \/ Chanson Po\u00e8me \/ Dance In B Flat Major (1957); David Oistrakh.<\/em><\/p>\n<p><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2024\/11\/powers11.jpg\" alt=\"powers11.jpg\" \/><\/p>\n<p><em>Umberto Giordano: Andrea Ch\u00e9nier (1958); Mary Curtis-Verna, Richard Tucker, Mario Sereni, Rosalind Elias, Fausto Cleva.<\/em><\/p>\n<p><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2024\/11\/powers12.jpg\" alt=\"powers12.jpg\" \/><\/p>\n<p><em>Pagan Festival (An Exotic Love Ritual For Orchestra) (1959) by Dominic Frontiere And His Orchestra.<\/em><\/p>\n<p><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2024\/11\/powers13.jpg\" alt=\"powers13.jpg\" \/><\/p>\n<p><em>Mozart: Don Giovanni (1960); Erich Leinsdorf, Vienna Philharmonic Orchestra.<\/em><\/p>\n<p><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2024\/11\/powers14.jpg\" alt=\"powers14.jpg\" \/><\/p>\n<p><em>An Album Of Swing Classics (1967) by Benny Goodman.<\/em><\/p>\n<p><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2024\/11\/powers15.jpg\" alt=\"powers15.jpg\" \/><\/p>\n<p><em>Is It&#8230; Man Or Astro-Man? (1993) by Man Or Astro-Man?<\/em><\/p>\n<p><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2024\/11\/powers16.jpg\" alt=\"powers16.jpg\" \/><\/p>\n<p><em>Postphonic Star Exploration (1995) by Man Or Astro-Man?<\/em><\/p>\n<p><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2024\/11\/powers17.jpg\" alt=\"powers17.jpg\" \/><\/p>\n<p><em>Togetherness (Control Songs, Vol. 2) (1999) by David Garland.<\/em><\/p>\n<p><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2024\/11\/powers18.jpg\" alt=\"powers18.jpg\" \/><\/p>\n<p><em>I Just Want It To Be Easy (2002) by Mexican Power Authority.<\/em><\/p>\n<p><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2024\/11\/powers19.jpg\" alt=\"powers19.jpg\" \/><\/p>\n<p><em>Afar (2013) by Frank Kimbrough \/ Scott Robinson.<\/em><\/p>\n<p><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2024\/11\/powers20.jpg\" alt=\"powers20.jpg\" \/><\/p>\n<p><em>Zeta Reticuli Blues (2014) by Lecherous Gaze.<\/em><\/p>\n<p><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2024\/11\/powers21.jpg\" alt=\"powers21.jpg\" \/><\/p>\n<p><em>Mozart: The Magic Flute (Abridged (1960); Tibor Kozma Conducting Metropolitan Opera Orchestra And Chorus.<\/em><\/p>\n<p><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2024\/11\/powers22.jpg\" alt=\"powers22.jpg\" \/><\/p>\n<p><em>Bizet: Carmen (no date); Rosalind Elias, Kurt Baum, Lucine Amara, Walter Cassel, Heidi Krall, Margaret Roggero, Clifford Harvout, George Cehanovsky, Paul Franke, Max Rudolf.<\/em><\/p>\n<p><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2024\/11\/powers23.jpg\" alt=\"powers23.jpg\" \/><\/p>\n<p><em>The Strauss Dynasty: Vienna Dances (no date): Anton Paulik Conducts Orchester Der Wiener Staatsoper.<\/em><\/p>\n<p><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2024\/11\/powers24.jpg\" alt=\"powers24.jpg\" \/><\/p>\n<p><em>Powers (12 Sound Pieces Inspired By The Art Of Richard M. Powers) (2017) by A.J. Partridge. Cover art by Andy Partridge.<br \/>\n<\/em><\/p>\n<p>Elsewhere on { feuilleton }<br \/>\n\u2022 <a>The album covers archive<\/a><\/p>\n<p>Previously on { feuilleton }<br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2021\/10\/18\/covers-for-beyond-fantasy-fiction\/\">Covers for Beyond Fantasy Fiction<\/a><br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2020\/08\/11\/august-heat\/\">August Heat<\/a><br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2019\/08\/29\/picturing-vermilion-sands\/\">Picturing Vermilion Sands<\/a><br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2016\/11\/24\/things\/\">Things<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Berlioz: Symphonie Fantastique (1958); Charles Munch, Boston Symphony Orchestra. Continuing an occasional series about artists or designers whose work has appeared on record sleeves. Richard M. Powers is one of those illustrators whose work is remembered today for his many covers for SF books and magazines even though his commissions often took him away from &hellip; <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2024\/11\/27\/richard-m-powers-album-covers\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;Richard M. Powers album covers&#8221;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"New blog post: Richard M. Powers album covers","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[2,4,48,3,44,20],"tags":[1145,2559],"class_list":["post-27646","post","type-post","status-publish","format-standard","hentry","category-art","category-design","category-illustrators","category-music","category-painting","category-science-fiction","tag-andy-partridge","tag-richard-powers"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-7bU","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/27646","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=27646"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/27646\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=27646"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=27646"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=27646"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}