{"id":27567,"date":"2024-11-09T19:00:26","date_gmt":"2024-11-09T19:00:26","guid":{"rendered":"https:\/\/www.johncoulthart.com\/feuilleton\/?p=27567"},"modified":"2025-12-06T15:50:15","modified_gmt":"2025-12-06T15:50:15","slug":"weekend-links-751","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2024\/11\/09\/weekend-links-751\/","title":{"rendered":"Weekend links 751"},"content":{"rendered":"

\"delville.jpg\"<\/a><\/p>\n

The Treasures of Satan (1895) by Jean Delville.<\/em><\/p>\n

\u2022 Among the new titles at Standard Ebooks, the home of free, high-quality, public-domain texts: L\u00e0-Bas<\/em><\/a>, the celebrated account of Satanism in fin-de-si\u00e8cle<\/em> France by Joris-Karl Huysmans.<\/p>\n

\u2022 New music: Chronicle<\/em><\/a> by Arc, and The Invisible Road: Original Recordings, 1985\u20131990<\/em><\/a> by Sussan Deyhim & Richard Horowitz (linked here before but that was for the pre-release).<\/p>\n

\u2022 Fabulous Animals<\/em><\/a> (1975), a six-part British TV series about cryptozoology presented by David Attenborough (!).<\/p>\n

\u2022 At Colossal: “Colour and repetition form optical rhythms in Daniel Mullen\u2019s geometric paintings<\/a>“.<\/p>\n

\u2022 At Public Domain Review: Anton Seder\u2019s The Animal in Decorative Art<\/em><\/a> (1896) turns up again.<\/p>\n

\u2022 Unseen scenes from Sergei Parajanov’s The Colour of Pomegranates<\/em><\/a>.<\/p>\n

\u2022 Steven Heller’s font of the month is Roadhouse<\/a>.<\/p>\n

\u2022 Fanzine covers selected by DJ Food<\/a>.<\/p>\n

\u2022 Mark Webber’s favourite records<\/a>.<\/p>\n

\u2022 Satan Side<\/em><\/a> (1972) by Keith Hudson | Satan Is Boring<\/em><\/a> (1986) by Sonic Youth | Sataan Is Real<\/em><\/a> (1991) by Terminal Cheesecake<\/p>\n","protected":false},"excerpt":{"rendered":"

The Treasures of Satan (1895) by Jean Delville. \u2022 Among the new titles at Standard Ebooks, the home of free, high-quality, public-domain texts: L\u00e0-Bas, the celebrated account of Satanism in fin-de-si\u00e8cle France by Joris-Karl Huysmans. \u2022 New music: Chronicle by Arc, and The Invisible Road: Original Recordings, 1985\u20131990 by Sussan Deyhim & Richard Horowitz (linked … Continue reading “Weekend links 751”<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[2,42,29,21,7,3,16,44,45,19,10],"tags":[11763,14317,13718,5961,644,2030,13720,13719,1640,400,7586,1639,8408],"class_list":["post-27567","post","type-post","status-publish","format-standard","hentry","category-art","category-books","category-electronica","category-fantasy","category-film","category-music","category-occult","category-painting","category-symbolists","category-television","category-typography","tag-anton-seder","tag-arc-group","tag-daniel-mullen","tag-david-attenborough","tag-jean-delville","tag-joris-karl-huysmans","tag-keith-hudson","tag-mark-webber","tag-richard-horowitz","tag-sergei-parajanov","tag-sonic-youth","tag-sussan-deyhim","tag-terminal-cheesecake"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-7aD","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/27567","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=27567"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/27567\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=27567"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=27567"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=27567"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}