{"id":27474,"date":"2024-10-26T19:00:39","date_gmt":"2024-10-26T18:00:39","guid":{"rendered":"https:\/\/www.johncoulthart.com\/feuilleton\/?p=27474"},"modified":"2024-10-26T18:53:00","modified_gmt":"2024-10-26T17:53:00","slug":"weekend-links-749","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2024\/10\/26\/weekend-links-749\/","title":{"rendered":"Weekend links 749"},"content":{"rendered":"<p><a href=\"https:\/\/commons.wikimedia.org\/wiki\/File:Fantastic_Sea_Carriage_MET_DP822114.jpg\" target=\"_blank\" rel=\"noopener\"><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2024\/10\/carriage.jpg\" alt=\"carriage.jpg\" \/><\/a><\/p>\n<p><em>Fantastic Sea Carriage (1556) by Johannes van Doetecum the Elder &amp; Lucas van Doetecum, after Cornelis Floris the Younger.<\/em><\/p>\n<p>\u2022 &#8220;Preiss and McElheny have acknowledged the influence of Jorge Luis Borges\u2019s short story &#8216;The Library of Babel&#8217; (1941), which offers a brilliant, brain-scratching disquisition on bibliotecas as conduits both of infinity and meaninglessness. I also found myself thinking of Arthur Fournier, in D. W. Young\u2019s documentary <em>The Booksellers<\/em> (2019), who spoke of &#8216;the psychic dreaming that paper allows.'&#8221; <a href=\"https:\/\/4columns.org\/sandhu-sukhdev\/the-secret-world\" target=\"_blank\" rel=\"noopener\">Sukhdev Sandhu<\/a> on <em>The Secret World<\/em>, a film by Jeff Preiss and Josiah McElheny about the books collected by Christine Burgin.<\/p>\n<p>\u2022 Most people know Burt Shonberg&#8217;s paintings\u2014if they know them at all\u2014from their appearance in <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2013\/04\/13\/burt-shonbergs-poe-paintings\/\">Roger Corman&#8217;s Edgar Allan Poe films<\/a>. But Shonberg had a career outside the cinema, something explored in <a href=\"https:\/\/www.prs.org\/momentary-blasts-of-unexpected-light-the-visionary-art-of-burt-shonberg.html\" target=\"_blank\" rel=\"noopener\"><em>Momentary Blasts of Unexpected Light: The Visionary Art of Burt Shonberg<\/em><\/a>, an exhibition currently running at the The Philosophical Research Society in Los Angeles.<\/p>\n<p>\u2022 <a href=\"https:\/\/www.youtube.com\/watch?v=-zko19HFAIg\" target=\"_blank\" rel=\"noopener\"><em>Warriors<\/em><\/a> (1996), an ad for Murphy&#8217;s Irish Stout directed by the Quay Brothers. Samurai warriors in an Irish pub scored to the theme from <em>Yojimbo<\/em>.<\/p>\n<blockquote><p>The Grand Jeu group have been neglected, at least in English-speaking history, from the general consciousness of \u201cSurrealism\u201d but they remain among its most interesting dissidents. The teenage <em>Simplistes<\/em>, led by [Ren\u00e9] Daumal and [Roger] Gilbert-Lecompte, collectively experimented with consciousness and investigated wildly syncretic modes of destroying and recombining selves: diverse hermetic and occult systems, extrasensory perception, trances and somnambulism, mediumistic practice and collective dreaming.<\/p>\n<p>[&#8230;]<\/p>\n<p>The Grand Jeu was a project of paradox: artistic and ascetic, indulgent and severe, political, and mystical, ecstatic and negating, egoistic and selfless, graceful and violent. It sought to continually weave between collectivity and individuality, of art and life, multiplicity and unity, fed by a brew of political radicalism, inspired by Rimbaud\u2019s germinal poetics of revolt and illumination, a utilitarian embrace of occult traditions and ideas, drug experimentation, Hindu sacred texts (Daumal would become an expert in Sanskrit) and some of Bergson\u2019s philosophy. They were, in their own words, \u201cserious players.\u201d It was a mad mix, and in retrospect, clearly doomed to a short life\u2014so, it turned out, were most its members.<\/p>\n<p><em><a href=\"https:\/\/3quarksdaily.com\/3quarksdaily\/2024\/10\/a-footnote-to-the-surrealism-centenary-le-grand-jeu.html\" target=\"_blank\" rel=\"noopener\">Gus Mitchell<\/a> on the &#8220;experimental metaphysics&#8221; of the Grand Jeu<\/em><\/p><\/blockquote>\n<p>\u2022 At Smithsonian magazine: <a href=\"https:\/\/www.smithsonianmag.com\/history\/discover-the-mysteries-of-italys-park-of-monsters-a-16th-century-garden-filled-with-strange-colossal-stone-creatures-180985318\/\" target=\"_blank\" rel=\"noopener\">Lanta Davis and Vince Reighard<\/a> on the sculpted monsters and <em>grotteschi<\/em> that fill the Sacro Bosco at Bomarzo, Italy.<\/p>\n<p>\u2022 At Bandcamp: <a href=\"https:\/\/daily.bandcamp.com\/lists\/halloween-music-album-guide\" target=\"_blank\" rel=\"noopener\">George Grella<\/a> compiles a list of &#8220;spooky sounds and spooky music, things to haunt nights and dreams&#8221;.<\/p>\n<p>\u2022 At Colossal: Kelli Anderson&#8217;s amazing pop-up book, <a href=\"https:\/\/www.thisiscolossal.com\/2024\/10\/kelli-anderson-alphabet-in-motion\/\" target=\"_blank\" rel=\"noopener\"><em>Alphabet in Motion: How Letters Get Their Shape<\/em><\/a>.<\/p>\n<p>\u2022 &#8220;The play that changed my life: <a href=\"https:\/\/www.theguardian.com\/stage\/2024\/oct\/22\/the-play-that-changed-my-life-illuminatus-jim-broadbent-ken-campbell\" target=\"_blank\" rel=\"noopener\">Jim Broadbent<\/a> on Ken Campbell\u2019s electrifying epic <em>Illuminatus!<\/em>&#8221;<\/p>\n<p>\u2022 DJ Food browses some of the many album covers designed by the versatile <a href=\"http:\/\/www.djfood.org\/robert-lockhart-designs\/\" target=\"_blank\" rel=\"noopener\">Robert Lockhart<\/a>.<\/p>\n<p>\u2022 <a href=\"https:\/\/www.nikonsmallworld.com\/galleries\/2024-photomicrography-competition\" target=\"_blank\" rel=\"noopener\">Winners of the 2024 Nikon Photomicrography Competition<\/a>.<\/p>\n<p>\u2022 Mix of the week: XLR8R Podcast 873 by <a href=\"https:\/\/xlr8r.com\/podcasts\/podcast-873-andy-graham\/\" target=\"_blank\" rel=\"noopener\">Andy Graham<\/a>.<\/p>\n<p>\u2022 The Strange World of&#8230;<a href=\"https:\/\/thequietus.com\/interviews\/strange-world-of\/lou-reed-top-10-solo-songs-guide-velvet-underground\/\" target=\"_blank\" rel=\"noopener\">Lou Reed<\/a>.<\/p>\n<p>\u2022 The <a href=\"https:\/\/archive.org\/\" target=\"_blank\" rel=\"noopener\">Internet Archive<\/a> is back!<\/p>\n<p>\u2022 <a href=\"https:\/\/jonhassell.bandcamp.com\/track\/warriors-2\" target=\"_blank\" rel=\"noopener\"><em>Warriors<\/em><\/a> (1990) by Jon Hassell | <a href=\"https:\/\/billlaswell.bandcamp.com\/track\/red-warrior\" target=\"_blank\" rel=\"noopener\"><em>Red Warrior<\/em><\/a> (1990) by Ronald Shannon Jackson | <a href=\"https:\/\/transglobalunderground.bandcamp.com\/track\/bhimpalasi-warriors\" target=\"_blank\" rel=\"noopener\"><em>Bhimpalasi Warriors<\/em><\/a> (2001) by Transglobal Underground<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Fantastic Sea Carriage (1556) by Johannes van Doetecum the Elder &amp; Lucas van Doetecum, after Cornelis Floris the Younger. \u2022 &#8220;Preiss and McElheny have acknowledged the influence of Jorge Luis Borges\u2019s short story &#8216;The Library of Babel&#8217; (1941), which offers a brilliant, brain-scratching disquisition on bibliotecas as conduits both of infinity and meaninglessness. I also &hellip; <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2024\/10\/26\/weekend-links-749\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;Weekend links 749&#8221;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[2,42,4,21,7,22,3,44,12,13,41,18,46,10],"tags":[13694,4692,13696,13687,93,13370,13692,1854,13695,2879,10239,212,687,7525,2283,13688,1302,13686,13026,13690,89,13693,5751,1890,13691,11657,4031,6024,13689],"class_list":["post-27474","post","type-post","status-publish","format-standard","hentry","category-art","category-books","category-design","category-fantasy","category-film","category-horror","category-music","category-painting","category-photography","category-science","category-sculpture","category-surrealism","category-theatre","category-typography","tag-andy-graham","tag-burt-shonberg","tag-christine-burgin","tag-cornelis-floris-the-younger","tag-edgar-allan-poe","tag-george-grella","tag-gus-mitchell","tag-internet-archive","tag-jeff-preiss","tag-jim-broadbent","tag-johannes-van-doetecum-the-elder","tag-jon-hassell","tag-josiah-mcelheny","tag-kelli-anderson","tag-ken-campbell","tag-lanta-davis","tag-lou-reed","tag-lucas-van-doetecum","tag-quay-brothers","tag-rene-daumal","tag-robert-anton-wilson","tag-robert-lockhart","tag-robert-shea","tag-roger-corman","tag-roger-gilbert-lecompte","tag-ronald-shannon-jackson","tag-sukhdev-sandhu","tag-transglobal-underground","tag-vince-reighard"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-798","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/27474","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=27474"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/27474\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=27474"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=27474"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=27474"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}