{"id":27208,"date":"2024-08-10T19:00:31","date_gmt":"2024-08-10T18:00:31","guid":{"rendered":"https:\/\/www.johncoulthart.com\/feuilleton\/?p=27208"},"modified":"2024-08-10T16:43:29","modified_gmt":"2024-08-10T15:43:29","slug":"weekend-links-738","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2024\/08\/10\/weekend-links-738\/","title":{"rendered":"Weekend links 738"},"content":{"rendered":"

\"rossetti.jpg\"<\/a><\/p>\n

How They Met Themselves (1860) by Dante Gabriel Rossetti.<\/em><\/p>\n

\u2022 At Igloo magazine: Justin Patrick Moore interviews inventor and electronic music composer Don Slepian<\/a> about his life and work.<\/p>\n

\u2022 At The Washington Post<\/em> (archived link): Michael Dirda<\/a> in praise of weird fiction, horror tales and stories that unsettle us.<\/p>\n

\u2022 At The Daily Heller: Tina Touli\u2019s explosively twirling typography<\/a>. Steven Heller’s font of the month is Doublethink<\/a>.<\/p>\n

\u2022 At Colossal: Dreams and memories form and dissipate in Tomohiro Inaba\u2019s delicate iron sculptures<\/a>.<\/p>\n

\u2022 At Unquiet Things: Jerome Podwil\u2019s captivating cover art<\/a>.<\/p>\n

\u2022 New music: Strangeness Oscillation<\/em><\/a> by 137.<\/p>\n

\u2022 At Dennis Cooper’s: Craig Baldwin<\/a>\u2019s Day.<\/p>\n

\u2022 Br\u00ecghde Chaimbeul\u2019s favourite albums<\/a>.<\/p>\n

\u2022 Penguin Series Design<\/a><\/p>\n

\u2022 Double Image<\/em><\/a> (1971) by Joe Zawinul | Double Flash<\/em><\/a> (1999) by Leftfield | Double Rocker<\/em><\/a> (2001) by Stereolab<\/p>\n","protected":false},"excerpt":{"rendered":"

How They Met Themselves (1860) by Dante Gabriel Rossetti. \u2022 At Igloo magazine: Justin Patrick Moore interviews inventor and electronic music composer Don Slepian about his life and work. \u2022 At The Washington Post (archived link): Michael Dirda in praise of weird fiction, horror tales and stories that unsettle us. \u2022 At The Daily Heller: … Continue reading “Weekend links 738”<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[2,42,4,29,7,22,48,26,3,44,41,15,10],"tags":[13609,13610,12623,2689,13605,13608,13611,13604,13612,5438,2407,1536,13606,13607],"class_list":["post-27208","post","type-post","status-publish","format-standard","hentry","category-art","category-books","category-design","category-electronica","category-film","category-horror","category-illustrators","category-lovecraft","category-music","category-painting","category-sculpture","category-technology","category-typography","tag-137-group","tag-brighde-chaimbeul","tag-craig-baldwin","tag-dante-gabriel-rossetti","tag-don-slepian","tag-jerome-podwil","tag-joe-zawinul","tag-justin-patrick-moore","tag-leftfield","tag-michael-dirda","tag-stereolab","tag-steven-heller","tag-tina-touli","tag-tomohiro-inaba"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-74Q","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/27208","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=27208"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/27208\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=27208"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=27208"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=27208"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}