{"id":27190,"date":"2024-07-31T16:30:28","date_gmt":"2024-07-31T15:30:28","guid":{"rendered":"https:\/\/www.johncoulthart.com\/feuilleton\/?p=27190"},"modified":"2024-07-31T15:54:58","modified_gmt":"2024-07-31T14:54:58","slug":"daybreak-in-the-universe-a-film-by-julius-horsthuis","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2024\/07\/31\/daybreak-in-the-universe-a-film-by-julius-horsthuis\/","title":{"rendered":"Daybreak in the Universe, a film by Julius Horsthuis"},"content":{"rendered":"

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Being 25 minutes of alien architecture, or extraterrestrial lifeforms, or DMT landscapes… There’s something of all these things in Daybreak in the Universe<\/em><\/a>, a journey through shimmering fractal geometries, with music by synthesist Michael Stearns from his 1980 album, Morning Jewel<\/em><\/a>. Looks best on a big screen, needless to say. There are similar explorations at the Julius Horsthuis YouTube channel<\/a>.<\/p>\n

Via Scotto Moore<\/a>.<\/em><\/p>\n

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Previously on { feuilleton }
\n\u2022 Cosmic Flower Unfolding, a film by Ben Ridgway<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

Being 25 minutes of alien architecture, or extraterrestrial lifeforms, or DMT landscapes… There’s something of all these things in Daybreak in the Universe, a journey through shimmering fractal geometries, with music by synthesist Michael Stearns from his 1980 album, Morning Jewel. Looks best on a big screen, needless to say. There are similar explorations at … Continue reading “Daybreak in the Universe, a film by Julius Horsthuis”<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[7,15],"tags":[13595,13406],"class_list":["post-27190","post","type-post","status-publish","format-standard","hentry","category-film","category-technology","tag-julius-horsthuis","tag-michael-stearns"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-74y","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/27190","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=27190"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/27190\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=27190"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=27190"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=27190"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}